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Meet the hero and heroine of Gwen’s Ghost by Alicia Rasley and Lynn Kerstan, Book #5 in Regency Masquerades, six sparkling Regency romances in one ebook–currently 99 cents!

At the ballroom door…

Master of Ceremonies: Well, this is an interesting pair! They must not be a couple, I note. They don’t even seem to acknowledge each other, though they’ve arrived together. And they are not well-matched. The gentleman is impossibly handsome and impeccably dressed—perhaps too impeccably. I doubt I have ever witnessed a more opulent cravat arrangement. And the stickpin! My word.

The lady, well, she is properly attired. Quite properly. Quite primly. Though her lilac-gray silk gown already has rather a high neck, she has added a white fichu to conceal any glimpse of bare skin. Now she raises her assertive chin, and I can see a spray of freckles across her cheeks, and a militant light in her large hazel eyes.

He stretches out a hand. “Welcome to our ball. My lady. Sir.”

Lady and Gentleman: The lady gives a sniff, and after a moment the gentleman makes the introduction.

Gentleman: “This is Miss Gwendolyn Sevaric. And I am…” A pause. ” Jocelyn Vayle.”

Lady: “So you say.” She turns to the Master of Ceremonies. “He also says that he has no memory of his past. He took a blow to the head—well, that much is true–”

Gentleman: “As I recall, the blow came while I was—” pause for effect—”saving your life.”

Lady: “You remember that, but nothing else, such as who you are and what sort of scandal you are escaping? Rather convenient, isn’t it?”

Master of Ceremonies: “You think he is lying?”

Gentleman: “Balderdash! Why would I lie about such a thing?”

Lady: Casts a scornful glance at him. “Yes. Why? That is what I would like to know. I do not even credit that name—Jocelyn Vayle—is your own.”

Gentleman: “Struth, if I were to invent an identity, why would I choose such a name? Surely I’d choose something more dramatic, more epic. Valerian, for example. That is a name with resonance.”

Master of Ceremonies: Interposes before Miss Sevaric can riposte. “Miss Sevaric. Miss Vayle. Welcome indeed! Ah! The orchestra is striking up. I like nothing so much as seeing handsome young persons like yourselves whirling out on the dancefloor.”

Lady: “I don’t dance.”

Gentleman: “Well, I do. Quite well, in fact.”

Lady: “Oh, that you remember, do you? Not your past, not your purpose, not your intentions towards my family and fortune… but you remember how to dance.”

Gentleman: “Yes, and if you’d like, I’ll teach you.” Holds out his arm. She regards it skeptically, then glances about them, taking in the interested gazes of the dancers moving past.

Lady: Takes his arm. “Oh, very well. At least it will give me an opportunity to step on your feet.”

Gentleman: “You are so very bloody-minded, my petit mignon. But then, you are a Sevaric after all. Or should I say, a savage?” Laughs and grips her hand as she tries to pull away.

Master of Ceremonies: I surely hope they can make it to the dance floor without doing violence to each other. I wonder—what is between them? They seem so familiar, so easy with each other, and yet they feud like enemies! And she clearly has no trust in him. She is an intelligent lady—a bluestocking, certainly—and perhaps she is right to suspect him. Mr. Jocelyn Vayle is so smooth, so charming, and yet he is just a bit, oh, out of place. What is he hiding? And how is it that she, among all these people, is the only one who senses that he is not what he claims to be?

Behind the chinoiserie screen…

I’m Alicia Rasley, co-author of Gwen’s Ghost with Lynn Kerstan, and I must confess to be a bit seduced by that gentleman’s charm and good looks. Yes, Mr. Jocelyn Vayle is out of place in Regency London. He is just a bit too extravagant, too amused, for this grim time of war and unrest. But he is so charming! His smile is generous and his voice has a most pleasant undercurrent of laughter. But I have to admit that Gwen is right to suspect that “Mr. Jocelyn Vayle” is masquerading. She is even correct when she hazards that this is not his real name and is just pretending to have lost his memory. However, as skeptical as she is, she will never guess the truth. Mr. Vayle isn’t just out of place; he is out of time too—in more ways than one. He is in the wrong time, and he is out of time to save himself from a dire fate. And only Gwen—who doesn’t like or trust him one bit—can help him find his way home.

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RITA winner for Best Regency!

“A delicious, delightful romp!”  (Literary Times)

Gwen’s Ghost is just one of six sparkling Regencies in Regency Masquerades, an ebook set which also includes books by Brenda Hiatt, Allison Lane, Gail Eastwood and Elena Greene. Regency Masquerades is available at Amazon, Barnes & Noble, iTunes and Kobo Books. Buy now for just 99 cents!

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For updates and news on Regency Masquerades and the authors in the set, like us on Facebook.

And now for a giveaway!

poeticjustice

A renegade rare-books dealer and a heiress-in-waiting must embark on a sham betrothal for the loftiest of literary aims– to prove that Shakespeare really was… Shakespeare.

John Dryden is on the trail of the greatest acquisition of his checkered career– a play manuscript written in Shakespeare’s own hand. Between him and his prize is an obsessed librarian who wants to destroy it… and the heiress who can lead him to it, but only if he’s willing to risk his life, his freedom, and his loner’s heart.

“Poetic Justice is extremely enjoyable with a perfect blend of adventure, humor and romance.” – Nonesuch Reviews

Do you enjoy Regencies with a paranormal element?  What are some of your favorites? Comment for the chance to win a copy of Poetic Justice for Nook or Kindle. All winners will be announced on Sunday.

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Since I’m going to be messing around on planes and stuff today (off to the JASNA AGM in Montreal, which I’ll tell you Carol Roddy - Author  all about next time) I invited debut author Caroline Warfield to visit. You’ve gotta love a writer whose tagline is “love is worth the risk.” Caroline will be giving away a kindle copy of her book Dangerous Risks (many choices of entering below) and I’ll announce a winner on Monday.

Find out more about Caroline on Twitter @carowarfield, Facebook, and Pinterest.

coverHere’s a snippet of what the book is about:

Lady Georgiana Hayden has struggled for years to do scholarly work in the face of constant opposition and even outright derision from the scholarly community at Cambridge. Her family ignores her as long as she doesn’t draw attention to herself.

A little Greek is one thing; the art of love is another…

What brought you to writing romance?
Like most writers, I read. I read omnivorously, but I usually have a non-fiction (almost always history or biography) and a romance in process. What you read finds its way to what you write, and historical romance became inevitable.

What was the idea behind Dangerous Works?
I began with a “what if.” Women’s history and women’s literature have been much studied in recent years. I wondered what would have happened if a woman had tried that line of study in 1815. I pushed the year forward to give the hero, Andrew, some time after Waterloo. He is weary, wounded, and looking for meaningful scholarly work.

Your storyline is obviously influenced by Persuasion. What are your other inspirations?
It tickles me when people make that comparison. I had no thought of that when I was writing, but Persuasion has always been my favorite of the Austen books. My big influences are writers that explore the emotional growth of mature, complex, but damaged or imperfect characters: Mary Balogh, Carla Kelly, Mary Blayney.  Can I brag a little? When Ms. Balogh read the book she said. “Bravo! …a day of happily absorbed entertainment.”  That was super affirming.

Tell us about something interesting you turned up in your research.
From locri Pinax_with_Persephone_and_Hades_Enthroned,_500-450_BC,_Greek,_Locri_Epizephirii,_Mannella_district,_Sanctuary_of_Persephone,_terracotta_-_Cleveland_Museum_of_Art_-_DSC08242Of course I spent some time looking for women poets in ancient Greece. In the midst of it I was very intrigued to learn about Locri, a Greek colony in what later became Italy. It was the center of a women’s cult around a temple to Aphrodite and also Persephone. In Dangerous Works, The heroine, Georgiana, struggles to translate epigrams by Nossis of Locri for two reasons. One is her lack of an understanding of some of the names and images. The other is her inexperience in love. Faced with a choice between ‘love’ and ‘eros’ to translate a particular word, she chooses ‘desire’ instead.

Nothing is sweeter than desire
All other pleasure is second to it.
Even honey I spit from my mouth.

800px-Favourite_PoetImages in the rest of the poem about Aphrodite and those whom she does not or has not loved are full of possible double meanings and improper implications she has to puzzle out.

Tell us about the Dangerous Series. How are they linked, other than by title?
The heroes of the books grew up together, went to war together, and are all now trying to make a life for themselves. Dangerous Works will be followed by Dangerous Secrets, scheduled for Winter 2015. It tells the story of Andrew’s good friend Jamie Heyworth, a down on his luck former major. He longs to please and worships his friends, but a huge mistake fills him with shame so great he has run off to Rome to hide from them. Dangerous Weakness, still in process, covers Georgiana’s brother and Andrew’s good friend, the arrogant, interfering Marquess of Glenaire who thinks he can control everything. He is Mr. Perfect and I’m having fun tripping him up and leading him into folly. He will chase the heroine across the Mediterranean to Constantinople. Those two stories will be followed by a Christmas novella about their cheerful friend Will, an earl who would rather be a farmer.

What’s the last great book you read?
So many books; so little time! The last great book I read was probably The Island in the Center of the World, a history of New York. I’m hesitant to list the fun books I’ve read recently (aka historical romance) for fear of leaving someone off.

What do you do when you’re not writing?
My husband and I recently moved to the Philadelphia area to be near our grandson. We’re able to indulge the things we love most: time with the grandbuddy, history, and genealogy. We have along list of houses, museums and battlefields to tour that keeps us anchored, but Europe and more exotic locales are calling.

What’s risky about your book?
Love is risky! In the case of Dangerous Works, the heroine Georgiana has to overcome her fear of losing her independence and learn to trust a man who hurt her in the past.  The hero, Andrew, risks his hope of a scholarly career by helping a despised amateur; he also risks his heart, trampled once before when he dared to love Georgiana. Family interference looms over them both. She is the daughter of a duke; he is a schoolmaster’s son.

Wow! Scholar heroines, exotic settings (in future books, not Cambridge!)–tell us what you like about those tropes.

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Amanda will be back with her regularly scheduled Tuesday post next week, because this week she is busy being on her honeymoon!  Wedding pics will surely be shared then.  This week, we’re visiting the Wild, Wild West with guest author Linda Carroll-Bradd.  Comment for a chance to win a copy of her latest title….

Stagecoach Travel in Texas– Only The Hardy need Apply

In the mid-1800s, people needed determination and patience to travel from one side of Texas to the other. Early in the Civil War, the government banished the Butterfield Overland route that had been an established route from St. Louis, Missouri to San Francisco through the southern states. Subsequent to the war, shorter routes were established between population centers. Stagecoaches ran on a weekly or bi-weekly schedule. A trip from St Louis to San Francisco involved about 25 days of travel. The coaches were drawn by six horses and stops were made every 12 miles for fresh teams. Depending on the terrain, coaches covered between 5 and 12 miles per day—running day and night. Passengers were grateful to get hot coffee, biscuits and jerky at these stops; on rare occasions, hot meals were available.

BW stagecoachThe suggested items to travel with would have filled a large satchel or three. In addition to their clothing, passengers were admonished to pack 6 pair of thick socks, woolen underdrawers, blankets—one in summer and two in winter, 3-4 towels, heavy overcoat, light coat, hat and their choice of pistol or knife for personal protection. A lady such as Jessamay Morgan from San Antonio reading that list and traveling in summer would probably not worry about the woolens or blankets.

Once Jessamay got inside the stagecoach, she would have had her choice of window or middle position (approximately 15” in width) on either a forward or backward-facing bench seat. She would not have wanted to be the last to board because that would leave her on the middle bench with no backrest. As she set out on her journey, she could read the rules about men forgoing swearing and smoking in a lady’s presence, but tobacco chewing was allowed, as long as the chewer spat downwind. I would hope so. Or if the person (presumed to be a male) couldn’t refrain from drinking alcohol, then he must pass the bottle around. Yum. Snoring loudly or using another passenger’s shoulder as a pillow was frowned upon. Improper advances toward a woman could get the male kicked off the stagecoach in the middle of nowhere. Nothing about a woman making a pass was mentioned. Forbidden topics of conversation were stagecoach robberies and Indian uprisings. Sounds like a smart rule. Passengers were encouraged not to jump from the stage in case of runaway horses so as not to be left victim to the weather, hostile Indians or hungry coyotes. Ouch.

Capturing.the.Marshalls.Heart.webJessamay had a purpose and she looked at all these strictures as part of her great adventure. She was done with the life at Miss Veronica’s Pleasure Palace and wanted to see mountains—at least until she set her gaze on a handsome stage passenger, Slade Thomas. But nothing every goes as planned. The “excitement” of her first trip is interrupted by a holdup, and she and Slade fight the clock to outwit the bandits.

Capturing The Marshal’s Heart is available only on Amazon. http://amzn.com/B00EKS4OHS

More information on Linda Carroll-Bradd and her other titles can be found at www.lindacarroll-bradd.com, http://blog.lindacarroll-bradd.com, Twitter https://twitter.com/lcarrollbradd, and Facebook at http://www.facebook.com/pages/Linda-Carroll-Bradd-author/44081494263528

I’m taking a little blogging break for a couple of weeks, but we have an excellent guest blogger today, talking about the gorgeous city of Bath!  Keira Soleore is a a freelance book editor, a content editor for a travel start-up, and a medieval & Regency romance aspiring writer.  Visit her at www.keirasoleore.org….

Anyone who has visited Bath, England comes away with loving memories of a city rich in history and beauty. As Samuel Johnson wrote: “Let me counsel you not to waste your health in unprofitable sorrow, but go to Bath and endeavour to prolong your life.” For seventeen centuries, the City of Bath has hosted visitors from all walks of life believing exactly that. There’s this fan of Bath, H.V. Morton, who in 1927 wrote: “I like Bath. It has quality. I like Bath buns, Bath Olivers, Bath chaps, Bath brick, Bath stone (which to my London eyes is the beautiful sister of Portland stone), and watching the Bath chairs dash past.” Honestly, do you see any denizen of a Bath chair (AKA wheelchair) wanting to dash about the steep hills of the city?”

This gem in the Avon river valley lies over a volcano that sends up hot mineral water to the surface. King Bladud, who reigned in England 900 years before Christ is credited with the discovery of these springs. The first shrine at the site of the hot springs was built by Celts and was dedicated to the goddess Sulis, whom the Romans later identified with Minerva. Agricola arrived in Bath in the Roman year of 861. He called the city Aquae Sulis and constructed the temple to Minerva in 70 CE. He brought with him a taste for the Roman life, including public bathing, wearing of togas, traveling on well-constructed roads, and building temples and government buildings.

The waters of Bath were a natural draw for the elderly and the sick in the belief that bathing in and drinking of these waters cured the sufferers of all ailments, real and imagined. The Roman Baths that still stand today were built over the course of 300 years. King Bladud’s statue, which stands proudly in these baths, is saluted to in the whimsical words of Richard Brinsley Sheridan “Bladud assures me: Tho’ in his youth, about three thousand years ago, he was reckoned a man of Gallantry, yet he now never offers to take the least advantage of any lady bathing here.”

Bath1While public bathing continued to be the mainstay of life in Bath, many people disapproved of the practice. John Wood the Elder was much preoccupied with the licentious behavior in the baths: “Modesty was entirely shut out of them; People of both Sexes bathing by Day and Night naked.” Can you sense the outrage dripping in each syllable there? Many archdeacons and rectors over the years tried to school people in modesty;drawers for men, smocks for women, and no intermingling of the sexes. But people continued to court excommunication in order strip naked and enjoy bathing in their natural glory.

RoyalCrescentWhile John Wood the Elder was airing his views, John Wood the Younger was involved in a different project. He designed and built the Royal Crescent, a row of 30 terraced houses laid out in a sweeping crescent. This greatest example of Georgian architecture was built between 1767 and 1774 and is among the most enduring landmarks of Bath. Be sure to visit Number One Royal Crescent to see a typical townhouse in Georgian times. The others crescents to visit are the Lansdown Crescent and The Circus.

PumpRoom The Grand Pump Room, built in 1789 in the Abbey churchyard, was where the Georgian and Regency nobility gathered in the mornings to partake of the sulfurous waters. It was a place to see and be seen, and people dressed carefully for the occasion. Gossiping over glasses of the water was considered the norm as was promenading around the room. Nowadays, you can visit the building for a meal in the reputable restaurant.

The Bath Abbey, AKA The Abbey Church of Saint Peter and Saint Paul, was a former Benedictine monastery, but is now an Anglican parish church. It was founded in the seventh century, rebuilt and/or restored in the 12th, 16th, and 19th centuries. The abbey currently seats 1,200 people and continues to be actively used for religious services, various non-religious ceremonies, and also concerts and lectures. Small eclectic restaurants and shops have sprung up in the lanes surrounding there to cater to the thousands of tourists who throng to the abbey every year.

SallyLunnOne of the oldest houses in Bath and the origin of the famed Bath buns, Sally Lunn’s House is a must visit for its traditional but varied menu. The Sally Lunn Bun is like a teacake made with a yeast dough, cream, eggs, and spice and is very similar to French sweet brioche.

The 148-foot long 58-foot wide Pulteney Bridge, across River Avon, has been in continuous use since 1774. Sir John Soane’s Museum in London in 2000, I saw Robert Adam’s original drawings for this bridge. To this day, it is only one of four bridges in the world to have shops across its full span on both sides.

And finally, I cannot end an account of Bath without mention of one of its most famous visitors, Jane Austen. In 1897, she wrote in Northanger Abbey, “They arrived at Bath. Catherine was all eager delight;her eyes were here, there, everywhere, as they approached its fine striking environs, and afterwards drove through those streets which conducted them to the hotel. She was come to be happy, and felt happy already. they were soon settled in comfortable lodgings in Pulteney Street.”

Posted in Guest, History | 3 Replies

I’m so excited to welcome today’s guest blogger to the Riskies!  Sheri Cobb South is the author of the fabulous Regency-set John Pickett mysteries.  One commenter will win a signed ARC of her newest title, Family Plot….

Sheri2In many ways, the history of London’s Bow Street force is too complex to be covered adequately in a blog. Whole books could be written—and have been—about this 18th century precursor to Scotland Yard. In his introduction to Henry Goddard’s Memoirs of a Bow Street Runner (William Morrow and Company, 1949), Patrick Pringle notes the lack of contemporary sources, almost all the official records having been destroyed in 1881, when the Bow Street Police Office moved from its original site adjacent to Covent Garden Theatre across the street to the site where the Bow Street Magistrate’s Court building may still be seen.

Sheri3Still, certain factoids concerning the Bow Street force—their red waistcoats, for instance—turn up again and again in novels, assumed by authors to be accurate by their very ubiquitousness; this was certainly my own view when I set out to create Bow Street Runner John Pickett and his world for my mystery series. But when I discovered the aforementioned Memoirs, published by Goddard’s grandson’s widow from his notebooks, I realized that many of the things I thought I knew about Bow Street were wrong.

Take those red waistcoats, for instance. They are accurate to a point; the Horse Patrol wore them, as did, later, the foot patrol. But the Runners were always a plainclothes force, and very deliberately so: the independent English mind had a horror of the kind of martial law found in European countries, and Bow Street founder Henry Fielding (he of Tom Jones fame) had the wisdom to know that anything resembling a uniform was to be avoided. Even when the Horse Patrol costume was standardized half a century later, in 1805, every care was taken to be sure that their blue coats and red waistcoats looked as much like civilian dress as possible.

Nor was everyone on the Bow Street force created equal—and not everyone was a Runner. The members of the Foot Patrol worked at night, and earned the lowest wages at half a crown—two and a half shillings—a day. As one might expect, this bottom rung of the ladder was where many eventual Runners started out, including memoirist Henry Goddard. He enlisted in the Foot Patrol in 1824, five years before Robert Peel’s Metropolitan Police would begin to encroach upon the Runners’ territory. Within a year or two Goddard was promoted to the Day Patrol at a salary of three shillings and sixpence per day. Finally he rose to the position of principal officer—those individuals we know as Runners. (He was twenty-six years old at the time, which told me I was not too far afield in letting my precocious young John Pickett achieve that position at age twenty-three.)

Bow Street Runners were paid twenty-five shillings a week, but they had other ways of supplementing their income. The first of these was by private commission on behalf of anyone who was able to pay them. The fee for their services was usually a guinea a day and, if the case should take them beyond London, fourteen shillings a day for travel expenses, including meals and lodging. If the case was successful, a reward would be paid as well.

Another, more controversial, income stream derived from the longstanding practice of offering payment for convictions. As one might imagine, such a system invited corruption, which had reached its peak (or perhaps its nadir) with the 18th century “Thief-Taker General” Jonathan Wild, who enticed the young and/or gullible into committing crimes so that he might collect rewards for bringing them to justice. Although Wild was hanged for his crimes almost a quarter-century before Fielding’s establishment of the Bow Street Runners, his memory still lived in the public consciousness, and even in death he managed to blacken the reputation of a Bow Street force which operated under a very similar system.

Sheri1While the creation of the Metropolitan Police in 1829 marked a change in law enforcement in what was the most populous city in the world at the time, it did not mean the immediate end of the Bow Street Runners. They continued in their role of detectives, and their civilian dress gave them advantages over the uniformed—and consequently more conspicuous—New Police. It was not until 1839, ninety years after their founding, that the Bow Street Runners ceased to exist. Even so, Henry Goddard continued to operate as a private detective as late as 1856, and very likely longer.

In addition to giving us an insiders’ look at the sort of cases a Bow Street Runner might be called upon to investigate, Goddard’s Memoirs offer a glimpse of the birth of modern forensics. In one of his cases, for example, he recalls his discovery that the balls fired from a particular gun left holes of a distinctive shape—a circumstance that allowed him to identify the exact weapon used.

Memoirs of a Bow Street Runner is out of print today, but might still be found through interlibrary loan or used-book sites such as www.bookfinder.com.

Posted in Guest, History | 11 Replies
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