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Category: Isobel Carr

I’ve been putting together another release (I know, it feels like a flood), so I thought I’d talk for a moment about short fiction. Shorts are very popular right now, and while many think it’s because they’re faster to write, honestly, a good novella or short story can take a really long time to produce. A friend who can write a hundred thousand word novel in six weeks once complained that it took her twice that long to write a novella.

Cover by Jessica T. Cohen

I have a short that I wrote years ago for Arabella Magazine (anyone else remember that short-lived publication?) They published one original piece every month, and the novelette I wrote for them was the first thing I ever sold. When they folded before it came out, I was crushed. But then Kindle Shorts was a thing, and I thought I could get into that. I don’t remember exactly what happened, but it didn’t work out.

So I stil have this little novelette (shorter than a novella, longer than a short story)…I put it up on my website as a freebie. I have no idea how many people ever read it. But it seemed reasonable to put it out now that I’m self publishing and shorts are popular and accepted.

I also have an honest-to-god short story laying around. It was written for a Christmas blogathon based on the Twelve Days of Christmas (I got Three French Hens). It’s long since disappeared from the web, and it’s fun, so I added it in as a bonus.

It should be up for pre-sale any minute now…when Amazon gets the link up, I’ll come back and add it. And it’s a pre-SALE. 99-cents and then it goes up to $2.99.

TEMPTATION INCARNATE (sale is live!)

A beautiful viscount falls for his best-friend’s mannish sister. Yes, it’s classic me.

An impossible challenge … Eleanor Blakely is all too aware that her reputation dangles by a very slender thread, unfortunately, she’s found herself in the midst of a delicious series of wagers with a consummate charmer, and she can’t seem to stop herself from saying yes to every wicked proposition. Whatever twist of fate has kept his best friend’s sister on the shelf is a mystery to Viscount Wroxton, but when the inveterate little gamester suddenly catches his attention, she’s entirely is too fascinating to ignore. The fact that she has five enormous brothers is hardly worth thinking about—she’s thrown down the gauntlet, and he has no intention of losing, whatever the cost…

I’ve never written a holiday novel or novella, but I have written books that include Christmas, and it’s fun to look and see what traditions that are familiar to us now would also have been familiar to my characters. Sometimes, the answers are surprising. I turned, as I often do, to THE ENGLISH YEAR by Steven Roud. A lot of what we associate with Christmas now is decidedly Victorian, and was built upon a mythos of a “Merrie England” that never existed. But if you dig back, there are LOTS of local traditions that fell by the wayside during the industrialization of England (as people moved away from home, they didn’t practice their traditions which would have been strange to their new neighbors, and didn’t adopt those of their new homes, as they were strange to them). But those of us who write in the 18th century and the early 19th century can still draw on those local traditions. And those writing in the Victorian era can make hay with the reinvention of that “Merrie England” to which most of our current Christmas traditions harken back. If your book is set post 1847, you can even have Christmas Crackers!

Yule Log with bands by Roger Griffith
Wikimedia Commons

Many places had traditional dances, murmmers, plays, wassails, etc. A book like Roud’s is great for researching these local festivities, as is Wikipedia. And there is always the Yule log. Not writing someone in a grand house with a giant fireplace? Perhaps “the ashen faggot” is more their speed? A bundle of twigs around a larger log, all held together with fresh/green branches (willow was also used). People would sit around and sing carols and cheer when the “withes” burst. Cider would be passed and drunk as the bands broke, and in some traditions, the bands were assigned to girls, prediction who would marry first. I can see lots of fun being had with this in a village hall or a more modest home.

In places with a church with bells, someone (or a team of someones) might have been found “ringing the devil’s knell” on Christmas Eve. There must be one ring (about every two seconds) for every year since Christ’s birth, timed to end at Midnight. This is something you can do in any setting.

Decorations. Historically, they were not put up early as we do now. That was considered unlucky. And they usually consisted only of greenery and candles (anything that was evergreen could be used, but of course holly and mistletoe were popular). Mistletoe, then as now, was a kissing game, but you had to pluck a berry off the ball of mistletoe for each kiss and when the berries were gone, so were the kisses.

Trees. Yes, it is commonly asserted that Christmas trees were introduced by Prince Albert in the late 1840s, and that’s certainly when they spread to the masses, but they were introduced much earlier by other Germans who immigrated (including Queen Charlotte). Charles Greville noted one in 1829, that the Princess Lieven had three large trees in pots put upon a table, lit with small candles, and surround by gifts for the children.

Do you have a favorite Christmas tradition or a favorite Christmas romance? I think mine is the way my parents always wrapped our presents from “Santa” in white tissue paper with real cloth tartan ribbon. It was very “Merrie England” and “Ye Old Christmas, and I absolutely adored it. I think this Christmas I’ll start doing that for my niece and nephew.

I want to apologize for missing last month. As you know, there was kind of a lot of stuff going on, and frankly, I was just too distracted.

I recently got a fascinating new research book: The Sparkling Company, Reflections on Glass in the 18th-Century British World. It was put out by the Corning Museum of Glass, and it’s a deep dive into all the ways glass was used during the era. It would be a fantastic book for anyone looking to know more about the industry and uses of glass for a book (perhaps one of your protagonists owns a glassworks of some kind?). I’m sure we’re all familiar with it’s more mundane uses (windows, drinking glasses, mirrors, lenses, and jewelry), but there was some really interesting information in the clothing section.

Yes, they covered things like paste shoe buckles and buttons, but they also featured some more obscure uses such as “foil stones” (aka foil-backed paste) being sewn directly to clothing. This style was popular in both France and England in the 1780s (there are numerous reports of both the Prince of Wales and his sisters wearing garments decorated in this style).

Detail of a man’s suit, c. 1780s

Another type of glass that was a popular embellishment was jet (frequently described as “jais” or “geais” on fashion plates. This was simply small glass bugle beads that were usually black (though sometimes they are described as of “diverse colours”), and were one of the few things considered appropriate for mourning clothing (when you’re supposed to be sad, but you just need a little sparkle!). You see them combined on clothing with steel sequins/spangles, which would reflect the light, but not in a super flashy way.

Detail of a fashion plate, 1798 showing a headdress with jet beads.

They also used tiny seed beads strung together to create pictures on everything from shoes, to garters, to ridicules (sometimes called “sablé”). I usually think of this as a more Victorian form of decoration, but these examples are from as early as the 1730s.

Beaded mule, c. 1730-1770

And because you all know how much I love a fancy, naughty, garter…

Beaded garter, c. 1730-1770.

One of the many things I love about the late eighteenth century is men’s waistcoats. In my opinion, they pretty much reach their zenith of beauty and design during the 1780s/1790s. As men’s suits become plainer, their waistcoats hang on as the major garment for adornment and design. Fanciful embroidery rules the day, often pictorial in nature, sometimes incorporating spangles, bullion thread, lace and netting overlay, and even paste/glass gems.

They give an author a means of expressing character via clothing. Is the hero conservative in his clothing choices? Does he let himself have a little fun with a waistcoat depicting ballooning, fanciful beasts, humble rural landscapes and hardworking farmers? Is he peacock who lets his waistcoats run riot with lace and spangles? My novelette, Temptation Incarnate, has such a hero. My cover artist and I had a blast figuring out that we could add a pattern to his waistcoat (even if the detail is almost impossible to see; we did it for US!).

Recently, Zack Pinset (Regency gentleman extraordinaire) gave a wonderful online workshop about Regency men’s clothing (follow the link and enjoy!). I immediately learned new things about men’s stockings from him (I had no idea about the channel for a tie/internal garter on some of them!). But it was his section about waistcoats that really caught my eye. Before the workshop was even over, I’d found the book he shared and pounced. My copy arrived last week, so I thought I’d share some highlights of Gilets Brodés modéles du XVIII.

Below is an example of a pre-embroidered waistcoat. This is how most of these would have been sold. They would have been imported from China or France, in a one size fits most pattern that would be cut and altered to fit the wearer. It comes complete with pocket flaps and buttons.

Fanciful Fungus
Insects and arachnids. Very suitable for your scientist hero.
Mussels and coral
An idyllic rural scene

If only my French were good enough to read the book … *sigh*

Join me!

Who doesn’t love a twisted inheritance plot? They’re fun, high stakes, high angst, great external plots, and just plain delightful. But they’re also legal quagmires and can be hard to get right if you don’t want to spend your free time parsing obscure legal books and case law (and it’s seriously no fun when reviews point out that your plot isn’t just implausible, it’s legally impossible!). Lucky for you, this is literally what I do for a living at the day job (read, explain, and implement obscure rules, regulations, and laws).

I gave an in-person workshop on this topic several years ago (and boy was it hard to cram it all into a 45 min talk), and now I’m going to be offering it as an online workshop through the Beau Monde. This is the absolute best format for this kind of workshop. We’re going to take a whole month to luxuriate in the topic. We’re going to go deep into case law. We’re going to talk about real cases. And I’ll be able to answer all your questions and give you the legal citations from the Peerage Law Handbook to back up your wacky inheritance plot. We’ll make sure that if you’re ever challenged about your plot being unrealistic or fantastical, you can point to a real case and legal precedent.

What will we cover?

Well, everything I can think of to talk about and show you real examples of from the Peerage Law Handbook.

  • The creation of a peerage (and why that matters)
  • What the heck is in fee simple
  • Procedures on claims
  • How (and when!) to dispute a claim
  • What does it mean when the “blood has been enobled”
  • Who can dispute a claim
  • Why women can inherit some titles, but not others
  • What are co-heirs
  • How two brothers can both inherit a title
  • How/why does a title go into abeyance, and how does it come out
  • Can the King really take back your title and lands
  • Why are there two Earls of Mar
  • Does it matter if the peerage is English, Scottish, Irish
  • When can titles be broken apart and inherited by different people
  • Can an illegitimate child inherit a title
  • And so much more!

Registration is open now. Class begins May 1st. Join me! I promise it will worth your time and money. You don’t have to be an author, either. I’m happy to have readers who want to know more about the topic join us, too.

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