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Category: Jane Austen

My post today is inspired by Elena’s topic yesterday about digging deeper into Prinnyland and it’s also something that’s been on my mind for a time. With no exceptions, everyone who wrote to me about Dedication said how much they liked the older hero/heroine—people seemed to love the idea of a pair of lovers who’d been around the block. And it got me thinking about how fiction treats the, ahem, older generation. The pic here is of the Wife of Bath. I’m not sure how old she was, but the average age during Chaucer’s time, thanks to warfare, the plague, and other rigors of medieval life, was in the early twenties. Aargh. Imagine a world where major decisions were made by fratboys.

First to Emma, where Mr. Woodhouse is described as being not old in years, but embracing the role of elderly hypochondriac with passion. Emma is twenty-one. So is my daughter. Mr. Woodhouse could be younger than me. Oh. My. God. (as we say in blogland). Now certainly, for women at that time, if by a certain age you hadn’t snapped up a husband, you threw in the towel, grabbed an unbecoming spinster’s cap and descended into middle age—just like Miss Bates. And, as I’ve mentioned before, Miss Bates could be the same age, or younger, than Mr. Knightley, who because he is male and rich is far above her on the status scale. Mr. Knightley’s single state is admired, not despised, because it’s seen as an act of generosity toward the nephew who will inherit his estate.

In Mrs. Gaskell’s Cranford Miss Matty is described as an old lady. She is fifty-five. No comment. Again, she’s damned by gender, income and circumstances.

So how do older people fare in romance? As you’ve gathered by now I’m not that well read in the genre. I appreciate that we don’t want to read about sagging flesh, wrinkles, gray hair etc. etc. But Sean Connery gets just, well, hotter as he ages (note extraneous pic of Mr. Connery in his prime). I once pointed out to someone in a critique group that her heroine’s wise, loving, cookie-baking, homely mom came of age during Woodstock. (Was there a special ingredient in the cookies to provide the appropriate feelgood warmth of category romance?)

A big hand to my friend Stephanie Feagan whose heroine (named Pink) has a 50-something mom who sports sexy black bras and has trouble with her A/C—the A/C repairman visits. A lot.

Prinnyland, as I remember it, is full of gracious, loving matriarchs who obsess with planning their offsprings’ lavish weddings—strange in an age where most weddings took place in the drawing room and took about ten minutes as far as I can tell. Fathers are too often dead, or if alive, embarrassing (if not to the heroine, certainly to the reader) buffoons, who invariably have screwed up the family finances or have expensive and eccentric hobbies. There also seem to be far too many Lady Bracknell knock-offs. Please, set me straight. Tell me about the many, many exceptions. Where are the hot, older men? And hot, older women?

Oh, and my next book has a subplot featuring the hero’s widowed mom and her wild fling. Her eldest son is thirty. Do the math.

Janet

As some of you know, I’ve never thought that Marianne Dashwood of “Sense and Sensibility” deserved Colonel Brandon, or was a good match for him. Now, after years of complaining, I’m finally going to do something about it! (With your help, of course.)

We are going to find a new woman for Colonel Brandon! Who gets your vote?

How about Anne Elliot? She’s smart, she’s kind, and she isn’t a teenager. She doesn’t fall in love with cads. On the other hand, both she and Brandon are a bit brooding. Are they too much alike? Would their marriage be a depression made in heaven?

Jane Bennet is much more mature than Marianne, but just as blonde and pretty. And she doesn’t fall in love with cads either. She might not be up to his intellectual weight, though. Would Brandon soon tire of Jane’s sweet nothings? (Pretty much anything she says is a sweet nothing, after all.)

Elizabeth Bennet is smart, and she and Brandon could have invigorating discussions. Or is she too sharp for him? Does he fall in love with teenagers because he’s secretly insecure? Elizabeth might not have the flattering tongue he needs… Or is he confident in himself, and man enough for our Lizzy?

The Fanny Dashwood in the dreadful movie of “Mansfield Park” (which doesn’t deserve to be called a Jane Austen movie, but that rant’s for another time) definitely deserved a better fellow than Edmund! He’s a wimp, and falls in love with female cads! But is this Fanny too contaminated by Patricia Rozema’s movie to truly satisfy Brandon? How about the Fanny of Austen’s book? Would Brandon bring her out of her shell? She’s very young, but perhaps she needs a better defender than indecisive Edmund! And we know Brandon likes teenagers… 🙂 Then again, wouldn’t he be a much better grandfather to Jane Austen’s Fanny?

How about Jane Fairfax? Surely she can do better than that semi-cad, Frank Churchill! She’s quiet, just like Brandon — but is that a good thing or a bad thing? Would they both just sit around all day like lumps? Is she too perfect for him? Surely any woman who’s too perfect for Mr. Knightley would be too perfect for our Colonel Brandon! After all, anyone who falls for Marianne is clearly not looking for a flawless woman. (It could be argued he’s not looking for a woman at all, but that’s another rant for another time.)

Some of you seem to think that Duck-face Miss Bingley can be saved. Who better to do it than Colonel Brandon! Would true love transform her shallow desperation into warm maturity? Or would he end up a grump behind his newspaper like Hugh Laurie’s character?

Or, of course, you may choose to match Brandon up with Marianne if you wish, or with someone not listed here!

Who do you think Colonel Brandon should marry?

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Holt Medallion Finalist!

Last week we tried to marry off poor Colonel Brandon, who clearly deserves a good wife. (If you missed that discussion, you can still take part if you click here.)

This week — Elinor Dashwood!

(And for those of you who are wondering, yes — I do have a little problem with Jane Austen’s “Sense and Sensibility.”) 🙂

So. Elinor Dashwood. Who should she marry? Who will make her truly happy? YOU decide!

How about Colonel Brandon? He’s intelligent, sensitive, and well bred. Plus, he has more money than Edward! Were Elinor and Brandon fated to fall in love? Was Jane Austen blind to their true destinies? (I will admit, the first time I ever read S&S, I thought Elinor and Colonel Brandon would get together. I felt they had a real connection! They certainly seemed to have better conversations than Elinor and Edward, or Marianne and anybody! Was Jane Austen mistaken? Or did she perhaps know the truth, but have to hide it in clues due to some secret cabal that would murder anyone who — um, okay, wrong book.)


Does Elinor Dashwood secretly have a thing for that rascal Willoughby? The cad is certainly more manly than the easily-manipulated Edward. (And Emma Thompson fell for Greg Wise, which must mean something!) But would he just break her heart? And is he too young, too immature for her anyway? Or would she steady him, while he brought some spontaneity into her life? (Am I sounding like Oprah yet?)

As long as we’re giving her young cads, how about the youngest and newest on the block? Blond Wickham here is certainly nice to look at. Would Elinor have a great time reforming him? Of course, he’s very very young. But Elinor’s only nineteen herself, right?

While we’re on the subject of blonds, how about Sharpe? (I know, I know, bizarre choice. I just like the picture. Nice picture. Yummy Sharpe. Umm….what was I saying?) If Elinor could reform Willoughby, could she reform Sharpe? He’s a different sort of womanizer…less calculated, more impulsive. Would the class thing keep them apart? (Okay, yes, he’s a ridiculous suggestion, but he looks so nice in his uniform!)

How would Elinor and Captain Wentworth do together? She’s good, I suspect, at supporting male egos — and he’s got one that needs to be supported. He’s better off than Edward (but then, who isn’t???), and has friendlier relatives. So if Anne Elliot weren’t around, would Wentworth be Elinor’s true love, and vice versa?

Or how about Mr. Darcy? Sure, he’s perfect for Elizabeth Bennet, but if she didn’t have him, how would he do for Elinor Dashwood? Would her stodginess and his stodginess breed until they were dull and insufferable? Or would her gentle ways and his good breeding create a peaceful, beautiful home? (And don’t forget that money! I do want to give Elinor a lot of money. She deserves it.)

Wait, I already did Mr. Darcy, right? Well, I know some of you like Colin Firth (and some of you really like Colin Firth) and some of you like Matthew McFadyen (and some of you really like Matthew McFadyen) so I figured I’d put both pictures here to keep the fighting down to a minimum!

So, would anyone else do better for Elinor? Mr. Tilney? (Too flippant?) Edmund Bertram? (Too serious?) Edward Ferrars? (Too wimpy? Too poor?) Mr. Knightley?

Mr. Knightley! Oh, I can’t pass up an excuse to put Mr. Knightley’s picture up here. My Jeremy is so handsome! Besides, Mr. Knightley may be the perfect match for Elinor. Mature, well-bred, and very very rich. 🙂

So — who gets your vote? Who do you think Elinor Dashwood should marry?

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Holt Medallion Finalist!

In recent weeks, we have tried to find the ideal mate for two of Jane Austen’s characters, Elinor Dashwood and Colonel Brandon, both of Sense and Sensibility. (If you click on their names, you can still vote on who they should marry!)

Today: on to Pride and Prejudice! Mary Bennet is an earnest, studious girl clearly in need of a story of her own featuring a suitable hero (as several of you pointed out on last Thursday’s post). But what will her story be — and which hero???

How about Edward Ferrars? He’s another quiet reader, and Mary’s modest earthly ambitions surely wouldn’t mind Edward’s small income. He’s kind and sweet, too. Are they a perfect match? And with Marianne as a sister, would Mary learn to lighten up? (Or would Marianne just annoy her the way Lydia and Kitty did?)

Or would Colonel Brandon be more Mary’s style? (Yes, he is very old for her, but we know he likes fresh young things.) Mr. Bennet seems to have been a decent father to Jane and Lizzy, but I’ve always suspected he’d given up by the time Mary came along. So she may need a father figure — and Colonel Brandon is very dependable, and never cruel. He could be the father Mary never had, and the husband she never knew she wanted.

Or does Mary secretly have a thing for the caddish Wickham? In her heart does she wish that the scarlet-coated rascal would stop paying attention to her sisters and court her instead? Could Mary’s high-mindedness reform Wickham, while his love of pleasure would at the same time be opening her eyes to earthly delights?

Or does Mary need a very young, physical hero? Would she be a good match for the young Horatio Hornblower? He’s equally hard-working and earnest. Would her intellectual abilities improve his mind, as his experience in the world broadens hers? Then again, he’d be gone for long periods at sea! (But would she mind? She could catch up on her reading!)

Or does Mary really need a worldly rake to awaken her sleeping desires? How about Mr. Rochester? She does in some ways resemble Jane Eyre, so why not? Her primness and his brutal earthiness could be an exciting combination.

How about Tom Jones? He would bring youthful energy into Mary’s life. He’s a bit of a bad boy — with the emphasis on boy this time — but surely Mary Bennet could handle him. (She does have that stern schoolmistress thing going for her!) And who doesn’t love a rascal?

Or maybe Mary needs more excitement in her life! If she were married to the Scarlet Pimpernel, she’d have plenty! She’s reserved, so she’d be excellent at keeping secrets. What do you think?

Who would suit Mary best? Or would someone I haven’t mentioned be the best match for sober Mary Bennet?

All opinions welcome!

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Award of Excellence Finalist!


A few days ago, I was having dinner with some friends who are also Janeites, and we talked about the Jane Austen movies. Specifically, the Pride and Prejudices–1995 and 2005. One of my male friends made the comment that the ’95 Lizzy was obviously much prettier than Jane, thereby making the fact that everyone considered Jane the “famous local beauty” puzzling (an argument I’ve heard before). To modern eyes this is probably true–Jennifer Ehle is quite lovely, maybe more obviously so than Susannah Harker. But I do think Ms. Harker was a good choice for the part. She has very “classical” looks that would have appealed in the Regency period (she looks almost like a Grecian statue). Plus I thought she captured Jane’s serenity and sweetness (and slight dimwitedness) well.

In the 2005 P&P, it is more obvious. Rosamund Pike is so angelically pretty that it’s clear why she was so acclaimed in the neighborhood. Keira Knightley is also stunning (she was recently on the cover of Vogue twice within four months!), but in a more contemporary, angular way. It’s easy to see why she would capture Darcy’s fascination, but also why she was slightly overshadowed by her sister.

It’s so fascinating how each period has its own concept of “beauty,” and how and why those ideas change and evolve. I recently read a thesis that said “beautiful” equates with whatever is high maintenance. I.e., in the Renaissance, when food was scare and most people worked outdoors, “zaftig” and pale was In. Now, very slender and tan is in, when it costs money and time to join a gym and buy bronzer to combat our office-bred pallor and softness. Of course, there are always a few women who transcend whatever the fashion is and make their own style of beauty. And there are many (like myself) who will never be happy with their looks, and yet always will be searching the cosmetics counters for that “miracle in a jar.”

Here are a few quotes I found concerning women of the Regency who were renowned, in one way or another, for their style:

Lord Byron on Lady Caroline Lamb (who had a very “modern”, Keira Knightley-style beauty, being very slim and elfin): “The lady had scarcely any personal attractions to recommend her” and her figure “was too thin to be good” (from Benita Eisler’s “Byron: Child of Passion, Fool of Fame”

A Swedish diplomat on Emma Hamilton (seen in the portrait above): “she was the fattest woman I’ve ever laid eyes on, but with the most beautiful head”
And Lord Fitzharris: she is “without exception the most coarse, ill-mannered, disagreeable woman I’ve ever met”
An Anonymous observer: “She is indeed a Whapper: and I think her manner very vulgar”
(from David Howarth’s “Lord Nelson: The Immortal Memory”)

Madame de Remusant on Josephine Bonaparte: “her limbs were supple and delicate, all her movements easy and elegant”
Another Anonymous: “young and charming face, surrounded by a profusion of light hair, with a pair of large dark-blue eyes, and exhibiting altogether the image of the most graceful of sylphs”
(from “Josephine: A Life of the Empress” by Carolly Erickson)
Napoleon about Josephine: “…full of graceful charm–a woman in the fullest meaning of the term” (from Evangeline Bruce’s “Napoleon and Josephine: An Improbable Marriage”)

Mary Tickell (Sheridan’s sister-in-law) on Dora Jordan: “little she is and yet not insignificant in her figure, which, though short, has a certain roundness…which is very graceful”
Harriet Bessborough: “she is terribly Large, but her voice and acting still delightful”
And Leigh Hunt: “she was neither beautiful, nor handsome, nor even pretty, nor accomplished, nor a lady, yet was so pleasant, cordial, so natural…had such a shapely leg withal..that she appeared something superior to all those requirements of acceptability”

And Lady Spencer, her mother, on Georgiana Duchess of Devonshire, one of the most famous beauties of her day: “Without being very handsome or having a single good feature in her face, she is one of the most showy girls I ever saw” (thanks, Mom)
Horace Walpole: “without being a beauty; but her youth, figure, flowing good nature, sense and lively modesty make her a phenomenon.”
(from Amada Foreman’s “Georgiana, Duchess of Devonshire”)

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