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Category: Jane Austen

I’m on a Jane Austen email loop, and a few weeks ago someone posted this great JA quiz from BBC Mastermind. Since I know many Regency fans are also Janeites like myself, I thought this might be a fun way to celebrate Friday! I’ll post answers in a couple of days. (Note: I’m a dedicated Janeite, and couldn’t answer all of them)
1) Which is JA’s heroine’s had lived in the world for 21 years with little to distress or vex her?

2) Name Mr. Rushworth’s country house.

3) Which card game did Mrs. Jennings arrange for old friends while Marianne awaited word from Willoughby.

4) What was the maiden name of Mrs. Norris, Mrs. Price, and Lady Bertram?

5) Which bone did little Charles dislocate allowing Anne to avoid meeting Captain Wentworth?

6) Which manufacturer made the mysterious piano sent to Jane Fairfax?

7) What was the name of Col. Brandon’s ward over whose seduction he fought a duel with Willoughby?

8) Which of JA”s heroine’s prefers cricket to books, particularly books of information?

9) Which play does Tom Bertram 5 times propose to put on before agreeing to Lover’s Vows?

10) Which material does Mr. Tilney claim to be an authority on?

11) What does Edward Ferrars say he takes more pleasure in than a watchtower?

12) To what does Sir Walter Elliot attribute Anne’s improved compexion, claiming it has done away with Mrs. Clay’s freckles?

13) At the Box Hill picnic, which 2 letters of the alphabet did Mr. Weston claim were the most perfect?

14) In which town did Mrs. Bennet’s sister Mrs. Phillips live?

15) In which frigate, captained by Frederick Wentworth, had Richard Musgrove served?

16) In what capacity did Wickham’s father serve old Mr. Darcy?

As my own bonus question–which JA heroine do you think you most resemble? (A long time ago, I took a quiz on this topic, too. It was lots of fun, but alas now I can’t find it! The quiz said I’m most like Marianne Dashwood. So watch out if I take it into my head to give a dramatic reading at the Beau Monde soiree next summer!)

oddgirloutSometimes as a parent, I need to read books like this one: Odd Girl Out: The Hidden Culture of Aggression in Girls by Rachel Simmons, which addresses the covert bullying many girls partake in lieu of more overt, physical bullying which is more common in boys. Simmons explains that in many segments of our society where girls are still expected to be “nice” (while boys are encouraged to be competitive), girls do not develop healthy ways to be competitive or healthy and straightforward strategies for resolving conflicts. Instead, they develop alternative forms of aggression: manipulative “friendships”, shunning, gossip, etc.., often carried out under a veneer of “niceness”.

Although many of the cases described are saddening, Simmons doesn’t demonize the aggressors, pointing out that roles often change and that the aggressors’ behavior is rooted in insecurity and the fear of being excluded themselves. There is a high price paid by those who are part of the “in” clique.

On a personal level, I found Simmons’s insights useful, along with some of her suggestions for parents and schools. It also shed some light on behaviors I’ve seen in adult groups that are predominantly female. Not everyone outgrows this stuff.

As a writer, I also found the book interesting in light of fiction and character development.

mansfieldparkDiane’s recent post, Mansfield Park Revisited had me thinking about how Jane Austen depicted alternative female aggression in her books. Clearly, it’s not a new phenomenon.  Ladies of the gentry and aristocracy were certainly expected to be “nice” so alternative aggression likely flourished. One can see it in the relationship between Caroline Bingley and Jane Bennett in Pride and Prejudice, in the friendship of Catherine and Isabella in Northanger Abbey and definitely between Fanny and Mary in Mansfield Park.

Here’s an image from the infamous scene with lesbian undertones in the 1999 version of Mansfield Park. Although I’ll agree with critics that I never saw anything like that in the book, it does fit in with the model of manipulation, the pressure for the victim to tolerate behavior that makes her uncomfortable, with the underlying threat of loss of friendship.

My second full length Regency romance, The Incorrigible Lady Catherine, was the beginning of my “Three Disgraces” trilogy with heroines who met at boarding school and who, for various reasons, didn’t fit in and formed their own defensive alliance. So I’ve played with this issue before in my writing, although at the time of writing, I certainly didn’t understand the aggressors as well as Jane Austen must have.

Have you read other books, romance or not, where the concept of alternative aggression was used effectively?

ElenaGreene_TheIncorrigibleLadyCatherine_200pxTo celebrate the recent release of The Incorrigible Lady Catherine in paperback, I’ll give away one copy to a random commenter.  Comment by next Thursday (1/17) and I will announce the winner on Friday (1/18).

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Last week was shoe-shopping; this week my activities were more nature-oriented: a hike (in more practical shoes) at the nearby Waterman Nature Center and reading my latest research find, A Selborne Year: ‘The Naturalist’s Journal’ for 1784. It’s one annual installment of the journal kept for 26 years by Gilbert White, curate, gardener and naturalist, who lived in Selborne, a village in Hampshire not far from where I am setting my current work-in-progress. The edition I own has lovely illustrations by Nichola Armstrong.

I like incorporating glimpses of nature and seasonal details into my writing. So A Selbourne Year is a positive treasure-trove. Here are some typical entries:

Apr 3. Rain. The ever-green trees are not injured, as about London. The crocus’s are full blown, & would make a fine show, if the sun would shine warm. (On this day a nightingale was heard at Bramshott!)

July 10. Grey, & pleasant. Gale, sun. The hops damaged by the hail begin to fill their poles. Thatched my hay-rick. Cherries very fine. Grapes begin to set: vine leaves turn brown. The young cuckow gets fledge; & grows bigger than it’s nest. It is very pugnacious. Cool.

This is just the sort of detail I love!

I find it interesting that Jane Austen had so little detail about the English countryside; perhaps she expected her audience to be too familiar with the subject to find it interesting. But it goes along with the general lack of descriptions in her books (we only know Elizabeth Bennett has “fine eyes” for instance, but her hair and eye color are left to the imagination). No matter; Austen’s characterization and dialogue are brilliant enough to stand on their own.

It is possible to go to the opposite extreme, I suppose. Friends and I were discussing Tolkien over beer (I love having friends with whom I can discuss Tolkien over beer!) and one said his descriptions of various imaginary settings went on too long. Those long descriptions always worked for me, though, because I like to visualize settings as I read. Tolkien’s description of Ithilien made me yearn to go there, although I would settle for the New Zealand film locations.

In my own writing, I try to strike a balance. I know too much description wearies some readers so I use it in service of the characters and the story. In my current mess-in-progress, the hero has spent much of his life in India and war-torn Spain and Portugal; a green and fertile England holds a special meaning for him. However, he may just enjoy hearing a bird sing; my heroine, the daughter of a naturalist much like Gilbert White, will know if it’s a lark or a thrush.

How much descriptive detail do you like in stories?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

I’m absolutely the worst self promoter in the world because Hidden Paradise has now been available on amazon for two days and I somehow missed my own release date (which for the rest of the world may be September 25 or October 1). So today it’s all about the book. First, here’s the booktrailer in which I make my debut as a porn voiceover star:

This was made on iMovie which comes with the standard Mac bundle of software and it’s an extremely nifty little program. All sorts of visual effects and you can fade music in and out and I recorded  the voiceover with the puter’s inbuilt mic when the guys next door weren’t using their power tools.

You can read an exclusive excerpt on Heroes & Heartbreakers and learn more about my inspiration for the book at the RT Daily Blog.

And the Top Ten Reasons to buy the book:

10. There’s stuff about Jane Austen in it. Really. (As well as the sex.)
9. There’s a lot of stuff about paint analysis (well, it floats my boat).
8. People dress up in Regency clothes (and have sex).
7. They eat authentic Regency food (and have sex of no particular historical period).
6. There’s horseback riding and boxing (and … you know).
5. Also country dancing (and, you guessed it).
4. Glimpses of downstairs life among the team of hot footmen (no, not like that, though probably it should have been, but you do get that elsewhere).
3. It’s funny sometimes (even during the sex. Did we mention the sex yet? Oh yes, we did).
2. And sometimes it’s sad (by the way, did I tell you that…)
1. Because you know you want it real bad.

And now the contest: I’m giving away two signed copies (US only) if you enter with a coherent sentence about … just about anything, and I’ll pick names and announce on Sunday. So if you’re not planning to visit on Sunday, leave an emasculated version of your email, eg riskies at yahoodotcom so I can contact you. Usual restrictions apply.

Last weekend I was in Brooklyn for the JASNA-AGM which is also a conference at which several hundred people get together and talk about Jane Austen. Weird? Absolutely. Some of us dress up for the ball on Saturday night. Some of us dress up all the time in different outfits and some of us cross-dress. There were also a few real men there too. The New York Times took some terrific pics which are much better than mine, so take a look here. As you can see we had a grand parade outside at night led by a fife and drum duo and there weren’t many people around but we enjoyed ourselves anyway.

Our plenary speaker was the amazing Cornell West who said (something like) philosophers seek the flame but Jane Austen is the fire. There were lots of great speakers including Anna Quindlen and William Deresiewicz, whose book A Jane Austen Education I’ve been longing to read and now own (signed!).

I was there as one of a subpanel of writers for a panel on publishing where we admired Penguin’s beautiful new Austen editions collaborating with graphic artists. There were shopping opportunities for books thanks to the very cool Jane Austen Books and here’s some of my loot–a fab pair of earrings and a tin of tea that was the official invite to next year’s JASNA in Minneapolis, based on Pride & Prejudice.

More pics–the view from my hotel window and a view from the Brooklyn Bridge–I played hooky to take a walk on Saturday afternoon in glorious weather. I liked Brooklyn a lot–some lovely buildings and lots of energy and nice friendly people.

I also got the chance to catch up with some of the Austen authors I know–here are Ann Herendeen, Karen Doornebos, and Cindy Jones, and here’s a great one of Ann in her gorgeous Regency finery. Sadly I didn’t get a pic of Karen in her pirate outfit. (Yes, there is an Austen connection, or so she said.)

Tomorrow I’m off again, this time to the New Jersey Put Your Heart in a Book Conference in Iselin, NJ, and if you’re in the neighborhood please stop by and meet me at the booksigning on Sat. afternoon. And please also stop by online and make me buy a waterbuffalo–my blog tour is ending soon and there is absolutely nothing to stop you signing at every single stop; in fact, please do. For every comment made I’m donating $1 to Heifer International up to $250, the price of a waterbuffalo. The whole schedule is here and today I’m visiting Carrie Ann Ryan and Kacey’s Connections.

So what have you been up to recently? Dressed up as a Regency lady or a pirate? Drunk much tea? Visited a wonderful neighborhood that was new to you?

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