Category: Regency

Sarah Eagle: Waterloo Anniversary Part 2

Updated on January 24, 2023 by Gail Eastwood

800px-Wellington_at_Waterloo_Hillingford

Hillingford’s “Wellington at Waterloo”

Today Riskies guest Sarah Eagle continues sharing her experience of the Waterloo Anniversary celebration. Last week she offered us a glimpse of the Duchess of Richmond’s Ball, 2015, and this week we go along with her and fellow author Eileen Dreyer on their tour of the battlefields, complete with reenactments. Sarah, who also writes contemporary romantic comedy as Sally Falcon, is offering a copy of LADY VENGEANCE, the first Regency Historical she wrote for Harper Monogram (1995) after writing traditional Regencies for Berkley, to a randomly chosen commenter. For her full bio and more details on her giveaway book, please revisit her post here last Wednesday (July 22). * * *

We returned to Brussels early Thursday morning (June 18) since we were meeting The Cultural Experience group (http://theculturalexperience.com) at the train station at noon. Once we were divided into our groups –named for French officers for some reason – the Reille bus headed for Waterloo and the Wellington Museum. The other tour members were a mix of Brits and Scots. Unlike the conversation before I left, all the people on the tour knew Waterloo and lots of details. Our admin on the bus was a retired Captain in the Queen’s Royal Lancers. Our tour guide, a retired NATO Lt. General, began almost the minute the bus left the train station.

Wellington Museum

CE provided a lovely 60 page book of color contemporary paintings of the area around Ligny, Quatre Bras and Waterloo as well as campaign maps for all the battles. When we arrived in Waterloo at the Wellington Museum, which had been headquarters for both Napoleon and Wellington, we were greeted by a cluster of reenactors both men and women. That seemed to be the norm anywhere you went around area. Across the street was the Church of St. Joseph that holds the memorials of many British who fought, including Royal Scots Greys. One memorial at the museum is now blank. It was Lord Uxbridge’s dedication to his leg he lost at the end of the battle of Waterloo. His family many years later decided to claim the leg and return it to his grave in England.

Entry to Battle

View 1st Night

The next day was of Ligny where the French and Prussians fought. This was the first battle after the sighting of the French disrupted the Duchess of Richmond’s Ball. Jonathan, our guide, had us walking the fields and covered the ground that had been fought over. That night was the first reenactment. What an adventure! Stadiums had been put up in an L shape. Our tickets were in section K, but we hadn’t counted on the Belgian alphabet. The short part of the L for VIPs was A through D but when you rounded the corner it started at Z with K at the top of the stands. Our direct view was of the French cannons while the big action took place closer to the VIPs. Most of the narration was in French. The grasses on the field were about three feet high, which we’d seen in the fields during the day. That meant the horses were chest deep. In 1815, the wheat and rye were six feet high – about three feet higher than 2015.

Bivouac 1

On Saturday we continued our recounting of the battles with focus on Waterloo. The tour visited the bivouac of the allied troops who were camped around the Hougoument and the area marked off for the reenactment. The Battle of Waterloo was fought in a 3 mile square area. Looking at that area now it’s very hard to imagine the numbers of men, horses and cannon maneuvering. Tour members and troops mingled. That night we returned to the stands. Did I mention it was over a mile from the bus parking lot to the stands among a crowd of thousands?

Royal Scots

Bivouac 2

View down the field

The owner of The Cultural Experience had spoken to the people in charge over some issues from the first night. This evening all the horses and a good number of troops entered the field in front of where we were sitting. The narrative was in 4 languages. It was thrilling. Most of the action was still down field, but the wind shifted as the cannon started. The smoke moved over the VIP area and stayed there the rest of the night. Even though we weren’t level with the field it was exhilarating to be there for such an event.

The last day was spent at the Waterloo Visitors Center at the foot of the Lion’s Mound. The lion was erected by the King of the Netherlands for his son, the Prince of Orange. It’s interesting the interpretation of each country. “Slender Billy”, the prince, seemed to be responsible for a high percentage of the death (along with Jerome Bonaparte) but he has the biggest monument. The Belgians also seem to think Napoleon won. It was very hard in the gift shops and elsewhere to find Wellington commemoratives. The fun part of the visit that day were all the reenactors who were taking the tour in uniform. It was a lovely ending to an amazing trip. * * *

For a daily report on the trip go to http://eileendreyer.com/2015/06/waterloo-15-tour-day-1/

Sally and Eileen will be offering a program on their trip at the Novelists, Inc conference this fall.

What do you think about Sally’s adventure? Don’t forget to comment below if you want to be entered in the giveaway!

Posted in Gail Eastwood, Giveaways, Guest, History, Places, Regency, Risky Regencies | Tagged Sarah Eagle, Waterloo, Waterloo Anniversary, Wellington | 5 Replies

About Those Dukes…

Updated on January 24, 2023 by Gail Eastwood

Duke of Wellington

For a while now, dukes have been running rampant through the Regency fiction genres, especially in Historicals, but even in Trads. Do you love this? Hate this? Don’t care? The trend seems as strong as ever. The publishers, and apparently the readers, love them. And hey, we’re writing stories that are fantasies based on a romantic view of our time period, so why not? It’s not as if all of these fictional dukes exist in the same version of Regency England –each author’s Regency World is unique to that author (except perhaps in a connected set or special project). Right? But did you ever wonder how many dukes there really were in Great Britain during the Regency?

Douglas Hamilton, 8th Duke of Hamilton and 5th Duke of Brandon

Douglas Hamilton, 8th Duke of Hamilton & 5th Duke of Brandon

You might say dukes are the equivalent historical heart-throbs to the super-billionaires that are the go-to heroes in current contemporary romance. As The Daily Mail has explained it: “Dukes are just one rung down from royalty in the social pecking order and enjoy a special status way above the rank and file of the aristocracy. As peerages go, it’s the jackpot.”

Who wouldn’t want their hero to be that special? Except the way I see it, this status cuts both ways. The very rarified “special-ness” of such high rank begins to suffer when book after book after book has young, handsome, wealthy dukes just ripe for marriage. It just rubs against my personal vision of what I think the Regency was like, or makes the rank of duke seem a little common. Dukes were rare, and most often old…weren’t they? And I’m not even touching the question of the way dukes fit into the political structure, but you can note below how many of the dukedoms are named for the counties of Britain….

Charles Lennox, 3rd Duke of Richmond

I’ve nothing against my fellow authors whose heroes are dukes, or the readers who love them. I get it. But I can’t do it. Every time I consider creating a hero who is so highly ranked –well, I feel like I stubbed my toe. The closest I’ve come to it was dealing with a duke’s family in An Unlikely Hero, and that story’s hero was a viscount, a “lowly” friend of the duke’s son. Am I losing readers?

I don’t seem to have the same problem with creating heroes in the lower peerage ranks. There were so many more of them! Earls, for instance. I am fond of them. They could be wealthier than some dukes were! But I have this idea that there were a lot more earls floating around in the real Regency England, so it seems less of a violation to add in a few fictional ones. And barons –they date very far back in time, and there were lots of them, too. Has the demand for dukes devalued the other four peerage ranks (marquess, earl, viscount, and baron) in our fiction?

I decided to put my prejudice to the test and check the numbers. (I’m not including Royal Princes’ dukedoms). After all the dukedoms that have been created, recreated, forfeited, merged (through marriage or elevation to higher rank), or simply gone extinct (no heirs), today there are only 24 still extant. But how many in our favorite time period?

63 English (non-royal) dukedoms starting as early as 1351 went extinct, were forfeited to the crown, or merged prior to 1707. Eleven (including two forfeited and restored several times) were extant at least through the Regency:

1 Norfolk, 1483 (forfeited three times up to 1660)

Edward Seymour, Duke of Somerset

2 Somerset, 1547 (forfeited 1552-1660)

Charles Lennox, 1st Duke of Richmond

3 Richmond, 1675

4 Grafton, 1675

5 Beaufort, 1682

6 St Albans, 1684

7 Leeds, 1694 (extinct in 1964)

8 Bedford, 1694

9 Devonshire, 1694

John_Churchill_Duke of Marlborough__van_der_Werff

Duke of Marlborough, Winston Churchill’s ancestor

10 Marlborough, 1702

11 Rutland, 1703

Between 1707-1801, about ten more were created and went extinct, merged, or were forfeit. Eight dukedoms of Great Britain created during these years were still extant into the Regency:

12 Brandon, 1711

13 Ancaster & Kesteven, 1715 (extinct-1809)

14 Portland, 1716 (extinct 1990)

15 Manchester, 1719

16 Dorset, 1720

17 Bridgewater, 1720 (extinct 1803)

18 Newcastle-under-Lynne, 1756 (extinct 1988)

19 Northumberland, 1766

Created between 1801-1822, only two:

20 Wellington, 1814

21 Buckingham and Chandos, 1822 (extinct 1889)

22 Duke of Leinster, 1691, was the only Irish dukedom extant during the Regency

It appears there were nine Scottish Dukes during the Regency, titles dating from 1707 or earlier. (18 other Scottish dukedoms went extinct, were forfeited to the crown, or merged between 1351-1707 ) The nine:

1) Hamilton 1643 (and later Brandon, 1711)

2) Buccleough, 1663 (and Queensbury, 1810)

George_Douglas_Campbell,_8th_Duke_of_Argyll_by_George_Frederic_Watts

G. D. Campbell, 8th Duke of Argyll

3) Lennox 1665

4) Gordon

5) Queensbury, 1684

6) Arguyll, 1701

7) Atholl, 1703

8) Montrose, 1707

9) Roxburghe, 1707

By my count, that’s 31 dukes during the Regency, in all of England, Scotland, and Ireland. If I had time, I would now look them all up to find out how old each one was in, say, 1816!!

For comparison, I give you:

1) number of earldoms (English, Scottish, Irish, G.B or U.K.), established before or during the Regency (1398-1822) still extant today: 142. (Because the sheer number of earldoms has long surpassed the number of territorial counties, the names of many earldoms are associated with smaller units (estates, villages, families, etc.).

2) number of baronies (English, Scottish, Irish, G.B or U.K.), established before or during the Regency (1264-1822) still extant today: 124 (and 317 more were created since 1822!)

I am sure there were more of both these peerages during the Regency that disappeared later –sorry I don’t have time to analyze these long lists! You get my point. Slipping in a bunch of fictional earls or barons doesn’t rattle my universe of imagined history nearly as much as all those dukes!

1st Marquess of Montrose

Viscounts and marquesses, the other two peerage titles, were less common, at least as independent titles. Copied from the French, they came into use later, and tended to become subsidiary titles as the holders were promoted. Much more commonly found as the courtesy titles used by heirs-apparent. Today there are only 25 marquesses who do not hold higher titles, and 37 such viscounts. I learned that stand-alone viscountcies were more common in Ireland than the other parts of the UK –24 of those 37 viscounts are Irish titles. Things I’ll keep in mind for future stories!!

I came across two tidbits that I can’t resist sharing. One is this: The Daily Mail reported in 2009 that Tatler Magazine invited the 24 then-current non-royal dukes to lunch. Some were too frail to attend, and some live abroad, but ten of them came. Those ten represented the largest gathering of dukes since Elizabeth II’s Coronation in 1953! Their ages ranged from 41 to 94. For a photo of them, details and the interesting story, see “Ten Dukes a-Dining”.

And this last bit is at least for Amanda, and also shows that it’s not always good to be a duke:

“When Elizabeth I came to power the only [remaining] living duke was Thomas Howard, 4th Duke of Norfolk. Elizabeth did not create any dukes, and she beheaded Thomas Howard at the age of 36 for plotting to wed Mary, Queen of Scots and overthrow her. By 1572, this class of peerage was extinct – there were no Dukes in the last 30 years of her reign.” (from Wikipedia) No wonder Shakespeare could so liberally sprinkle both historical and fictional dukes throughout his plays without worrying about direct repercussions! (besides putting them in Italy, of course) No one in England held that rank for most of his lifetime –from the time he was eight until seven years after his death in 1616. The later extant Dukedoms in the Peerage of England were created (or restored, in two cases) in the Stuart period and after.

How do you feel about dukes? In our Regency fantasies, does it matter whether the titles of our characters reflect the nature of the peerage at the time? I’d love to hear what you think!

Posted in Gail Eastwood, History, Rant, Regency, Research | Tagged British Peerages, Dukes, Gail Eastwood, Heroes, Regency | 58 Replies

Regency Fairytales

Updated on January 24, 2023 by Gail Eastwood

Are you a fan of fairytales? Do you watch the mash-up Once Upon a Time on TV? Or the more horror-oriented show Grimm? I’ve been working with a writing student whose project is focused on the life of Charles Perrault, so I’ve been thinking about fairytales a lot lately.

This enduring, and endearing, form of storytelling goes back in time well before our Regency period to the late the 17^th century. That’s when Perrault published “The Sleeping Beauty in the Wood” as part of his collection, Tales and Stories of Times Past with Morals: Tales of Mother Goose in 1697. (The English translation was published in 1729.) Actually, it goes back much further into the mists of time, depending on how you define fairytale vs folktale. Many of the stories are ancient, and of course there are some very ancient story traditions in the non-western cultures. But did you know that the Brothers Grimm published their first three German collections of tales in 1812, 1815, and 1822? Their first English edition was published in London in 1824, illustrated by Cruikshank.

Recasting some fairytales into romances has been a popular strategy for some authors within the romance genre. Turning them back into tales for adults is ironic in some cases, as some of the stories started out as strictly adult fare. But in addition to offering us plot ideas and possible story arcs, fairytales can serve in our stories exactly as they are, as part of the cultural background for our characters.

It’s good to know that if you want a character to read fairytales to children in a Regency story, any of those collected by Charles Perrault would be authentic. That includes such favorites as Cinderella, Puss in Boots, and Little Red Riding Hood. However, the late date of the Grimm Brothers’ English edition means some other best-loved stories, such as Snow White or Rumpelstiltskin, were not familiar in most Regency nurseries.

It’s possible, however, that some of the stories Jacob and Wilhelm Grimm had collected up to 1815 could have been retold in England by returned soldiers or statesmen who encountered Jacob Grimm in Paris or particularly in Vienna. That is how Devenham, the rakish hero of my 2^nd Regency, The Persistent Earl, knows the story of the frog prince and recounts a cleaned-up version of it to the children in that book. (Some of this blogpost is taken from the Author’s Note I wrote for that book, a time-saving step for which I beg your indulgence!)

Jacob Grimm worked for his government during the closing years of the Napoleonic Wars. In 1814-15 he served at the Congress of Vienna in addition to making two trips to Paris to recover important German paintings and books stolen by the French army. In Vienna he was the nucleus of a small literary salon whose members entertained each other with the telling and retelling of folk tales and fairytales. (Side note: apparently Wilhelm was struggling in the meanwhile back in their homeland. A novel just released in July, The Wild Girl, by Kate Forsyth, tells the story of the woman who loved Wilhelm and waited ten years to marry him!)

Many of these stories were not originally intended for children, and were only made suitable after the Grimms modified, edited, and in some cases embellished them for publication. (a Regency precedence for Disney!) Jacob’s store of tales in Vienna would have included those already published in the 1812 German Nursery and Household Tales, plus others like “The Frog Prince” about to make their appearance in the second volume.

Here is an excerpt from TPE where my naughty hero (still recovering from wounds received at Waterloo) explains about the story my heroine, Phoebe, has just overheard him tell:

“I spent a few weeks on furlough in Vienna last winter, and that is where I chanced to hear the story. In fact, if I can remember them, I heard several others I could tell the children besides that one. There was a scholarly fellow there for the Congress, part of the Hessian delegation, who collects these kinds of stories, and he had formed a little group in Vienna who delighted in exchanging them to pass the time.”

Phoebe saw the wicked light that she had learned to recognize so well come into his eyes, and she quickly turned away to fluff his pillows. What could possibly be wicked about fairytales? And where was Mullins? She realized suddenly that both he and the tea tray had disappeared.

“I must add that many of these stories had more than one version,” Devenham continued. “I saw ladies far less reputable than you put to the blush. Some of the French and Italian stories I heard were enough to curl even my hair. Of course, I would never repeat those to children.”

Over time, the Grimm brothers published some 200 tales. However, the edition we know today as Grimms’ Fairytales was not published until 1857.

What are your favorite fairytales? Have you ever used one in a story? Have you read (or written) any romances based on one? Let me know in the comments!

(P.S. If you were wondering, The Persistent Earl is one of my backlist books that has been reissued as an ebook by Penguin Intermix. The original paperback version is out of print.)

Posted in Gail Eastwood, History, Reading, Regency, Research, Risky Regencies, TV and Film | Tagged children's books, Congress of Vienna, Fairytales, Gail Eastwood, Grimm, Perrault | 10 Replies

The Giving Spirit –Charity & Philanthropy in the Regency

Updated on January 24, 2023 by Gail Eastwood

I have a “wish list’ of charities I’d like to support if I ever won the lottery. Do you? What kinds of causes do you like to support? I’m gearing up to host a fund-raising event (on Facebook) for a friend who is on the national kidney transplant waiting list (more about that later), and it made me think about subscriptions and charitable associations and fund-raising events the way they worked in the Regency. The concept of computers, the Internet, and a place called Facebook where people from all over the country –the world– could gather “virtually” for a pretend party would really blow the mind of someone from our favorite era!

Naturally, as soon as I started to delve into this topic, I realized how huge it was. So many different threads, so much information. Where even to start the conversation? So I thought about our stories, the ones we love to read and write. How often have you read (or written) characters who were engaged in supporting or championing some charitable cause? Have you come across, or written, characters who are attending events for charity as part of their London season? Or attending meetings of a philanthropical association? I certainly have read books where this is the case, but I don’t feel as though I see it often.

I think in very general terms modern society has shifted away from the kind of “giving” mindset that prevailed in Regency times, and that philanthropy is not as fundamental to our daily lives as it was then. We have higher expectations of what our tax dollars should accomplish through the government, we have “lost the religious underpinnings of society”, as one scholar put it, that helped make charity a priority, and we have a society now where a majority of women work at jobs outside the home, which robs them of the time to be actively involved in charitable works. Does that make it harder for us to imagine a world where this was not the case?

I’m talking in broad generalities, of course. But in the Regency, supporting charitable causes was much more personal, more “hands-on”, if you will. The mail was too expensive to be used to send out appeals, and of course there weren’t any telemarketers badgering people to give. (Hmm, think of that!) But there were a variety of other ways one’s generosity would be solicited.

Your local church (or I assume, the synagogues as well) would present you with causes and solicit your support. I’ve been reading Woodforde’s Diary of a Country Parson and was impressed, as he was, by the generosity of even his poor parishioners who dutifully would contribute pence whenever he put forward a need during the Sunday sermon. You might be accosted on the streets by beggars, although by the Regency there were more institutions in place to help or relocate them. And of course, your friends might beg you to support whatever cause had caught their attention, through a subscription or attendance at an event. (Getting back onto more familiar ground!)

Besides these types of what is called “casual charity”, there was organized giving. This includes giving of alms, paying the poor rate tax (set up by the Elizabethan Poor Law of 1601, administered by the parishes and based on land and buildings, it funded the workhouses –“indoor charity”—and “outdoor charity” such as the dole, clothing, and food, among other things), or supporting any number of philanthropic organizations and associations. Bequest charities administered by parishes and guilds had a long history, but “associational charity” began to grow in the middle of the 18^th century after it became illegal to establish charitable trusts through a will at death.

The famous Foundling Hospital was the first of these new kinds of socially active charitable foundations. The Marine Society (which placed poor adolescent boys into careers at sea), and The Magdalen Hospital for Penitent Prostitutes soon followed, and then many more, focused on particular social problems, and dependent on public support. Annual subscriptions, publicity campaigns through pamphleteering, and charity events including concerts and balls were all employed. Some societies levied a weekly fee on members to support their work. Medical charity took on a new approach, too, with the establishment of charity hospitals, dispensaries, and asylums. As we see so often, these changes were the beginning of a more modern way of thinking and doing, well established by the Regency period. There’s a great article here.

I tackled this topic because on October 30 I am hosting a “virtual” Halloween Party on Facebook, and any of you who are reading this (and are Facebook members) are invited! It’s going to run 4pm-midnight (Eastern) so you can drop in at any time. It is a fund-raising event, so I am asking people to donate $15 –or whatever amount they wish – to my friend’s fund at the Help Hope Live Foundation. (Her name is Joyce Bourque). If you would like to come to the party, you can send me a “friend” request (Gail Eastwood-Author) or drop me an email, or I think you can just find the event page I will be setting up and ask to be invited in. (I think we’re calling it “Virtual Halloween Party for Joyce Bourque’s Kidney Fund” and I hope to have it set up this weekend!) I am also going to set up a dedicated email address where non-FB folks can leave Joyce a message of support or Halloween wishes. As you may –or may not—know, people who are on transplant waiting lists are required to do fund-raising while they wait, every year. These folks have to show that they can cover their part of the cost to save their lives, or be dropped from the list. Foundations like Help Hope Live are designed to hold and manage the funds until they are needed. Here’s a link to the foundation: https://helphopelive.org and here’s a link to Joyce’s page there, if you’d like to “meet” her! If you like, you can pretend her page is a handbill that I passed to you when I stopped in for tea! J

Meanwhile, let’s chat about whether charity giving belongs in Regency romances or not. What do you think? Please comment below.

Posted in Gail Eastwood, History, Reading, Regency, Research, Risky Regencies | Tagged charity, Gail Eastwood, philanthropy, Regency | 11 Replies

A Research Find! –(for Medical History)

Updated on January 24, 2023 by Gail Eastwood

Origin of the Gout (artist Henry Bunbury 1750-1811), English, 1815 The perceived origins of gout may be tied more to the liquor on the table than to the more localized work of the devil.

I’m excited to share my new discovery of a great research source! (I hope I’m not the last to find out.) The U.S. National Library of Medicine has a truly awesome website offering a ton of databases and a massive library network. Its offerings on the History of Medicine include a collection of 71,000 downloadable images, and through the Medical Heritage Library, maybe one of the best collections of digitized period books on medicine –more than 9,000 books!

Does one of your characters have a medical issue? Or the need to know how to deal with someone else’s medical needs? We all know about laudanum, but how much more do we know about medicine in the Regency? I wish this goldmine had been available when I was researching my early books. Just thinking quickly through my first four stories I recall that my characters had to deal with hypoglycemia, infected wounds, psychological trauma and epilepsy –all (at one level or another) medical issues.

The Cockpit, Battle of the Nile. London: Edward Orme, June, 1817. A view of sailors receiving medical treatment below decks.

Oh, doesn’t that make you want to run right out and read those? LOL!! Obviously, these aren’t the main focus of any of the stories –they are love stories, after all. But health and medical needs are part of everyday life, so if we want a realistic world for our characters to live in, I think we shouldn’t ignore these. Do you agree? Or do you think it ruins the fantasy?

As with any great resource, you have to be careful not to get sidetracked (or you can give in and have fun roaming)…I followed a link to the Medical Heritage Library (http://www.medicalheritage.org/ ) and discovered they had some fascinating coloring pages to offer, and a “medical pop-up book” from the 17^th century…with a video about how they handled digitizing this! So many treasures, so little time… The MHL, “a digital curation collaborative among some of the world’s leading medical libraries, promotes free and open access to quality historical resources in medicine” and as said above, has an amazing collection of fully accessible digitized material.

The databases you can find at the NLM site include Toxnet, which can help you find info on poisons, among other useful things, and MeSH (which stands for Medical Subject Headings) where you can learn about medical terminology. And another thing they have is a worldwide map directory of where to find History of Medicine collections. Each spot on the map links to specific libraries and includes a description of their holdings. Is there one near you?

Just to give you a glimpse of the NLM site:

Digital Collections is a free online archive of selected book, serial, and film resources. All the content in Digital Collections is in the public domain and freely available worldwide.

Rare Books & Journals: Books Published before 1914: The historical book collection includes related areas of social, economic, and intellectual history. It includes over 580 incunabula (books printed before 1501), some 57,000 16th-18th century books, and 95,000 items published between 1801 and 1913, from all over the world, in many languages. Among works of popular and ephemeral interest are home health guides, pharmaceutical almanacs, patent medicine catalogs, medical equipment catalogs, personal narratives, first-hand accounts, broadsides, pharmacopoeias, illustrated herbals, and botanical name indexes (materia medica). Medical history landmarks in the collection include Andreas Vesalius’ De humani corporis fabrica (1543), William Harvey’s Exercitatio anatomica de motu cordis (1628), William Withering’s An Account of the Foxglove (1785), and Edward Jenner’s An Inquiry into the Causes and Effects of the Variolae Vaccinae (1798), as well as comprehensive holdings of the works of major medical figures such as Hippocrates, Galen, Paracelsus, Boerhaave, and Osler.

Archives & Manuscripts: Searchable database of material, most dating from the 17^th century to the present (which they call “modern”).

Images from the History of Medicine (IHM): A searchable database of images from IHM including fine art, photographs, engravings, and posters that “illustrate the social and historical aspects of medicine dating from the 15th to 21st century.” (granted many of them are portraits, but I’ve included with this post a couple of the Regency images I found)

The Physicians Friend [Charles Williams, 1797-1830, artist] England, c. 1815. In a kitchen, a fat physician grasps the hand of the cook and compliments him on his culinary abilities, which increase the frequency of the physician’s visits.

Of course, if the material you want hasn’t been digitized, you still have three recourses: 1) go to Washington DC and visit the NLM in person, or 2) see if the material is available via inter-library loan, or 3) check if the material is available at one of the History of Medicine collection locations near you (see above). The Library does not lend historical material in its original format; however, they do lend copies of journal articles, copies of selected manuscripts, books on microfilm (when available), and copies of films and videos. The Library’s interlibrary loan services are available only to libraries, not to individuals. Individuals who want to borrow NLM material should make a request through a local library.

So, what do you think? Should medical issues be part of the Regency world we recreate? How much research would you do to make sure you had an accurate portrayal of the way such things would be handled? Did you already know about the NLM?