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Category: Risky Regencies

We recently signed up to stream Britbox and, oh, happy days! One of the offerings is the BBC’s Sharpe Series. I haven’t watched Sharpe in years and I’ve been having a great time binging on some young Sean Bean and the Napoleonic War. What could be better?

I dished on the Sharpe series in an old Risky Regency blog and my thoughts are pretty much the same then as now. Here they are, edited for now.

Richard Sharpe, for those of you who may not know, is a fictional soldier in the Napoleonic War, created by Bernard Cornwell in a wonderful series of books, adding new stories beyond those depicted in the tv series. Sharpe is a marvelous character and Cornwell does a masterful job of giving us such rich detail about the war and the time period, so that you actually feel as if you are there, experiencing it with Sharpe.

The BBC series Sharpe is played by Sean Bean, a very sigh-worthy choice.

Here is what Sean Bean’s Sharpe website said about the BBC series at the time of my original blog in 2006:

“The films are based on the Napoleonic campaign novels, and follow Sharpe and his “Chosen Men” (riflemen who are trusted crack shots). Sharpe has been promoted from the ranks, very unusual in its day, so he has the resentment of the “gentlemen” officers, and also that of the men, who assume he is no better than them. He is promoted after saving Wellington’s life, and is often sent on dangerous missions, along with the Chosen Men, due to his skills and bravery.

In the first film, Sharpe’s Rifles, we are introduced to the Riflemen who will become the Chosen Men, and Sharpe has to forge both respect and friendship with their soon-to-be Sergeant, Patrick Harper. The later films show how cohesive a fighting force these few men become, they think and act as one. The last film to be made was Sharpe’s Waterloo, depicting the great battle.”

I was first introduced to Sharpe years ago through the Chivers Audiobook versions. William Gaminara narrated, and his deep, sexy voice truly enhanced the experience. I can still hear him say, “Sharpe swore.” Unfortunately, I no longer can find those versions. I recently started listening to another audiobook version of Sharpe’s Waterloo read by a different narrator. Not quite the same, but good enough.

Sean Bean is also not the Sharpe I visualized while listening to those audiobooks years ago. In fact, almost all the cast of the BBC version are not the people Cornwell gave to my imagination. Furthermore, I think of the BBC shows as “Sharpe Lite.” The shows meld elements of several of the books into one story, but cannot give the richness of detail that is in the books. Another point–these were not high budget productions, so rather than a cast of thousands, you get a cast of….dozens.

Cornwell also is no romance novelist. His Sharpe is actually quite stupid in love, which is quite frustrating, but even unsatisfying romance elements were not enough to keep me from loving the books, the character, the life of the Napoleonic soldier.

And the Sharpe films, for all that they are not being the Sharpe of my imagination, are still wonderful. If you don’t get Britbox, you can also buy the Sharpe films from Amazon and, I presume, other outlets.

Enjoy!
Diane

This week has been one of drama, tragedy, and protest following the death of George Floyd from the choke hold of a Minneapolis policeman. Floyd’s last words were, “I can’t breathe” and they became a rallying cry all over the nation and the world while thousands of people demonstrate to show, once and for all, that BLACK LIVES MATTER. To acknowledge this important piece of history in the making, I am going to tell about some Black lives in the Regency.

If you read our books, it is sometimes easy to imagine that the Regency was inhabited by a homogenous group of White people. That was not the case. Especially in the cities, the population was diverse. Some articles estimate as many as 15,000 Black people in England at that time. Most were servants, but they could also be tavern owners, tradespersons, businessmen, sailors, musicians–all walks of life.

Joseph Antonio Emidy, sold into slavery as a child, eventually became a virtuoso violinist who performed, taught music, and composed many works. He lived in Cornwall, had been married, and fathered eight children.

Dido Elizabeth Belle was the topic of the 2013 movie, Belle. Her mother had been a slave; her father, the son of a baronet. As a baby, her care was entrusted to her uncle, the 1st Earl of Mansfield and she was brought up as a member of the family and inherited enough money from the earl to see to her comfort for life. The earl’s will also specifically documented her freedom. She married a Frenchman who might have been a gentleman’s steward. They had two sons.

William Davidson was the natural son of the Attorney General of Jamaica and a Black woman. At 14 he traveled to Scotland to study law, but after being apprenticed to a Glasgow lawyer, he was press-ganged into the Royal Navy. After his discharge, he started a cabinet making business which eventually failed. He eventually became involved in radical politics and was one of the Cato Street conspirators. He was executed for that crime.

Tom Molineaux and Bill Richmond were both former slaves who had success as professional boxers.

Cesar Picton was enslaved from Africa at about 6 years old. He became an exotic page boy to Sir John Phillips a baronet and became a favorite of the family. With a legacy of one hundred pounds from Lady Phillips, Picton set himself up in business as a coal merchant. He became wealthy and died a gentleman.

These are only a few of the diverse Black people who lived during “our” time. I found several examples of others. Most were once slaves or were born to slaves, but against great odds developed successful lives and deserve their place in history.

Happy Labor Day!

This US federal holiday celebrates the economic and social contributions of the American worker. It was first observed in New York in 1882 and became a federal holiday in 1894. Today it has also become the traditional end of summer and the traditional way to celebrate is to have a picnic.

Of course Labor Day 2020 is like no other. Many of our work force are unemployed or underemployed due to the Covid-19 Pandemic, and many of the employed cannot go into work, but must stay at home. Still others, especially our doctors, nurses, and other health providers, are on the front lines, risking their lives for the rest of us. Still others are protesting in the streets, because it is time to for all men (women and children) to be created equal.

So life is no picnic right now. Many of us are hunkering down in our homes, but others are trying to celebrate this holiday as we used to — with a picnic outdoors.


Today’s picnic, albeit a socially distanced one, is a leisure pastime for ordinary people, a chance to grill hot dogs and play outdoor games, but during the Regency, a picnic was a fancier affair, and the working people of the period may have experienced it much differently than we do today.
In the early nineteenth century, picnicking was a way for the privileged classes to commune with nature, all the while consuming a feast assembled to minimize inconvenience and to enhance the outdoor experience. A beautiful site was selected some distance away. Each guest might have provided a dish to share or the host provided all the food. Entertainments were provided. The idyllic interlude was a pleasurable respite from day to day life.


Except for the servants, for a Regency picnic required a great deal of work.Servants had to prepare, pack, and transport the food, the furniture, the plates, serving dishes, cutlery, and linens. The whole lot would be loaded on wagons but the wagons often could not reach the exact site of the picnic, so that the food, furniture, etc. would all have to be carried the rest of the way by servants, who would then have to set up everything, serve the food, and attend to the guests in any way they required. When the picnic was over, the servants had to clean up, repack everything, and carry it back.

It wasn’t until later in the Victorian period, with the rise of the middle class and the ready train transportation that picnics became a less exclusive leisure activity. So on this day, while we celebrate our very unique Labor day, let’s also remember the labor that used to go into a picnic. And let’s remember that times do get better!

(an earlier version of this blog post appeared on September 5, 2011)

We are just starting to see the beauty of autumn here in Virginia with brisk, sunny days. Soon the leaves will turn their reds, yellows, and oranges and get ready to fall.

Here, again, is my Regency homage to autumn, because the season and the poem are so beautiful. 

On 19 September 1819, John Keats took an evening walk along the River Itchen near Winchester and was inspired to write one of the most perfect poems in the English language:

To Autumn

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,–
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.

The poem was included in volume of Keats’ works printed in 1820 to better reviews than his earlier works. A year later, Keats died.

I have a new book out! Her Gallant Captain at Waterloo is available right now from online booksellers in both paperback and ebook.

Here’s the back cover blurb:

From vicar’s son
To captain of her heart!
Lady Helene Banes travels to Brussels to bring her battle-seeking younger brother home, only to collide with Rhys Landon, her ex-fiancé! Gone is the penniless vicar’s son, now transformed into a combat-hardened captain. The spark still burns between them, but Rhys has a new love now—the army. Until, on the eve of battle, with Napoleon’s troops advancing, the emotional turmoil of their past explodes into a night of passion!
From Harlequin Historical: Your romantic escape to the past.

One of the joys of writing historical fiction comes when you are able to fit the real history and real historical figures into the story. In writing Her Gallant Captain at Waterloo I had a lot of that sort of fun. Setting the book in Belgium before and during the Battle of Waterloo, how could I miss. I particularly enjoyed trying to fit the events of the battle into the story, but there was also the Duchess of Richmond’s ball for my characters to attend and, inevitably, the horrid aftermath of the battle. And anytime I can include the Duke of Wellington in a book, I’m happy.

Sometimes a historical figure fits in so well that he or she become a part of the story. In this book it was David Banes’ friend, William Lennox. 

Lord William Pitt Lennox was the 4th son of the Duke of Richmond. As a youth he attended Westminster School, the perfect place for my character to befriend him. By 1814 he had a cornetcy in the army and was an aide de camp to the Duke of Wellington when the Duke was in Paris, the Netherlands, and at the Congress of Vienna after Napoleon’s first defeat and exile at Elba. When Napoleon escaped Elba and returned to France, a battle became inevitable, and no one but the Duke of Wellington could command the Allied army to face this foe. These two great generals had never faced each other in battle. The impending battle was considered the event of the century, not to be missed. 

So in the late spring of 1815, Brussels filled with soldiers and civilians, including David Bane and his sister, Helene, who came to bring her brother home. William Lennox was now attached to General Maitland’s staff, but he suffered a riding accident, injuring his eye and General Maitland relieved him of duty. Because of his injury, he would not fight in the battle, which surely must have depressed him greatly.

It is known that the Duke of Richmond, William’s father, rode with Wellington the day of the battle and observed the fighting. It made sense that William would ride with him—and that gave my character, David, the opportunity to ride with them, putting him exactly where I wanted him—in the battle itself. 

I love it when that happens.

Do you love it, too? Or do you prefer the history to remain in the background or not tied to real events?

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