Back to Top

Category: book announcement

I am very excited to announce that the fourth book in my Tales of Little Macclow series, His Lady to Love, releases this coming Sunday, September 15th! After the year+ long detour I took to co-author Writing Regency England, I’m so happy to be back to my little Derbyshire village and the fiction stories of my heart.

Here’s the link (it’s also going to be in KU): https://www.amazon.com/dp/B0DDRKCFH3

Book cover for Gail's new release His Lady to LoveThe heroine of His Lady to Love, Ailis Murray (known to her intimate friends as “Lissie”), is a young Scottish widow. Many of the widowed heroines we meet in romance fiction have not enjoyed a happy first marriage. I think the reason is simply that the heroine’s lack of previous emotional engagement makes the new romance easier to have the “first love” depth and intensity readers enjoy. But I always like a challenge and frequently prefer to swim against the current. What if our heroine doesn’t fit that mold?

Lissie loved her first husband deeply and after a year is still grappling to some extent with her grief. She is very resistant to falling in love again. She believes that she has “had her one great love” and isn’t willing to settle for a less satisfying relationship. She doesn’t want to wed again. (Naturally I hope the reader will be rooting for her to be proven wrong!) But the emotional risk is not her only reason for not wanting another marriage.

To understand the potential benefits of widowhood in the Regency, we need to take a quick look at what it meant for women to be married.

Black & white woodcut engraving of a Regency couple. She is seated, wiht one hand on her breast, looking excoted, while he kneels in front of her and is kissing her hand. Very romantic!

Regency lovers, woodcut 1815

Marriage in Georgian and Regency society was considered the ultimate point of womanhood. Procreation was necessary for the continuation of society. In the upper classes, children meant maintaining the structure of the ruling strata of society, while in the lower classes, they meant maintaining the supply of workers in the laboring strata. But also, in these periods, the alternatives for women were few. Being married meant survival and sustenance—being protected and provided for by a man.

I think it is very hard for us in this modern age to fully grasp how different things were for women back then in an entirely male-dominated world! The trade-off for the life-long sustenance and (assumed) safety of marriage was that wives had no rights of their own. Legally, marriage was seen as unifying the couple into a single entity. Once married, everything a woman owned, earned, or was given belonged to her husband (unless protected in some way, such as a trust). A wife was legally dependent on her husband for everything, seen as essentially a sub-unit of the man she is attached to.

Obviously, there were women who defied the system, but they were the rare cases. And if widows hadn’t adequate means of support from some source after their husbands died, marrying again was the necessary alternative to suffering in severe poverty. But widows who had an income source, having fulfilled society’s expectations by marrying, could enjoy a freedom that no wives, spinsters, or younger unwed misses were granted. For widows, marrying again meant giving up their freedom and submitting themselves back into the legal invisibility of being a wife.

Lissie is a wealthy widow. Her late husband, who owned multiple properties including estates, undeveloped land, shipping interests, and even a woolen mill, left everything to her. And immediately, despite her mourning, suitors flocked to her. The wealth attracted them but also society assumed a woman had not the skill or intelligence needed to manage such assets. Except Lissie has already been managing all of it, for her husband was ill the last two years of their marriage and trained her in the job.

If she marries, all of her husband’s legacy goes to her new husband. Lissie has dreams and ambitions of her own, ones she expects a husband would not support. So she has practical as well as emotional reasons for resisting our lovely story hero.

I hope you’ll want to see how this romance works out! Our hero has dreams of his own and marriage is not a good fit in his immediate future, although this is a romance where he falls first. How does Scottish Lissie come to be in the English village of Little Macclow, anyway? And how does our hero entice her away from the solitary existence she seeks to get her involved with the affairs of the village?

The books in my series follow a continuing chronology and characters from the earlier books pop up again in later ones, but each book is written to stand alone, so you don’t need to have read the earlier ones to enjoy His Lady to Love even though it is Book #4. I am releasing it in Kindle Unlimited (temporarily). This release is the first time I’ve done that for any of my books, so if you’ve never read one and want to give my work a try, this is a good opportunity! I hope you will.

Do you have any favorite stories with widowed heroines? Did they have good first marriages? Or after bad ones, are they either hoping for a better second chance or soured on the idea of marriage entirely? Have you had experience with any of these outcomes yourself?

 

Do errors or modern phrases bump you out of a historical story you were enjoying? Or as an author, do you find that despite your best efforts those kinds of errors creep in when you’re not paying attention? Well, if so, here’s good news: Writing Regency England has released! It is the culmination of two years of meticulous hard effort honing and focusing, choosing what to include (the topic could be an encyclopedia unto itself, of course!), writing, re-writing, fact-checking, digging for illustrations–all the work.

Picture of the book, Writing Regency England, shown at an angle so the front cover and the spine are both visible. Co-author Jayne Davis and I both love our genre, and we hope this book may serve everyone with any interest in the Regency time and world. We both believe if you’re going to go to the trouble to set a story in a historical time period, creating an authentic sense of that time and world strengthens the story and the experience the reader will gain from reading it. Mistakes can lead to bad reviews, disappointed readers, and an overall bad rep for the genre! WRE is our effort to help fellow authors avoid that fate!

Available in print only, the book offers sixteen chapters of wisdom and information about the Regency time period focused on the “most commonly seen” errors that authors make. Designed as a guide, not a list of complaints, the book covers a wide range, from developing an ear for period appropriate language, avoiding modernisms and Americanisms, to simple facts about the landscapes, flora and fauna of England (no chipmunks! no skunks!), the correct use of titles for characters in the nobility (and who is or isn’t a peer), wisdom about naming your characters plus much more. If you write Regency-set fiction or even just enjoy reading about the period, this is a new resource with a unique slant that you might find invaluable.

https://www.amazon.com/dp/191379010X

Reviewers are giving it 5 stars and saying:

“The authors of Writing Regency England: A Resource for Authors have nailed all the things I grit my teeth over when reading Regency fiction: language that is inappropriate to the period, foods that were not eaten, incorrect use of titles, ignorance of mores and early 19th century life in general. This book covers everything: setting, flora and fauna, building styles, transportation, Great Britain’s old, confusing monetary units (shillings, pence, etc.), professions, the army and navy, and much, much more. I’ve done research for my own books since 2016 and am amazed at the scope of Writing Regency England. I wish I’d had a copy then.”

“If you’ve ever wondered whether what you were reading was accurate or not, then this is the book to tell you. …whether you’re an author or a reader, this book is highly recommended.”

“Thank you to Jayne Davis and Gail Eastwood for putting their heads together to write ‘Writing Regency England’. I do not know how much time I spend going down rabbit holes when I research the period, especially when I am looking for something specific. This book is a great resource for both writers and readers of the period who care about historical accuracy.”

“I’m impressed with the quality of the information and how easy it is to read the book. I’d recommend it highly to historical literature fans, readers and authors alike.”

Every author’s approach to authenticity is as unique as their writing style and voice, but there seemed to be a need for Writing Regency England. Others who write in the same period could certainly have done this book, but Jayne and I were the ones who were crazy enough to tackle it!

Do you think accuracy matters in historical fiction? Please share your thoughts in the comments!

 I am thrilled to announce that I have a new release coming this month! The Lady Behind the Masquerade will be released in paperback and ebook on July 25.

 

Here’s the backcover blurb:

 

The ton’s newest member
Is not all she seems…

Diplomat Marcus Wolfdon can’t forget the alluring woman he met in Paris, the passionate night they shared or that she stole his money and disappeared! A year later, Wolf meets Juliana again in Brighton, seemingly a member of the ton. She begs him to keep their former liaison secret, and the emotion in her eyes compels him to agree. Desire still flares between them, but first Wolf must uncover the lady behind the masquerade.

From Harlequin Historical: Your romantic escape to the past.

 

The Lady Behind the Masquerade is Book 2 in A Family of Scandals series. Marcus Wolfdon, “Wolf” to his friends and family, is the younger brother of Eliza, now the Marquess of Hale, and heir to their father’s baronetcy. Rather than deal with his parents’ drama, Wolf has dedicated himself to a diplomatic career, lately in Paris, where he has his unforgettable encounter with Juliana. His father’s near-fatal illness brings him back to England where he must face his family obligations–and Juliana, who now is not an alluring French woman, but a lovely lady, cousin to Wolf’s friend’s mother. Never sure precisely what Juliana’s truth is, he cannot resist both loving her and protecting her but never trusting her.

Be on the lookout for the reviews and read and excerpt.

And you can preorder now!

Over the years, I’ve been asked frequently if my books were available in audio, and to date I’ve always had to apologize and say no. Neither of my previous publishers ever issued my books in audio, even though they held the rights to do so.

Well, that changes today! After getting the rights back to my first books, I reissued them with fantastic new covers, and then I sold the audio rights to Scribd. Today the first one came out! It’s narrated by Dan Calley (who I think has an absolutely lovely voice), and I’m dying to know what readers think!!!

You can find Sin Incarnate here. And they offer a 30 day free trial for those who want to check out everything that’s available. And yes, Scandal Incarnate and Temptation Incarnate are both on their way.

I had a grand plan…I was going to do the cover reveal for the re-issue of my Ripe series. Alas, life got in the way for my cover designer, so we’re a tad behind. But I do have a sneak peak at part of the cover for RIPE FOR SCANDAL.

I’m seriously in love with this cover, and I can’t wait to show you the while thing next month. I’ll be doing the typography this weekend and getting all three books off to thr formatter ASAP so they can be re-re-released in April.

Beau and Garath.

I have some exciting news as well: Scribd will be releasing the series in audio, which I’m really excited about. Audio is something readers ask for all the time, and I’m so glad that they’ll finally have the chance to enjoy the books in the format they prefer.

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com