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Category: Risky Book Talk

Posts in which we talk about our own books

Please join Julian Fellowes, creator, sole writer, and executive producer of the hit television series Downton Abbey and the author of the new novel Belgravia, who is touring the blogosphere with a progressive blog tour from April 14 to June 16, 2016!

(This is carolyn posting for Risky Amanda!)

Image of Julian's Book Cover

Belgravia Blog Tour

 

Similar to a progressive dinner party, where a group of friends each make one course of a meal that moves from house to house with each course, this progressive blog tour features eleven bloggers and authors, each offering a recap and review of one episode from the book.

Visit Luxury Reading to learn more about Episode 5, and read on for our review of Episode 5: The Assignation.

Don’t forget to enter for a chance to win 1 of 3 hardcover copies of Belgravia–details below! 

I was so excited when I was asked if the Riskies would host one of the stops for the blog tour of “Belgravia,” Julian Fellowes’s new serial novel about scandal and romance in 1840s London!  I’ve been suffering some “Downton Abbey” withdrawals since the last episode of that show (sniff!), and this seemed like a good way of recovering.  I wasn’t wrong.  “Belgravia” is so much fun!

It’s much harder than I thought, though, to just review ONE episode, considering all the complicated twists and turns of the relationships in the story, and the way the scandalous past comes to haunt the present.  Episode 6: A Spy in Our Midst was a good episode to draw, though.  So much happened!  As the scene opens, James Trenchard is nervously awaiting word whether he will be accepted into the Athenaeum Club (not really a spoiler: he is), when he is visited by his secret grandson Charles Pope, who says his investment scheme is very close to becoming a reality, thanks to Lady Brockenhurst’s interest (which is already being remarked on and gossiped about in Society).  James fears once the truth is known, his brand new club membership will be revoked (“Anne’s pity for the countess would be their undoing”), but he enjoys his time with Charles anyway, and takes him to lunch at the club, which leads to awkward confrontations with an officious club butler, and a fight with his drippy son Oliver.

In fact, there were many confrontations and near-confrontations here, as well as new layers of forbidden romance (Maria Grey, almost betrothed to John Bellasis, has a new crush on Charles Pope, and John is having an affair with Oliver’s wife Susan, ouch).  There is a real sense in this chapter of matters building to a head, rushing toward a big blow-up that can’t be stopped, and I can’t wait to see what happens next.  (And yes, there IS a spy, a rather unexpected one, but you have to read to the end of the episode to find out who/how/why!)

There is so much to enjoy in this story, much of it the same things I loved about “Downton.”  Complex characters, with complex relationships; family secrets; snappy British dialogue; scandal and sadness and hope.  You can wait and order the full story, of course, but I think it’s a lot of fun to read as they are released now, in installments.  What do you think will happen next???

Giveaway

Win a Copy of Julian Fellowes’ Belgravia

In celebration of the release of Julian Fellowes’ Belgravia, Grand Central Publishing is offering a chance to win one of the three (3) hardcover copies of the book!

To enter the giveaway contest, simply leave a comment on any or all of the stops on the Julian Fellowes’ Belgravia Progressive Blog Tour starting April 14, 2016 through 11:59 pm PT, June 22, 2016. Winners will be drawn at random from all of the comments and announced on Austenprose.com June 23, 2016. Winners have until June 30, 2016 to claim their prize. The contest is open to international residents and the books will be shipped after July 5, 2016. Good luck to all!

Belgravia Progressive Blog Tour Schedule

April 14 – Austenprose.com: Episode 1: Dancing into Battle

April 14 – Edwardian Promenade: Episode 2: A Chance Encounter

April 21 – Fly High: Episode 3: Family Ties

April 28 – Calico Critic: Episode 4: At Home in Belgrave Square

May 12 – Risky Regencies: Episode 6: A Spy in our Midst

May 19 – Book Talk and More: Episode 7: A Man of Business

May 26 – Mimi Matthews: Episode 8: An Income for Life

June 02 – Confessions of a Book Addict: Episode 9: The Past is a Foreign Country

June 09 – Laura’s Reviews: Episode 10: The Past Comes Back

June 16 – Gwyn Cready: Episode 11: Inheritance

 

Hi!  I haven’t been around for a while, due to life challenges and some health issues—I’ve had a serious problem with my right eye, which is still a bit wonky. I also haven’t been working on romance recently, though I have been working on other things.

Since people may be in more need of books to read right now, I’ve decided to put all my ebooks on sale for the next few months. Most are 99 cents, and my novella, The Wedding Wager, is free. So this is a good time to check out my books if you haven’t already, and if you enjoy my books, let others know. All my titles are listed on the Book List on my website.

I also promise you that I hope to return to romance writing. I still believe in romance. Even though I was saddened by the recent turmoil in the Romance Writers of America (you can Google it if you don’t know what happened) I am now hopeful that the organization is refocusing and moving again towards greater inclusivity. Everyone deserves love, and everyone deserves to be able to read stories with characters they relate to.

I believe in love, and in people working through problems and becoming stronger together. The best romance novels don’t do this by the characters compromising, which to me means having to give up something important to them. The way I see it, and the way I try to write it, lovers figure out solutions that are a win/win, where no one has to give up their health or happiness or change who they are just to fit in with the other’s needs. They might learn that what they thought they wanted at the beginning of the story isn’t what they really need. They might have to let go of old ways of thinking and doing things. They grow in ways that might be uncomfortable, but they become more who they were meant to be.

I also believe that at the end of a good romance novel, things don’t settle down and go back to where they were. Things get better. The love between the characters benefits everyone around them: their friends and family and their communities.

I believe this is true in our lives. There’s a lot of division and strife in our world, but we’re not going to solve it if we believe there are winners and losers. We’re not going to solve it by compromises with ideas like racism or homophobia that mean some people have to suffer so others can benefit. We’re going to solve things by understanding and working toward answers that don’t leave anyone out. I believe that in the Biblical story of the loaves and the fishes, Jesus taught people that if we share, there will be enough. This is the sort of world I want to work for, where love rules rather than fear.

Please take good care of yourselves, and keep on loving.

Elena

www.elenagreene.com

One Grey Seal looking. Located Newquay, Cornwall, UK.

A lot of my favorite romance authors include animals in their romances. In Regencies, we often have horses, but other animals, usually pets, can add fun to a story. Laura Kinsale usually (always?) includes some sort of “mascot animal” in her books, including a horse, a gyrfalcon, a shark, and a pig. Mary Jo Putney is a cat lover and many of her books include cats.

There are almost always named horses in my books, and some of my characters have had pets. I included goldfinches, a hedgehog, and a pony in Lady Dearing’s Masquerade, since there were so many children in that story who would enjoy them. In Saving Lord Verwood, the hero gives the heroine a kitten as a wedding present and later gives her the more practical gift of a mare to ride. Later, he also lets her talk him into rescuing an orphaned seal pup, which they later release back into the wild.

I got the idea for that story element after a visit to the Cornish Seal Sanctuary, a fun place to visit and learn about wildlife rescue. People at the center helped me figure out plausible ways for my characters to care for the baby seal.

Saving Lord Verwood by Elena GreeneThis month, I’m running a 99 cent ebook sale of Saving Lord Verwood, with my share of the proceeds going to the Sea Life Trust which runs the Cornish Seal Sanctuary and other sea life centers.

Saving Lord Verwood is available at Amazon, Barnes & Noble,
Apple, and Kobo.

If you’d like to donate directly, just visit the Sea Life Trust website.

Do you enjoy animal characters in Regency romance? What are some of your favorites?

Elena

This month, I’m continuing my series of ebook sales for good causes. The Redwyck Charm is currently on sale for just 99 cents.

Here’s the blurb:

Marcus Redwyck, Earl of Amberley, reluctantly agrees to wed an heiress in order to save his estate. But his equally reluctant bride, Juliana Hutton, runs away and masquerades as an opera dancer. When they meet, passion leads them to the edge of scandal. Even when all is revealed, it will take all of Marcus’s resolution and the fabled Redwyck charm to win the spirited Juliana’s heart.

I realize that it’s a bit of a stretch for a properly raised young woman to impersonate an opera-dancer. I work around that a bit by not having her dance that well! But also I did have some historical justification. In The Mirror of Graces (by a “Lady of Distinction, 1811) I read that young ladies sometimes took ballet-lessons to improve their ballroom performance.

“Extraordinary as it may seem, at a period when dancing is so entirely neglected by men in general, women appear to be taking the most pains to acquire the art. Our female youth are now not satisfied with what used to be considered a good dancing-master; that is, one who made teaching his sole profession; but now our girls must be taught by the leading dancers at the Opera-house.

“The consequence is, when a young lady rises to dance, we no longer see the graceful, easy step of the gentlewoman, but the laboured, and often indelicate exhibitions of the posture-mistress. Dances from ballets are introduced; and instead of the jocund and beautifully-organized movements of hilarity in concord, we are shocked by the most extravagant theatrical imitations. The chaste minuet is banished; and, in place of dignity and ease, we behold strange wheelings on one leg; stretching out the other till our eye meets the garter; and a variety of endless contortions, fitter for the zenana of an eastern satrap, or the gardens of Mahomet, than the ball-room of an Englishwoman of quality and virtue.

“These ballet dances are, we now see, generally attempted. I say attempted, for not one young woman in five hundred can, from the very nature of the thing, after all her study, perform them better than could be done any day by the commonest figurante on the stage. We all know, that, to be a fine opera-dancer, requires unremitting practice, and a certain disciplining of the limbs, which hardly any private gentlewoman would consent to undergo. Hence, ladies can never hope to arrive at any comparison with even the poorest public professor of the art; and therefore, to attempt the extravagancies of it, is as absurd as it is indelicate.”

The picture above is a waltzing scene from La Belle Assemblee, February 1, 1817 which I think clearly shows the influence of opera-dancing on social dances.

This was a fun book to write, definitely in the category of “romp”. It was also a stretch for me to write a heroine like Juliana, who did things I’d never have dared. One reader did complain that Juliana is spoiled. But the way I look at it, even now a woman can be born to wealth and material advantages but still have to fight to determine her own destiny.

When Juliana is faced with the prospect of a marriage of convenience with Marcus, she is finally swayed by the fact that he needs her money to save his estate from falling into the hands of a man who would neglect his tenants for a quick profit. Juliana’s compassion surpasses her personal desires (at the time at least—once she realizes she’s in love with Marcus, it’s all good).

So I think it is fitting to donate the proceeds of this sale to the Flint Child Health and Development Fund, dedicated to the “long term health and development needs of Flint children exposed to lead”. If you are not familiar, here is some background on the Flint water crisis and a more recent update.

The ebook version of The Redwyck Charm is on sale at Amazon, Barnes & Noble, iBooks and Kobo.

If you’d like to donate directly, go to Flint Kids and just use the “Donate” button.

Do you like “heiress” stories? Do you have any favorites?

Elena

I’m in the middle of teaching an online class, “Introduction to Writing Regency Romance.” Preparing for the class helped me brush up on the basics and the participants seem to be enjoying it. I certainly am. It feels rather nostalgic to answer questions I asked about seventeen years ago when I started my first manuscript!

One thing I’m keeping in mind while teaching this class is that there are many types of Regency romance—traditional, inspirational, long historical, paranormal, erotic, and other variations. There are also many different readers—some who love specific genres, some who are more eclectic in their reading, some who prefer “sweet” romance, some who enjoy darker stories, etc… Even though the historical background is unchanging, I believe that readers have different ideas of what sort of Regency world they most want to visit and since romance is meant to be entertaining, there really is no right or wrong Regency world, only personal preferences. So in each lesson, I strive to provide accurate information, but also allow each participant to decide for herself how much she wants to use that information in her stories.

Within my books, I do strive to get the details right. My characters may bend the rules of society, but not without being aware of the risks they take. But I’m not a purist about every matter. I know perfectly well that the hero’s clothing on the cover of Fly with a Rogue is inaccurate. However, I chose this image for a specific reason. I’ve found that readers don’t always check my blurbs to gauge the sensuality of my books, so I used this image to help them recognize that this is one of my sexier books. So far, no one has complained about the sensuality, and no one has complained about the inaccurate clothing either. I think I’ve achieved my goal of making sure the right readers buy this story.

As a reader, I’m pretty eclectic. I’m OK with books that create rather different versions of the Regency. For instance, I don’t care if some of the details are over the top in a really funny story. In an angsty story, I want more realism. I try to be a forgiving reader regarding a lot of historical details, though there are a few that grate.

As someone who’s done a bit of riding, I find that errors regarding horses do bother me. The funniest one was the story in which the hero kept teams of black stallions posted at inns between London and his country home. I’m sure this seemed romantic to some, but anyone who knows much about horses would know just how unrealistic this would be. (Most male horses are gelded as this makes them easier to manage; generally only the ones deemed best for breeding are kept intact.)

The sort of things that bother me most, though, are those that paint a Regency society that is too different from what I imagine from my reading and research. These include books in which the characters behave as if they are completely unaware of social conventions—not merely rebellious, but unaware. These also include books in which the social conventions are stricter and feel more stuffy and Victorian than Regency. I’ve read books in which characters are declared “compromised” after a brief time alone, even though there are plenty of scenes in Jane Austen’s books where couples are not closely chaperoned. There might be gossip, such as there is when Marianne is out driving with Willoughby, but not the full-flown scandal of, say, Lydia running off with Wickham.

Anyway, I’m curious what others think. What’s your favorite kind of Regency world? Without naming authors, because this is a polite space, are there any pet peeves you’d like to share?

Also, the ebook version of The Incorrigible Lady Catherine is on sale this week for just 99 cents. Lady Catherine is one of my more rebellious heroines. Besides trying to elope with a rake, she shocks her family by playing Beethoven sonatas, which were considered too passionate for ladies. Since she derives so much pleasure and comfort from the arts, I’m going to donate the proceeds to PBS.

You can get The Incorrigible Lady Catherine for Kindle, Nook, Apple, and Kobo.

Elena

www.elenagreene.com

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