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Category: Writing

Posts in which we talk about the writing craft and process

This morning, the buzzer rang at our apartment. Hm, I wondered: more running shoes for my husband? Perhaps a completely unnecessary toy for my son from his super-indulgent grandma? No, it was the first copy of A Singular Lady, my first book that comes out October First (well, actually it comes out Oct. 4, but it reads better the other way, don’t you think?).
Wow.
I’m an author! With a book in print and everything! I started to read the first few pages, not even remembering having written those words. And so many of them! If you’re an author, how did you feel having your first book in your hands (Cara, you’ll have to wait to comment on this one)? If you’re a Regency reader, which was the first Regency title you held that you were totally excited by, where you felt a new world had opened to you?

Me, I’m just plain thrilled.

oddgirloutSometimes as a parent, I need to read books like this one: Odd Girl Out: The Hidden Culture of Aggression in Girls by Rachel Simmons, which addresses the covert bullying many girls partake in lieu of more overt, physical bullying which is more common in boys. Simmons explains that in many segments of our society where girls are still expected to be “nice” (while boys are encouraged to be competitive), girls do not develop healthy ways to be competitive or healthy and straightforward strategies for resolving conflicts. Instead, they develop alternative forms of aggression: manipulative “friendships”, shunning, gossip, etc.., often carried out under a veneer of “niceness”.

Although many of the cases described are saddening, Simmons doesn’t demonize the aggressors, pointing out that roles often change and that the aggressors’ behavior is rooted in insecurity and the fear of being excluded themselves. There is a high price paid by those who are part of the “in” clique.

On a personal level, I found Simmons’s insights useful, along with some of her suggestions for parents and schools. It also shed some light on behaviors I’ve seen in adult groups that are predominantly female. Not everyone outgrows this stuff.

As a writer, I also found the book interesting in light of fiction and character development.

mansfieldparkDiane’s recent post, Mansfield Park Revisited had me thinking about how Jane Austen depicted alternative female aggression in her books. Clearly, it’s not a new phenomenon.  Ladies of the gentry and aristocracy were certainly expected to be “nice” so alternative aggression likely flourished. One can see it in the relationship between Caroline Bingley and Jane Bennett in Pride and Prejudice, in the friendship of Catherine and Isabella in Northanger Abbey and definitely between Fanny and Mary in Mansfield Park.

Here’s an image from the infamous scene with lesbian undertones in the 1999 version of Mansfield Park. Although I’ll agree with critics that I never saw anything like that in the book, it does fit in with the model of manipulation, the pressure for the victim to tolerate behavior that makes her uncomfortable, with the underlying threat of loss of friendship.

My second full length Regency romance, The Incorrigible Lady Catherine, was the beginning of my “Three Disgraces” trilogy with heroines who met at boarding school and who, for various reasons, didn’t fit in and formed their own defensive alliance. So I’ve played with this issue before in my writing, although at the time of writing, I certainly didn’t understand the aggressors as well as Jane Austen must have.

Have you read other books, romance or not, where the concept of alternative aggression was used effectively?

ElenaGreene_TheIncorrigibleLadyCatherine_200pxTo celebrate the recent release of The Incorrigible Lady Catherine in paperback, I’ll give away one copy to a random commenter.  Comment by next Thursday (1/17) and I will announce the winner on Friday (1/18).

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

So this weekend I was off with 3 writing friends on a retreat to an adorable Victorian cottage in Eureka Springs!  (no pics at the moment–we spent most of the time wearing sweats and messy hair as we wrestled with our WIPs…).  It was a wonderful time, with lots of work done and lots of wine on the big front porch in the evenings.  I am in the middle of my newest project, the first in my Elizabethan-set mystery series (coming out from NAL next year!!), and this was a great way to get a few thousand words ahead.  Plus it was fun!

So I started wondering if authors of the past did something like this.  All I could remember was how in high school a friend of mine (another future English major) had an old, grainy VHS tape of a movie called Haunted Summer, about the time Byron and the Shelleys (and others) spent a few weeks together at Lake Geneva in Switzerland, where a dare on a rainy night gave birth to Frankenstein.  This is what IMDB says about that movie:

 In 1815, authors Lord Byron, Mary Shelley and Percy Shelley get together for some philosophical discussions, but the situation soon deteriorates into mind games, drugs and sex.

My own retreat was not nearly so interesting….

As I looked around this morning trying to find more info on this famous writing retreat, I found a great article from the NYTimes’ travel section–it’s really fascinating and makes me want to go to Lake Geneva right away:  Lake Geneva as Byron and Shelley Knew It

Where would you want to go on retreat?  What authors would you take with you??  (I think Byron and Shelley would be fun, but probably not so conducive to getting much work done!  I might go with the Brontes…)

Last week was shoe-shopping; this week my activities were more nature-oriented: a hike (in more practical shoes) at the nearby Waterman Nature Center and reading my latest research find, A Selborne Year: ‘The Naturalist’s Journal’ for 1784. It’s one annual installment of the journal kept for 26 years by Gilbert White, curate, gardener and naturalist, who lived in Selborne, a village in Hampshire not far from where I am setting my current work-in-progress. The edition I own has lovely illustrations by Nichola Armstrong.

I like incorporating glimpses of nature and seasonal details into my writing. So A Selbourne Year is a positive treasure-trove. Here are some typical entries:

Apr 3. Rain. The ever-green trees are not injured, as about London. The crocus’s are full blown, & would make a fine show, if the sun would shine warm. (On this day a nightingale was heard at Bramshott!)

July 10. Grey, & pleasant. Gale, sun. The hops damaged by the hail begin to fill their poles. Thatched my hay-rick. Cherries very fine. Grapes begin to set: vine leaves turn brown. The young cuckow gets fledge; & grows bigger than it’s nest. It is very pugnacious. Cool.

This is just the sort of detail I love!

I find it interesting that Jane Austen had so little detail about the English countryside; perhaps she expected her audience to be too familiar with the subject to find it interesting. But it goes along with the general lack of descriptions in her books (we only know Elizabeth Bennett has “fine eyes” for instance, but her hair and eye color are left to the imagination). No matter; Austen’s characterization and dialogue are brilliant enough to stand on their own.

It is possible to go to the opposite extreme, I suppose. Friends and I were discussing Tolkien over beer (I love having friends with whom I can discuss Tolkien over beer!) and one said his descriptions of various imaginary settings went on too long. Those long descriptions always worked for me, though, because I like to visualize settings as I read. Tolkien’s description of Ithilien made me yearn to go there, although I would settle for the New Zealand film locations.

In my own writing, I try to strike a balance. I know too much description wearies some readers so I use it in service of the characters and the story. In my current mess-in-progress, the hero has spent much of his life in India and war-torn Spain and Portugal; a green and fertile England holds a special meaning for him. However, he may just enjoy hearing a bird sing; my heroine, the daughter of a naturalist much like Gilbert White, will know if it’s a lark or a thrush.

How much descriptive detail do you like in stories?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

I know branding is important and yet I struggle with it.

When I first put out my sexy Regency novella, Lady Em’s Indiscretion, as an e-book, I had several choices regarding cover. I could use a similar cover treatment to Lady Dearing’s Masquerade, the only e-book I had out at that time, or do something different. Being naïve, I thought that because the sex scenes in the novella weren’t really any hotter than those in the other book, a similar cover treatment would be fine. The problem is that while Lady Dearing’s Masquerade is a long book with many plot elements besides the sex, Lady Em’s Indiscretion is a short story where sex is the plot. Kind of like dessert without the meal, which is what was intended.

The other thing I didn’t realize is how many readers buy based on author name and a thumbnail. So although I described the story in the blurb, some readers were surprised that what they bought wasn’t like Lady Dearing’s Masquerade or my “Three Disgraces” trilogy. My bad. I need to fix that.

So here’s the range of my covers. I have my split style for most of my books, which are in that medium-sexy range. I intentionally asked for a different style for the reissue of my novella, The Wedding Wager, to indicate that this was a sweeter style book.

Much as I like the current cover for Lady Em’s Indiscretion, I think it needs to change to help it reach readers who enjoy the other end of the sweet/hot spectrum.

I recently read this interesting post at Dear Author about the cover evolution for Midnight Scandals, the new anthology from Courtney Milan, Sherry Thomas and Risky Carolyn Jewel. Now I’m especially aware that the cover needs to look striking (and different from my others) even as a thumbnail.

I’d be interested to know what people think. If I end up changing the cover, look forward to a celebration giveaway.

Also a bit of news. Authors Gail Eastwood and Susanna Fraser have kindly agreed to do some occasional guest posts for me. So you can look forward to a bit of variety on Fridays, while I am looking forward to a little extra writing time to help finish my balloonist story. 🙂

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene
www.twitter.com/ElenaGreene7

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