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A bit about Megan:

Megan Frampton’s love affair with books began when her gormless parents (not an ounce of gorm between them. And let’s not even mention feck) moved her to a remote town in New Hampshire where there was only one television station.

And then the TV broke.

She devoured every book of fiction in her well-read parents’ library, finding special joy in Barbara Cartland, Georgette Heyer, C.S. Lewis, Anya Seton and the fairy tales collected and translated by Andrew Lang.

Megan majored in English literature at Barnard College, and worked in the music industry for 15 years. Megan married one of her former interns and lives in Brooklyn, NY, with him and her son. Now that she stays at home, Megan has returned to reading – and writing – the fiction that was her first love.

Learn more at, or read her Authors’ Journals at All About Romance here.


“This book will touch readers who enjoy a sentimental love story with a nice touch of sensuality. The powerful, sexy hero knows exactly what he wants, and the spunky heroine is proud of being quite the bluestocking. This book is topped off with a dry wit that consistently finds its target.” — Romantic Times Bookclub
4 Stars

The Interview

Q. How did you think of writing this particular book? Did it start with a character, a setting, or some other element?

Like everything I write, it started out with a character–Titania, my heroine. Instead of wanting to marry for love, like most heroines, what would it be like, I wondered, if she had to marry for money? And what if the guy she falls in love with has absolutely no money . . . or so she thinks.

Q. How long did it take? Was this an easy or difficult book to write?

It took three years, although the last year was probably the most productive. By then I had learned a lot about writing, and was able to implement my new-found knowledge in my head-hopping, unbelievable manuscript. It was the first book I ever wrote, so I’m not sure if it was easier or harder to do than any others.

Q. Tell me more about your characters. What or who inspired them?

Um, me. Only my heroine is younger, prettier, smarter, and more self-assured. My hero was sort of supposed to be an anti-hero–he’s not a dandy, he’s just as happy reading as dancing, and he’s very to the point. Of course, he does look like Hugh Jackman (in my mind), but with even broader shoulders. So I guess that is kind of heroic.

Q. Did you run across anything new and unusual while researching this book?

I found that your entrance fee to the London Menagerie would be waived if you brought a dead chicken or something else for the carnivorous animals to eat. I cut that part, though.

Q. What do you think is the greatest creative risk you’ve taken in this book? How do you feel about it?

I think the greatest creative risk I took was tweaking the cliches behind Regency historicals: my heroine is sharp-tongued, insecure, realistic in her views of marriage, she’s got a broken nose and is terrible on a horse. My hero wears old clothes, has a temper, and thinks about pregnancy when fooling around with the heroine. Neither of them would have been given admittance to Almack’s, so I gave them an alternative place to be on their Wednesday nights, and I twisted another few things around that I hope are unexpected and funny.

Q. Is there anything you wanted to include in the book that you (or your CPs or editor) felt was too controversial and left out?

When my editor bought the book, she bought it as a traditional Regency, which meant I had to cut 20,000 words. Unfortunately, as a traditional Regency, that meant I had to cut a lot of the sex scenes. She and I were both bummed about that, but it wasn’t necessarily controversial, just limited by space constraints. I think it’s still racier than average, although nothing close to Janet’s.

Q. What inspired your heroine’s column?

I’ve found I love the interstitial writing–chapter headings, fragments of letters, random poetry, etc.–and in my writing have found it really augments the story itself. My dad is a journalist, so of course had quibbles with my heroine’s columns, but he provided the details behind her visits to the newspaper offices. In a way, I guess, those columns are my homage to my dad, who wrote columns for the Boston Globe for a long time.

Q. How do you pronounce your name?

Okay, I have to confess–I added that question. See, my parents named me back when the name “Megan” was unusual. It’s pronounced with a long e, like “Meeee-gan,” although most people who spell their name that way use a short e. The parents were thinking about naming me Regan, but my dad’s favorite play is “King Lear,” and she’s one of the bad daughters. Thank goodness they completely avoided Goneril. So they flipped the first letter around to match my maiden name–McLaughlin–but kept the long e pronunciation. Way more than you wanted to know, but it’s been a personal bugbear my whole life. I’m getting over it now, can’t you tell?!?

Q. What are you working on now?

I’ve just finished writing a contemporary mommy-lit. It’s first person, and is basically my story if my husband left me. It ends up okay, though. I’ve got a half-finished historical written, a spin-0ff of A Singular Lady whose hero is Julian, the bastard son of the woman who hosts the Wednesday night literary salon. We’ll see if I ever get to finish it.

Thanks for the interview, this was fun!

I hate for this to be all about me, but . . .

let’s talk about me.

My book, A Singular Lady, comes out in stores in less than two weeks. Ten days, to be exact, but who’s counting? My editor sent me one copy of it, which is now crinkled, stained, and worn because I’ve been hauling it around to show off if anyone asks what I do besides stay at home with my son.

I’ve read a few bits of it, too, when I’ve been waiting for someone to ask me what I do besides stay at home with my son (um, did I say that? I meant waiting to save a puppy or make chocolate from scratch. That’s what I meant). It feels as if another person wrote it. I certainly don’t remember tapping out some of those words on the keyboard.

I do remember, however, when I knew I would finish writing it. I was at a music industry conference talking with a Very Important Music Journalist and I mentioned what I was doing in my theoretical spare time. I told her the bare concept–my heroine writes a column detailing her husband quest–and she replied, “Oh, Sex And The City in the Regency.”

A ha! I thought. That made it all so much clearer.

And thus was I introduced to the high concept, a buzzword that’s since been cutting a swath through writers’ conferences. The High Concept is a sentence, sometimes only a sentence fragment, that describes the book (or movie, or TV show) in a succinct, catchy way.

So when I pitched my book at those same writers’ conferences, I’d say “Sex And The City in the Regency,” and editors and agents would nod excitedly and ask me to send a partial and synopsis. Which is, in fact, how my book sold–I pitched it to an editor and an agent at the same conference and it sold to one and I got representation from the other.

So, if you’re a reader, how would you characterize your favorite book in a high concept sentence? If you’re a writer, do you think in high concept? What’s your latest project’s high concept? Do you find it easier to think in high concept, or is it just more work?

And while you’re thinking about that, I’ll be off saving a puppy.


This morning, the buzzer rang at our apartment. Hm, I wondered: more running shoes for my husband? Perhaps a completely unnecessary toy for my son from his super-indulgent grandma? No, it was the first copy of A Singular Lady, my first book that comes out October First (well, actually it comes out Oct. 4, but it reads better the other way, don’t you think?).
I’m an author! With a book in print and everything! I started to read the first few pages, not even remembering having written those words. And so many of them! If you’re an author, how did you feel having your first book in your hands (Cara, you’ll have to wait to comment on this one)? If you’re a Regency reader, which was the first Regency title you held that you were totally excited by, where you felt a new world had opened to you?

Me, I’m just plain thrilled.

Here’s my cover (I figured it out! Thanks, Elena!). Like Cara, I was asked to submit three possible scenes from my book. This scene? Doesn’t happen. The only thing I was adamant about, however, was that the heroine NOT have any curls and have black hair. I also said the hero looked a bit like Hugh Jackman, with extra-broad shoulders. The artist got all those details right, and they look like my characters. I really like this cover, actually, even though there’s no strolling about with flowers scene in the book. To me, it looks like the morning after (ahem). The night before scene is the last one in the book. YES! There’s sex! Oh, how Utterly Risky of me! Anyway, now that I know how to upload pictures, I’m going to be a terror. Ha, ha, the monster has been unleashed! Okay. I think I should cut back on the coffee. More later.

Risk-taking . . . and a few mistakes

Hi, it’s Megan Frampton, another dangerous risk-taker here. I have many, many theories about what makes a traditional Regency different from a Regency-set historical (not all of which I’ll share, thank your lucky stars), and when I wrote A Singular Lady (which comes out October 4, mark it on your calendars), I thought I was writing a Regency-set historical. I have since figured out I did not, not least of which is because Signet bought my book to publish it as a trad.
What makes my Regency different from the pelisse-and-Almack’s crowd? Well, first of all, my heroine is out to marry for money. Her father’s reputation means she is not allowed into Almack’s, she is not classically beautiful, and she swears on occasion. My hero wears scuffed boots, worn clothes, and hates the social scene. Plus they have sex before they’re married, and she doesn’t yelp about how much it hurts the first time.
Oh, and I screwed up my hero’s title, big-time, which means I’ll be getting plenty of finger-wagging mail from folks who know a lot more about titles than I do. But I hope people enjoy the story, because it’s fiction, after all.
I’m looking forward to meeting my fellow risky Authors, and whomever stumbles across our blog. Enjoy, post, share, discuss!


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