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Three_Disgraces_CoverWhile my critique partners and beta readers have been reviewing Lord Langdon’s Kiss, I’ve been working on another project: reuniting my “Three Disgraces” Regency series in an ebook bundle.

Comment on this post for the chance to win one of 5 copies on either Kindle or Nook. (Apple and Kobo are still in the works.)

The Three Disgraces includes reissues of The Incorrigible Lady Catherine, The Redwyck Charm, and Saving Lord Verwood. Although many Regency ladies were educated by governesses at hom, my three heroines met at one of those select schools for girls we sometimes read about. Although they’re very different in terms of birth, interests and temperament, none of them quite fit in for various reasons. And so they developed a warm friendship while defending themselves against the catty set at the school.

I had so much fun writing this trilogy. I didn’t really plot ahead, other than coming up with the issues each heroine would have to deal with and what sort of hero would challenge her the most. Somehow it all came together.  I’ve mostly written standalone books, but I have to admit it’s also a lot of fun to spend some time with characters you loved in a previous book, and help beloved secondary characters get their own stories.

Now I’m contemplating another series. This one involves more characters over a longer period of time, so I’m thinking I should maybe plan a little. Luckily, I have a writers’ retreat coming up which will be a perfect time to brainstorm.

Do you enjoy series? Why or why not? And for my fellow authors, how much planning do you do up front for your series? Any tips and tricks?

Elena
www.elenagreene.com

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MistressOfMerrivale72webToday we welcome Shelley Munro and her new release Mistress of Merrivale to the Riskies. Shelley is giving away two digital copies of one of her historical backlist books, and there are a zillion ways to enter (see below!)

A marriage of convenience…full of inconvenient secrets.
Jocelyn Townsend’s life as a courtesan bears no resemblance to the life she envisioned in girlish dreams. But it allows her and her eccentric mother to live in relative security—until her protector marries and no longer requires her services.

Desperate to find a new benefactor, one kind enough to accept her mother’s increasingly mad flights of fancy, Jocelyn is nearly overwhelmed with uncertainty when a lifeline comes from an unexpected source.

Leo Sherbourne’s requirements for a wife are few. She must mother his young daughter, run his household, and warm his bed. All in a calm, dignified manner with a full measure of common sense. After his late wife’s histrionics and infidelity, he craves a simpler, quieter life.

As they embark on their arrangement, Leo and Jocelyn discover an attraction that heats their bedroom and a mutual admiration that warms their days. But it isn’t long before gossip regarding the fate of Leo’s first wife, and his frequent, unexplained absences, make Jocelyn wonder if the secrets of Merrivale Manor are rooted in murder…

Warning: Contains mysterious incidents, a mad mother who screeches without provocation, scheming relatives, and a captivating husband who blows scorching hot and suspiciously cold. All is not as it seems…and isn’t that delicious?

OK, I’ll bite. Tell us about the screeching mother.

Thanks so much for having me to visit today.
Jocelyn’s mother has a form of dementia, a disease that would be diagnosed as Alzheimer’s during our modern times. Her memory is gradually going, and her behavior is becoming erratic. Jocelyn’s two older sisters want to send Elizabeth Townsend to Bedlam, but Jocelyn hates the thought of her mother in a place like that, and she takes measures to keep her remaining parent safe with her.
Elizabeth isn’t above screaming when she wants attention, and she screeches when she doesn’t get her way. She’s very trying at times, yet Jocelyn gets the odd glimpses of her mother of old and she keeps hoping her parent will improve. She never does.

You’ve written so many books and in so many subgenres–what got you into writing historicals?

My first love as a reader was always historical romances, but gradually I started reading other genres. Once I started writing, I followed the same path. I tend to get bored writing the same genre all the time. While this isn’t the best plan, I need to enjoy the process of writing too, hence my dipping into the historical romance arena.

I do have a super-secret idea for a new historical series, and I hope to start working on that later in the year.

What is it that attracts you about the Regency?

My favored period is actually the 18th century, which I like because I think they were a little naughtier than the Regency era. It was a time of great change, which makes it interesting, and lastly, I adore the clothes.

You have a courtesan heroine. How difficult was it to make this trope fresh?

I didn’t think about making the trope fresh. It was more a case of writing my heroine the way I thought she should be written, and my story, the Mistress of Merrivale, emerged. Can you tell I’m a pantser rather than a plotter?

What’s your favorite scene in the book?

I like the scene when Leo and Jocelyn have their first meal together after being reunited and consummate their marriage. They both want their marriage, and they’re attracted to each other, but everything is new and strange for both of them. This makes for fun scene as they learn about each other.

What was the most difficult part of the book to write?

When I first wrote this book it ended up at just over 50K words. I subbed it to one of my editors and received a rejection. I never give up, and I liked this story a lot. Since I was about to go on holiday, I set the story aside. On my return I reread it, and decided I needed more plot to make the story stronger and be true to my characters. In the end Mistress of Merrivale ended up at 86K words. Working out what to add and how to do it was the tough bit, but it was worth it. I’m pleased with the end result.

What are you working on right now?

I’m percolating my super-secret historical series idea in my head while I’m working on a sci-fi series which is contracted with another publisher. I’m busy writing the third book in this series and the words are stuck in a swamp in the depths of my brain. At least that’s what it feels like today!

What are you reading right now/last great book you read?

I’m listening to an audio book at present – Shades of Gray by Maya Banks. As for the last great book I read, I can’t tell you the name of the author or the title since it was one of the books I judged in the RITA. I love it when I discover new authors, especially if they come with a back list!

Your task: Enter the contest via the magic of Rafflecopter, or ask Shelley a question about her book, or, since she lives in New Zealand, you could ask her about, for instance, rugby players. Or Lord of the Rings. Or, share with us a new author you’ve discovered recently.

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Murder at Westminster Abbey-1Carmack once again delves into the Elizabethan Age, in all its drama, treachery, and religious mania, with this richly textured second outing for court musician Kate Haywood (after 2013’s Murder at Hatfield House)…In Carmack’s hands, this period whodunit is deliciously detailed but never heavy-handed. –Publishers Weekly

Hello, Riskies!  I have been buried in my writing cave for a few weeks (thanks for all our lovely guest bloggers filling in!), but now I have to pop up to say…I have a new book coming out!  Murder at Westminster Abbey, book two of my Kate Haywood Elizabethan Mysteries, is out April 1!  It’s up for pre-order at Amazon, but I will be giving away one signed copy to a commenter on today’s post.  Here’s a look at just a little of the fun research I did on the coronation of Elizabeth I…

1559. Elizabeth is about to be crowned queen of England and wants her personal musician Kate Haywood to prepare music for the festivities. New to London, Kate must learn the ways of city life…and once again school herself as a sleuth.
 
Life at the center of the new royal court is abuzz with ambition and gossip—very different from the quiet countryside, where Kate served Elizabeth during her exile. Making her way among the courtiers who vie for the new queen’s favor, Kate befriends Lady Mary Everley. Mary is very close to Elizabeth. With their red hair and pale skin, they even resemble each other—which makes Mary’s murder all the more chilling.
 
The celebrations go on despite the pall cast over them. But when another redhead is murdered, Kate uncovers a deadly web of motives lurking just beneath the polite court banter, and follows the trail of a killer whose grievance can only be answered with royal blood.

When I started writing Murder at Westminster Abbey, I had lots of fun digging through boxes looking for photos and scrapbooks of my trips to England, and I got to revisit my very first visit to Westminster Abbey! It was a rainy, stormy day, and I had just arrived in London after a long overnight flight. The hotel room wasn’t yet ready, I was jet-lagged and a bit silly with lack of sleep and too much Chardonnay (I am a terrible flier!). So what could be better than a few hours wandering around in the cool darkness of Westminster Abbey, out of the rain?

For a lifelong history geek like me, the Abbey was a magical place. I spent hours at Poet’s Corner, visiting Chaucer and Browning. I stumbled across Anne of Cleves, Margaret Beaufort, and Aphra Behn, and stood atop where Oliver Cromwell once lay, before the Restoration came and he was dug up again. Best of all, I found myself nearly alone for a few precious minutes at the tomb Elizabeth I shares with Mary I.

It was wonderful to revisit my memories of that trip (and re-watch a DVD of William and Kate’s wedding, just for research on cathedral details, of course!). It was also a lot of fun to delve deeply into the events surrounding Elizabeth I’s coronation—I almost feel like I could have been there now, and met all the historical figures who played a part in the glittering events. I loved weaving the real pageantry with my fictional characters and what happened to them on those momentous days in January 1559.

ElizabethCoronationQueen Mary’s funeral was on December 14, 1558, and Elizabeth then moved to Whitehall Palace to celebrate the Christmas season with a series of feasts and dances, organized by her newly appointed Master of the Horse, Robert Dudley. But there was work to be done as well as dancing, a household to organize, counselors to appoint, and a coronation to plan. The city, which had been quiet and somber for the last months of Queen Mary’s sad life, sprang to life. Viewing stands were built, streets graveled, the river cleaned up, and vast quantities of cloth of gold and silver, silks, velvets, and satins were ordered. Seven hundred yards of blue cloth was laid as a carpet from Westminster Palace to the Abbey. Despite the economy of re-making Queen Mary’s royal robes for Elizabeth’s more slender figure, the Exchequer paid out more than 18,000 pounds.

Dr. John Dee, the new queen’s favorite astrologer, laid out a horoscope predicting January 15 as the best date for the coronation. He didn’t predict the fact that the weather would be gray, cold, and icy, but the party went on. On January 12, the queen boarded her barge at Whitehall and processed along the Thames to the Tower, where new monarchs traditionally slept before their coronation. Accompanied by dozens of other barges, musicians, the Mayor and his aldermen, she floated past hundreds of people lining the riverbanks to toss flowers and shout their approval. (The poor victim in my story, Nell, watches this procession before she sadly loses her life. She’d heard from her grandmother about Queen Anne Boleyn’s procession, and wants to see Queen Anne’s daughter go by now…)

On leaving the Tower, Elizabeth processed four miles through London, wearing 23 yards of cloth of gold and silver trimmed with ermine, riding in a white litter lined with gold and drawn by white mules. Trumpeters proceeded her, and her household rode behind, dressed in their finest red velvets and furs to watch five stately pageants that symbolized the new beginning of the reign. I loved having my heroine, Kate Haywood, ride behind the queen, taking it all in.

As for the coronation itself…you will just have to read Murder at Westminster Abbey for a glimpse of it!

Here are a few of the resources I found useful:

–Greville Cook, Queen Elizabeth And Her Court Musicans (Musical Times, 79, 1918)

–AL Rowse, Elizabeth’s Coronation (History Today, III, 1953)

–Lawrence E. Tanner, The History and Treasures of Westminster Abbey, 1953

–Neville Williams, The Coronation of Elizabeth I (Quarterly Review, 597, 1953)

–WI Woodfill, Musicians in English Society from Elizabeth to Charles I (1953)

What are some of your favorite historical sites?  If you could visit any royal coronation, which would it be???

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Megan[4]Last Friday, I turned the finished final manuscript of The Duke’s Guide to Correct Behavior in to my agent. It is due to my editor on April 1 (quick plug: it’ll be out November 25 of this year from Avon, in both print and digital).

It was both arduous and delightful to write, if that makes any sense, since it was often hard to keep moving forward, but once I really got to know my characters, the words just poured out.

I don’t know how many changes it will undergo once it’s been revised, but this is my heroine’s first viewing of the hero:

He was tall, and very, very, very handsome. Extremely male. No, entirely and absolutely virile. That was the word. Virile with all of its connotations that brought the pink to her own cheeks. At least she better matched the room.

Goodness. She’d seen pictures of gods and soldiers and kings and other leaders of men, but she’d never actually felt the impulse to follow one of them anywhere.
This one, though, she might consider following, even though that way led to things that a young lady should not be thinking of. Especially a respectful governess who needed to make a good impression.

He had dark hair, straight, brushing his collar in an unkempt way that nonetheless looked utterly dashing. His eyebrows were straight black slashes over his eyes, dark brown, which were intently gazing at her as though he could see to her soul.

And if he could, he knew what she was thinking about him, so that could be problematic.

The sharp planes of his chiseled face were further accentuated by the stubble on his cheeks, giving him an even more dangerous look. The Dangerous Duke sounded like a character from a gothic novel. And he looked like just the sort of man who would lure women to do Dangerous Things.

And I got a new author photo, above, where I look both sorta like myself and yet also not too blotchy and hideous (thank you, photoshop!).

While I wait for revisions, I’ve been reading (as usual), and cleaning, and taking care of things that totally fell by the wayside while I was writing. I am so looking forward to Spring! And plotting out the next book…

Megan

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