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I am thrilled to show the cover for my April 2013 Loveswept release, Hero of My Heart. And here is what it’s all about, too. I’m psyched, I love these colors, and Mr. No Shirt isn’t bad, either.

When Mary Smith’s corrupt, debt-ridden brother drags her to a seedy pub to sell her virtue to the highest bidder, Alasdair Thornham leaps to the rescue. Of course the marquess is far from perfect husband material: Alasdair is too fond of opium, and prefers delirium to reality. Still, Alasdair has come to her aid, and now she intends to return the favor. She will show him that he is not evil, just troubled—and exceedingly handsome, with his perfect, strong body, chiseled jaw, and piercing green eyes.

Mary was a damsel in need of a hero, but Alasdair’s plan is shortsighted. He never foresaw her desire to save him from himself. Alasdair is quite at home in his private torment, until this angel proves that a heart still beats in his broken soul. The devil may have kept her from hell, but will Mary’s good intentions lead them back to the brink—or to heaven in each other’s arms?


Megan

I have to thank Carolyn for telling us about Chambers Book of Days. Whenever I’m at a loss as to what  to blog about, I check the Book of Days.

Today’s entry had an obscure Regency connection, but I couldn’t resist.

In 1850 on this day Margaret Fuller died.

Margaret Fuller, who was born in 1810 (my Regency connection), was an American journalist, critic and author, best known for her book, Woman in the Nineteenth Century, the first major American feminist work. She achieved many firsts: The first woman allowed to use the library at Harvard; first woman editor of the transcendental journal, The Dial; first full-time literary critic of the New York Tribune; its first female editor; its first female foreign correspondent.

The story of her life as written in the Book of Days just charmed me. If we wrote a heroine like Margaret Fuller no one would believe her.

Chambers introduces Margaret this way:

“Every student of American society has noted the wide diffusion of intellectual ability, along with an absence of genius, or the concentration of eminent mental gifts in individuals. There is an abundance of cleverness displayed in politics, letters, and arts—there is no want of daring and ambition—but there is a strange lack of originality and greatness. The same is true of the feminine side of the people. A larger number of educated women, able to write well and talk well, it would be difficult to find in any European country, but among them all it would be vain to look for a Madame de Staël, or a Miss Martineau. Perhaps those are right who cite Margaret Fuller as the fairest representative of the excellences, defects, and aspirations of the women of New England.”

I guess Chambers didn’t think a lot of Americans…Or of women.

Here is Chambers’ description of Margaret:

…rather under the middle height, with fair complexion and fair strong hair, of extreme plainness, with a trick of perpetually opening and shutting her eyelids, and a nasal tone of voice. She made a disagreeable impression on most persons, including those who subsequently became her best friends; and to such an extreme, that they did not wish to be in the same room with her. This was partly the effect of her manners, which expressed an overweening sense of power, and slight esteem of others, and partly the prejudice of her fame, for she had many jealous rivals….When the first repulse was over, she revealed new excellences every day to those who happily made her their friend.

Can you imagine writing a character description like that?

There is no doubt that Margaret Fuller was an exceptional woman of any era, but she also had a romance that was at least unusual. When in Italy, she met an Italian count, Count Ossoli, who Chambers says was

“a poor Roman noble, attached to the papal household. Concerning him she wrote to her mother: ‘He is not in any respect such a person as people in general expect to find with me. He had no instructor except an old priest, who entirely neglected his education; and of all that is contained in books he is absolutely ignorant, and he has no enthusiasm. On the other hand, he has excellent practical sense; has been a judicious observer of all that has passed before his eyes; has a nice sense of duty, a very sweet temper, and great native refinement. His love for me has been unswerving and most tender.'”

Although Chambers says she married Count Ossoli, Wikipedia says there is no evidence that they married. Margaret apparently notified her mother of the union when she’d had a child by Ossoli.

Ossoli went on to fight in the revolution for Italian unity and Margaret nursed the wounded, but the rebellion failed and Margaret decided to return to America even though a fortune teller told Ossoli to “beware the sea” and Margaret had a premonition that 1850 would be a year when something dreadful would happen to her.

Chambers writes:

In spite of gloomy forebodings, they set sail from Leghorn in a merchant-ship. At the outset of the voyage, the captain sickened and died of confluent small-pox in its most malignant form. Ossoli was next seized, and then their infant boy, but both recovered, though their lives were despaired of. At last the coast of America was reached, when, on the very morning of the day they would have landed, 16th July 1849, the ship struck on Fire Island beach. For twelve hours, during which the vessel went to pieces, they faced death. At last crew and passengers were engulfed in the waves, only one or two reaching the land alive. The bodies of Ossoli and his wife were never found, but their child was washed ashore, and carried to Margaret’s sorrowing mother.

A sad end to a remarkable woman who led an unbelievable life.

Have you come across any real characters whose lives are more unbelievable than fiction? Do you have any favorite women heroines from history?

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So my big news this week is–I am engaged!!!  No plans are set in stone yet, but we’re thinking something small in December, so something with a “winter wonderland” sort of theme.  White flowers, sparkles, maybe a fur stole, stuff like that.  (He says I just have to tell him when and where to show up and what to wear, the rest is up to me.  I hope he will not rue those words).

If you have read any of my Risky posts in the past, you probably know what my #1 concern is–the dress.  There are so many inspirations out there, I think it will be hard to narrow it all down!  There are Georgian gowns:

Victorian gowns:

Regency gowns (like these belonging to Princess Charlotte and Betsey Bonaparte):

1920s gowns:

1950s gowns:

Royal gowns (including American royalty like Jackie Kennedy!):

And modern gowns I can’t afford, like this Oscar de la Renta:

I will choose one soon, I’m sure (mainly because there isn’t much time to waffle!), and in the meantime I am pinning these on my Pinterest boards.

What did you wear at your wedding?  What suggestions do you have for me??  (and watch for historical info on rings, bouquets, cakes, etc in the near future…)

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Last week my daughter volunteered at a summer program called Girls Rock. This is a terrific program for girls ages 8 to 18 where the goal is teaching self-confidence, empowerment, leadership, and team-building, all through teaching the girls how to play in their very own rock ‘n roll bands. Saturday was the culmination, a rock concert. The girls performed before, an enthusiastic crowd of friends, family, and my dh and me!

Eleven acts performed. Two were girl djs but the rest were “bands” who each performed songs that the girls had written themselves under the guidance of volunteers like my daughter. One of the popular rock ‘n roll venues in Washington, DC, the 9:30 Club, donated the space, so the girls could really feel like rock stars. It was a great, positive experience for all. As you can see by the photo.
So I got to wondering…What was the equivalent in the Regency era?
Most aristocratic young ladies learned to play music, perhaps on the pianoforte or, like one of the Musgrove girls in Persuasion, the harp. And like Lizzie in Pride and Prejudice, they might be asked to perform at dinner parties and for the family.
I could conceive of a young peoples party where the young ladies, and perhaps some young gentlemen, as well, gather around the pianoforte and sing popular songs of the day. Or a family entertaining themselves in the evening in the same way.
I’m reasonably certain that learning to perform music in the Regency was not an exercise in self-empowerment or leadership, but very well might have been confidence and team-building.
In my fantasies, if I wasn’t a romance novelist, I’d love to be a torch singer in an upscale piano bar in New York City. In reality, I did perform in the chorus in musicals in community theater as a teenager. I even sang Pony Boy in my high school senior play.
I think there is something about performing music that is special. And I have to think that is true in any era.
What do you think?
Did you ever perform music? Did you feel special doing it?
Mariel Covendale in A Not So Respectable Gentleman? attends a musicale….I’m just saying. The book is out now!
Posted in Regency, Research | Tagged | 8 Replies

Last week, I had painters in sprucing up my kitchen, the master bathroom and the hall. I chose relatively quiet colors for the latter two. Pale blue for the bathroom to match the adjoining bedroom, a color I find very restful. A warm, slightly caramel cream for the halls, because I think a neutral color gives the eyes a resting place in between more colorful rooms. (My kids’ rooms are very colorful.)

I got bold with the kitchen. When we first bought the house, the walls were covered in a hideous 70s avocado green textured wallpaper that didn’t suit our Colonial style house. We got rid of that but then my husband and I couldn’t agree on what to do next. I found a botanical border that went well with the Portmeirion china we’d bought at the seconds shop in England and I wanted to paint the walls green, with stripes. Having been raised in a home that was all neutrals, I really wanted to try some color but my husband balked at so much green. We ended up using the border but leaving the walls white. It looked bland from the start and got worse over time. I do NOT recommend painting a kitchen white if you are a messy cook or have kids! Anyway, this summer I finally got my way and I’m very pleased with the result.

Although white was very popular for clothing during the Regency, it was very rare for it to be used on walls. As it turns out, people during the Regency weren’t afraid of color either.

One of my favorite books on Regency décor, Regency Style by Steven Parissien has a chapter on “Colours and Coverings”. He writes that “In spite of the increasingly large number of colours available, however, one colour was predominant in the principal interiors of Regency Britain: red.” D. R. Hay, in his Laws of Harmonious Colouring wrote that ”a proper tint of crimson is the richest and most splendid colour for the walls of a room”. It was often used for dining rooms and was also considered “the best ground for pictures”. Here’s the famous red dining room designed by Sir John Soane.

Green was also popular and much used in drawing rooms and libraries. Here’s a room I like very much: the Morning Room at Pickford’s House, a late Georgian house in Derby.

Bedrooms were supposed to be “light, clearing and cheerful” and were often blue, so my pale blue bedroom is very much in the Regency spirit. I also like the bedchamber below, from  Royal Crescent No.1 in Bath.

According to Parissien, yellow was controversial although it was sometimes used. ‘Drab’ colors (more subtle shadings of green, gold and brown) were also popular. Now, those sound like 70s colors to me!

So how about you? What are your favorite Regency colors or interiors? Which colors do you like best for decorating? Have you experimented with color, and how did it turn out?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

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