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In researching Lord Grantwell’s Christmas Wish I came across some new-to-me Regency Christmas traditions. I’ve blogged about Regency Christmases before, like here at Risky Regencies in 2016, when Bound By a Scandalous Secret was a December release.

I mentioned things like Regency households did not have Christmas trees or send Christmas cards. Santa Claus came later, as did singing Silent Night. They did exchange gifts, decorate with winter greenery, and have special Christmas food. You can read the whole blog here.

Lord Grantwell’s Christmas Wish was set in Yorkshire, so a couple of new traditions popped up in my research.

The first was a tradition involving the lighting of the yule log. To bring good luck, a large log was brought in on Christmas eve to burn constantly in the hearth until it has completely burned itself out. Before supper, when the yule log is burning, all other lights are extinguished, everyone is silent, and the youngest one present must light two special candles from the yule log while everyone makes a wish. The wish must be kept secret or it will not come true. In my book it is Anna, the youngest of Lord Grantwell’s wards who lights the candles. And, of course, along with everyone else, Lord Grantwell makes his wish.

Another Yorkshire tradition I discovered took place on Christmas morning. For more good luck, on Christmas morning, before anything was taken out of the house, something green must be brought in, usually a leaf from an evergreen. Grant charges Anna and her brother William with this task.

Did you know there were different versions of The Wassail Song? Even though I was not absolutely sure the Wassail Song was sung in the Regency, I played upon the differences.

Here’s an excerpt from the book:

“You are forgetting something, m’lord,” Thompson said. 

“Forgetting something?” He was puzzled. “What?” 

“The wassailing song,” Thompson said.

Anna’s face fell. “I do not know the wassailing song.” 

“No?” Grant touched her cheek. “We will sing it for you.” He began and the servants joined in:

We’ve been a-while a-wandering,

Amongst the leaves so green.

But now we come a wassailing,

So plainly to be seen. 

For it’s Christmas time, when we travel far and near,

May God bless you and send you a happy New Year….

He paused. “Miss Pearson, why are you not singing?” 

She shook her head. “That is not the song I know.”

“That is the wassail song,” he insisted. 

“No,” she countered with a smile. This is the wassailing song.

 She sang: 

Here we come a-wassailing

Among the leaves so green;

Here we come a-wand’ring

So fair to be seen.

Love and joy come to you,

And to you your wassail too;

And God bless you and send you a Happy New Year

And God send you a Happy New Year…

“No. No. No,” he protested. The words were slightly different. The tunes were slightly different. He led the servants in the second verse:

We are not daily beggars,

That beg from door to door,

But we are neighbors children,

Whom you have seen before…

Lillian stopped them. “That is the third verse,” she said. “Here is the second.” 

Our wassail cup is made

Of the rosemary tree,

And so is your beer

Of the best barley.

He joined her in singing the refrain—his refrain along with hers, and they all continued singing verses with identical lyrics, Lillian’s differing version making a sort of harmony while the refrains sung together became a jumble. 

He and the others ended the song, but she kept singing. One last verse.

Her singing slowed and she held her gaze on his:

God bless the master of this house

Likewise the mistress too,

And all the little children

That round the table go.

When she mentioned children she walked over to William and Anna and put her arms around them. Grant joined them as they sang the refrains one last time with the children trying to join in. 

And God send you a Happy New Year…

Here’s the Yorkshire version:

Here’s Lillian’s more familiar version:

Love and Joy come to all of you from the Riskies….and to you your wassail, too!

Please Welcome Candice Hern to the Riskies!

I’ve known Candice for a long time. She was a member of my local RWA chapter for quite a while. In fact, and she does not know this, but way back when I had enough nerve to actually show up to a local chapter meeting, that particular meeting involved all the published authors standing up, introducing themselves, and talking about what they hoped to most accomplish with their writing.

The fact that some 15 or so multi-published authors stood up and said they wanted to improve their writing and their writing process is the subject of another blog. Candice stood up, introduced herself and talked about her books a bit and I sat there thinking, wow. I want to be like her because it was obvious she was smart and passionate and knowledgeable. Over the years my impression of her was solidified. She’s a wonderful writer who is very generous with her knowledge about the industry and the Regency.

In addition to talking about her success with self-publishing, she’s been gracious enough to have a giveaway. So read all about Candice and her books and check out the book give away.

The Interview

Q: What the hay have you been up to? I know you’ve done some anthologies, but I can hardly tell you how excited I was when I saw you were self-publishing your backlist. You have a lot of fans of your Traditional Regencies and your Regency-set historicals, so YAY! Can you tell us about your decision to self-publish?

I spent almost 3 years away from writing while I was occupied with family matters. That’s a long time to be out of the game. (I did manage to write 2 novellas that were contracted, but that last one was difficult. It was due only 3 weeks after my father passed away, and the previous months had been spent dealing with his illness. I was still away from home and my mother was not well. But I somehow got the thing written.)

When I finally had my life back and could write again, I knew that big publishing gap would be a problem in selling another book. At about that time, two of my friends were e-pubbing their backlist books and doing extremely well. I had the rights back to my old Signet Regencies, and thought it would be smart to get those out there as ebooks, get some sales under my belt, before trying to sell a new book. And I am SO glad I did!

Q: How has your self-pub experience been? I know from my own experience that there is some pretty pent-up demand for certain Romances that have gone out of print and are now hard to find. My suspicion is that the Traditional Regency is an entire genre that has an eager readership that (maybe) isn’t large enough for print publishers, but is more than large enough for self-publishing. What’s your take on that?

I have found that many readers have been starving for good old traditional Regencies. When all the NY publishers dropped their Regency lines, the audience didn’t go away. They simply had no more books to buy. One of the reasons, in my opinion, that those Regency lines were dropped was because publishers wanted steamier and steamier historicals, which were selling like gang busters. But I think there has always been an audience that preferred a sweeter romance. Yes, it’s a smaller audience, but it is devoted.

I have also found a ton of new readers in the UK, where our old Signets were typically not sold. The UK readers have been fantastic, spreading the word to other UK readers, tweeting about my books, etc.


Q: Can you tell us about your backlist plans? What’s out there so far?

All six of my Signet Regencies are now out there as ebooks (A PROPER COMPANION, A CHANGE OF HEART, AN AFFAIR OF HONOR, A GARDEN FOLLY, THE BEST INTENTIONS, and MISS LACEY’S LAST FLING).

I also have the rights back to my Merry Widows trilogy (IN THE THRILL OF THE NIGHT, JUST ONE OF THOSE FLINGS, and LADY BE BAD). Those are not traditional Regencies, but sexier Regency-set historicals. I will be publishing those as ebooks over the next few months.

Q: Tell us about your first book, A Proper Companion

The first book I epubbed was A PROPER COMPANION. It was the first book I ever wrote. Emily works as a companion to an elderly, but feisty, dowager countess in Bath. The dowager’s favorite grandson, Robert, has just announced his engagement to a beautiful girl from a family she finds unacceptable (they’re social-climbing mushrooms). Since it is clearly not a love match, the dowager has no scruples about doing her best to see the betrothal fall apart, so she and Emily go to London so she can interfere. She also decides to do a bit of match-making for Emily, who is very well-born, but penniless. Of course, Robert and Emily are very attracted to each other. But he’s engaged, so what can they do?

Buy A Proper Companion (various formats)

Q: That book was originally published in 1995. Do you have any funny or scandalous stories about that book? If not, can you make one up?

As I mentioned, A PROPER COMPANION was the first book I ever wrote. It became published, in 1995, as the result of winning a writing contest sponsored by an RWA chapter. It’s full of first-book issues — the hero and heroine are both gorgeous, both perfect. There’s way too much description of fashion. And I hadn’t quite mastered the idea of point-of-view. Actually, it seems I figured it out about half-way through, but the early chapters were full of head-hopping.

When I decided to self-publish it as a ebook, I had to have the physical book scanned as the original files were no longer available. In proofing the scans, there was SO much I wanted to change, especially those POV problems in the early chapters. But it would have meant serious re-writing, which I didn’t want to do. So I only tweaked it a bit, made a few changes to dialog tags and such, things I’ve gotten better at over the years. No major changes, though. It’s still 99.9% the same as the original.

Q: Why do you love the Regency? And do you have a picture (or link) to your favorite Regency-era gown?

I have been a collector of Regency-era stuff for years. (You can see some of that stuff on my website, here: http://www.candicehern.com/collections/index.htm). As a serious collector, I had studied the period well, the context in which my collections were made, and over time developed a sizable reference library. I grew to love the period as a sort of bridge from the pre-industrial age to the modern age.

But I will confess that it was the fashion that hooked me from the beginning. I was always fascinated by this period of loose skirts that skimmed the body, squashed between two periods of giant hooped skirts. Only 20-25 years of beautiful classical lines. Here one of my favorites, a Full Dress from Feb 1815:

I also truly believe it is in large part the fashion that makes the period so popular to readers. I think it is much easier for a reader to imagine herself as the heroine, wearing these beautiful Regency gowns, than it is to picture herself in Victorian crinolines or Medieval double-horned headdresses. Regency dress is somehow more accessible to us. Heck, I remember (dating myself here) wearing empire-waisted grannie dresses in the late 1960s. But never in our lifetimes have we worn anything close to crinolines and stomachers. We can relate to a Regency gown.


Q: Tell us about Miss Lacey’s Last Fling.

The last of my Signet Regencies, MISS LACEY’S LAST FLING, is my riskiest Regency. I knew it would be my last, as I saw the lines folding elsewhere and knew the writing was on the wall for Signet. I also knew that my next book would be a Regency-set historical, ie a sexier book. So I decided to throw caution to the wind and add a little sex to my Regency. It’s nothing too steamy (it’s still a trad, after all), but there is actual sex in the story. It’s about a young woman who believes she only has about 6 months to live. Since she’s never actually LIVED (as Auntie Mame would say), she decides to pack in a lifetime of experience into a few months. Including a little nookie.

I really loved writing this book. It was inspired by that old TV show (dating myself again) “Run For Your Life” with Ben Gazzara. He was a man with some disease or other that was going to kill him, and he decided to spend his last days doing all sorts of things he’d never done. I thought, what if this story was set in the Regency, what would he do? Better yet, what if the person dying was a woman? What would she do? So, my Miss Lacey makes a list. And in what she believes are her last months to live, she becomes full of life, passion, adventure. When it came time to create a hero for her, I decided, as I most often do, that he had to be her opposite. So, what is the opposite of someone who wants to live life to its fullest? How about a man who’s bored with life and tired of living?

Anyway, it’s a fun book and I am rather proud of it. (It won the Bookseller’s Best Award for Best Regency of 2001.)

Buy Miss Lacy’s Last Fling (Various formats)

Q: You’re an avid collector of things Regency. Can you tell us about a recent or favorite acquisition?

This week I bought 10 new French fashion prints — from 1812, 1813, and 1818. But a recent favorite acquisition is the original watercolor painting that was used for the same French publication as this week’s prints: Le Journal des Dames et des Modes. It’s a painting by Horace Vernet, who designed a lot of the French fashion prints. I was pretty stunned to find it at a local print and drawing sale.

Q: I’ve heard rumors that you’re working on a brand new book. Is that true? If it is, what can you tell us about it?

All those years I wasn’t writing, I was sitting on a proposal for a new historical series. It’s about two aristocratic widows in financial difficulties who start a business for young ladies. You’ve heard of wedding planners? These are Season Planners. They help girls without the right connections to navigate the social season. Each book is about one of their clients, each of whom presents seemingly impossible obstacles, eg a merchant class background, a trio of dead fiances, a mother who’s a famous courtesan, etc. A nephew of the two Season Planners is a young man based on Beau Brummell, who will help to turn a few sow’s ears into silk purses.

This series, as I mentioned, was planned as a series of sexy historical romances. When I saw how much more money I could make by self-publishing it, I decided it made more sense to continue self-publishing rather than try to get a contract for peanuts through a NY publisher. Then, when I got such fabulous feedback from my e-Regencies, I decided to turn this series into traditional Regencies. One of the best things about self-publishing is that you can do whatever you want. I don’t have to worry that there are no more Regency lines anymore. I can create my own line. And that’s what I’m going to do.

The first book is called THE SOCIAL CLIMBER, and I hope to release it in time for Christmas shopping! You can see the cover and read an excerpt on my website, here: http://www.candicehern.com/coming.htm

Q: What’s next for you?

I have to finish THE SOCIAL CLIMBER! Then, if there’s time, I want to try to write a Regency Christmas novella. After that, the next book in the Season Planner series.

Ohh!! A book Giveaway!

For your chance to win a copy of Candice’s most recent book, the anthology IT HAPPENED ONE SEASON, with novellas by Stephanie Laurens, Mary Balogh, Jacquie D’Alessandro, and Candice, leave a comment for Candice!

The Rules:

Void where prohibited, no purchase necessary. Winner will be chosen at random on Thursday, so leave your comment by midnight, Wednesday!

First, let me preface this by saying I am sleep deprived because of a day job production database situation that kept me up and tense for about 10 hours Sunday afternoon through about 2:00am Monday. So the brain is a bit mushy.  Things came right in the end, but it was scary bad for a while.

Anyway.

It seems to be the case that when I buy books, physical reference books in particular, eventually, I run out of places to put them. My stacks are out of control. In fact, they no longer resemble stacks. Instead, they slid around like there’s a layer of jelly between them.

If I go higher, someone, probably me, is going to get hurt.

If I go wider, someone, probably me, is going to fall down in the attempt to find floor space for my feet.

So I have had to get mean.

Yes.

REALLY mean. Meaner than that Spartan cat.

I have begun to throw away books. Paper books. In my TBR. Book I bought and wanted to read. I loaned my copy of Wise Man’s Fear (a behemoth) to someone and told the loanee to take his time because when I do have time to read the book myself, I will buy it for Kindle. I just don’t do big books in paper anymore. Sorry.

Big Freaking Hardback Fantasy vs. iPad3?

The ipad3 wins. The iPad3 wins in just about every category actually.

The substructure beneath my TBR has begun to emerge.

My GOD!!!! There’s a floor here!!!!

I have found other things, too. Like, my copy of Thieves Kitchen, the Regency Underworld. I’ve been wondering where that went. People, there was a LOT of crime in the Regency.

Until such time as an eBook can adequately display the contents of some of the great, image-heavy reference books, I won’t be giving up my reference library. I suspect none of those reference books are making it to digital anytime soon.

Shame that, because eventually the presentation for books like that will be BETTER than paper.  (video, color, 3-D image rendering. — Imagine if your fashion book showed you a 360 of that gown and zoomed in on the details, or showed a person wearing it, not a mannequin but a person. THAT would be awesome. I can’t wait.)

My TBR I’m afraid, is physical toast. It’s going digital.

My Questions to You

  • How close are you to going nuclear with your physical TBR?
  • What’s in it?
  • What’s a book you’re dying to read but haven’t yet?
  • What’s the best book you’ve read lately?

Next week, Crime?

P.S. Whichever Risky was nice enough to put the cover of Not Wicked Enough in the right-hand column over there ——>
Thank you. That was really nice.

My Very First Novel – Passion’s Song

At last, my reversion for the first novel I wrote, Passion’s Song, came through. And now you can read it. (I’m working on the POD version). Cover art by the wonderful Patricia Schmitt.

Passion’s Song was originally published in 1987. Yes. That’s right. 19 and 87. Before the internet was anything but a really neat tool for academics and DARPA. Before the World Wide Web. “Portable” computers were the size of 3 breadboxes end to end.

I was shaking after I heard the message on my answering machine tape offering to buy my book. Shaking. I had to go walk around the block just to calm down enough to think straight.

I wrote it on an Apple IIc using a nifty program called Word Juggler. I once wrote to the developer of Word Juggler about a problem I felt was a bug and he wrote me a very long personal reply explaining how hard he worked on his program. Then he called me an idiot.

It took 9 hours to print out the manuscript. NINE hours. I had to wait for a weekend to print it out. Editorial comments were actually in red pencil and queries were on special pink tearaway flags pasted to the MS page. I had to MAIL the MS and there was no overnight delivery option.

It reflects the writer I was then. I look at it now, and well. There is is. The book I wrote in 1987. Bought two weeks after my one query made it to NY. Edited to DEATH and then given back to me with instructions to “put it back the way it was.” So, yeah.

The Neo-Blurb

American orphan Isobel Rowland learns she is the illegitimate daughter of an English aristocrat only when her father at last locates her and brings her to England. Her father intends to find her a husband, and if she can catch the interest of Alexander, Marquess of Hartforde, all the better. She hopes to continue her musical studies but finds it impossible unless she masquerades as a young gentleman. Alexander’s interest in remarriage is close to nil, though he finds Miss Rowland intriguing. He is more than happy to act as patron to a promising American musician, Ian Rowland. When Alexander discovers that Ian and Isobel are the same person, their lives collide and before long, they have no choice but to marry and attempt to make a life together.

I couldn’t really read it because then I’d want to completely re-write it. Because I am not the same writer. I’ve learned a lot about writing and the business and, of course, changed as a person and a writer.

Passion’s Song is my words in 1987, and I totally own them. It’s a fun story, with an evil step-brother, a (late) wife who wasn’t very nice, a perky younger sister, and a jaded aristocrat hero with blond hair and a queue. There’s puppies, too.

All I’ve done is had it proofread and corrected some typos that were in the original. Like, somehow the copyeditor (and me!) missed that Brooks’s is s’s. I had to scan it from paper, so there were a lot of OCR errors to correct. My proofreader did an amazing, amazing job of catching OCR errors and original typos. Of course, I did my own proofing for errors with the digital display. I’ve already re-uploaded to correct a few more errors I made.

It’s $3.99, no DRM, available worldwide.

Where you can get it now:

Hopefully SW will get the book on sale at places like Sony, Diesel Books and other wonderful sellers of eBooks.

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