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The Lady from Spain by Gail EastwoodSpy, innocent, or something else?

Posing as a Spanish widow for safety’s sake, Falcarrah Colburne returns to England on a dangerous personal mission. Lord Danebridge, the handsome lord she meets upon her arrival, makes certain that she will need his help, for the government has assigned him to learn if the lady is a spy. Falling in love is not part of his plan for unraveling her secrets. After he has lied to, stolen from, and spied upon her, can he hope to win her trust or divert her from her dangerous path? Can she give up the road to revenge for the risky road of love?

* A Holt Medallion Finalist *

“A sparkling jewel of a Regency romance…another wonderful love story full of cleverly plotted intrigue…topped off with an intensely powerful resolution.” — (4 1/2 stars) Romantic Times

Buy at: Amazon ~ Barnes & Noble ~ Apple ~ Kobo ~ Smashwords

Gail EastwoodGail Eastwood started writing her own “books” as a hobby at age seven. Through a variety of careers including reporter, rare books dealer, and freelance journalist, she never gave up the dream of becoming a novelist. She lives in her native state of Rhode Island with her husband, two adult sons, and one lazy cat, where she also teaches writing classes and workshops. She holds a degree in Humanities/Comparative Drama and Sociology from Case Western Reserve University. Spending time with her family, indulging in Renaissance and English Country dance, and pursuing her interests in historic costuming, reading, theater, and the beach infringe on her writing time. Her favorite travel destination is, no surprise, England.

Learn more and connect with Gail at:
Gail’s website ~ Facebook ~ Twitter

For a complete listing of titles offered in this sale, please visit the Risky Regencies 99 Cent Sale Page.


Hello everyone! Gail Eastwood here. I’m popping in for a visit thanks to the kind invitation of our Risky hostesses, most particularly Elena Greene, who has given me the opportunity to guest blog on first Fridays of alternate months. I am delighted to be here to share your gracious company and conversation, and also to help Elena gain a little more time to work on her newest work-in-progress. I have read a little of it and can’t wait for her to get it done!!

Some of you already know me, or may remember that I wrote Regencies for Signet back in the day, but for those who don’t, here’s a link to an interview Elena did with me a few months ago on this blog. Coming back to the writing realm after ten years makes me feel a little like Rip Van Winkle at times, so much as changed! It is indeed a brave new world, but I’m excited to jump into it.

If I may beg your indulgence, for this post I’d like to go back to the topic of cover art, picking up from Elena’s post of Sept 14. Elena shared her dilemma over “branding” her sexy short story Lady Em’s Indiscretion through her cover art. My own dilemma, as I prepared the first e-book reissue that I am doing myself, The Lady from Spain, was whether or not to go with a cover style similar to what the new Signet reissues have, or try something different.

The Signet reissue e-books have taken a very different approach to their cover design, and I have yet to see anyone discussing it or reacting to it, and I’m dying to know what people think! Three of my books are being done this way.

As you can see below, I opted for “different” for the ones I am doing myself–all part of the grand experiment. For LFS, I wanted something that would suggest the suspense of the story and still atleast hint at the Regency time period. The story takes place mostly in London… The reissue of The Captain’s Dilemma, my French prisoner-of-war story pubbed in 1995, is not ready yet, but I will be working on converting it next!

 

Here are the old versions of those covers. You can see more on my website or on my author pages at Amazon.

What “branding” messages do you get from the new ones? Like them? Dislike them? Do you want to see the characters, and if so, do you want to see both hero and heroine? What would you do instead?
If you’re interested in covers and/or how the designs have changed over time, here’s a link to a great website devoted to covers done by artist Allan Kass, who painted many Signet and other covers over a long career. It’s fun to look for your favorite authors in the archives, and sometimes recognize a favorite book!
Finally, I’m offering a free copy of The Lady from Spainto one lucky commenter, whose name will be drawn and announced by next Friday. So, please, join the conversation! And if you’d like to be part of the drawing, please be sure to include your preference for Kindle or Nook (the only formats available currently) or if you’re willing to wait for one of the other formats which will be available soon. Oh, and your email address!
Thanks so much for letting me visit with you today!

Does the idea of afternoon tea send a little curl of delight through you? Does the sight of rolling green pastures touched by mist make you yearn to be “across the pond”? Ha, I thought as much. As Regency fans—no, make that fanatics—we are all likely to be Anglophiles at heart—at least, those of us who aren’t lucky enough to be native Brits. Our romanticized fascination with the period is part and parcel of a love for the setting we read and write about.

The dictionary defines “Anglophile” as “a person who admires or sympathizes with Englandand English views, policy, things, etc.” It also says “Anglomania” is “an excessive or undue attachment to, respect for, or imitation of Englishmen or English institutions and customs by a foreigner.” Uh-oh. The Regency gown hanging on the back of my office door proves I am guilty of the “imitation” part of that. Certainly I don’t agree that my respect for and attachment to things English is undue, but hmm, how does one determine “excessive”? Is it a bit eccentric that I, an American, take note of Jane Austen’s and Queen Victoria’s birthdays? I believe that value judgment is both relative and subjective….

Pondering these weighty matters led me the other day to think about where this obsession with things English comes from. Have you ever thought about it? I come from a long line of English ancestors, so I could claim “it’s in the blood”, but I know plenty of Anglophiles/Anglomaniacs who haven’t a drop of English blood and are just as addicted as I am. How about you?
If it’s not heritage, then what? I suspect it’s more than just the obvious loveliness of everything English. I’ve been addicted from a very early age –if not before consciousness, at least before memory. It must be my mother’s fault. Her tool of choice had to be the books –those lovely illustrated children’s books. Beatrix Potter comes to mind in an instant. An edition we had included a sketch of Potter’s beloved home and I loved that picture as much as Peter Rabbit. And even before A.A. Milne’s Winnie-the-Pooh, we read the poems in When We Were Very Young and Now We are Six. I can’t recite “What is the matter with Mary Jane? (She isn’t sick and she hasn’t a pain), and it’s lovely rice pudding for dinner again” without attempting a British accent.

Were you raised with a vicarious diet of things English through books? Which were your favorites? The more I think about it, the more books come to mind: Peter Pan, Alice in Wonderland, The Wind in the Willows, A Child’s Garden of Verses. There’s such a rich legacy of classic children’s literature from British authors! I went through a phase of reading books about dolls—my favorites were British ones, of course. Rackety-Packety House and Impunity Jane. There had to come a point, though, when this diet fed to me became a preference of my own, and hence, a self-perpetuating addiction. Did you read The Wolves of Willoughby Hall? When did you first discover Jane Austen, or the great Georgette? Once I began to choose books because they were set in England or were about some aspect of English life or characters or history, there was no hope of a cure. And why would anyone want to be cured? This addiction has, of course, has led to a lifetime of delightful reading discoveries and pleasure, not to mention a few humble contributions from my own pen.

Speaking of which, I should mention that The Persistent Earl, the next of my ebook Signet Regency reissues from Penguin Intermix, is due out next week, on December 11. I do hope you’ll take a look at it, and perhaps if you have an Amazon account, you could give me some “likes”? The heroine in this story, a wary widow living in her married sister’s Londonhome and helping to nurse the hero back to health after Waterloo, also serves as a governess of sorts for her charming young nephews and niece. We could do a whole article about what books English children in the Regency were reading, or our characters read as children before that…Isn’t the power of books amazing?
I’ll give away a copy of The Persistent Earl to someone who leaves a comment (and includes their email so I can contact them). Come join the conversation! I’ll draw the winner’s name next Friday, the 14th.
Elena here.  To learn more about Gail and her writing, check out her website at www.gaileastwoodauthor.com 
 
And next week, we’ll be celebrating Jane Austen’s birthday.  There will be prizes.  🙂

My family and I recently returned from what for us is a rare activity–a vacation! We had a thoroughly lovely time at the two Universal Studios theme parks in Orlando, Florida (and came home just in time for the blizzard that affected much of the northeast U.S.). My husband’s random comment that much of what we did and saw “could barely have been imagined even fifty years ago” started me thinking about which aspects of our vacation might or might not have been at least recognizable to a Regency time traveler.

The notion of a theme or amusement park itself would certainly not be foreign to our visitor, for the fairs and pleasure gardens familiar to him or her were exactly the roots of the “Magic Kingdoms” and “Islands of Adventure” we have today. The history of fairs as gathering places for both trade and amusement goes back to ancient times well before the Middle Ages, and both the Bartholomew Fair, a chartered London fair held in the fall from 1133 to 1855, and the Sturbridge Fair, held in Cambridge (1211-1882 or longer), are historically famous in England. If you look carefully at the 1808 illustration of the Bartholomew Fair, you can see all the familiar elements – throngs of people, and vendors selling wares, spectacle/show stages and also rides –note the giant swings at the right, and the “spin-around” on the left (we had one of those in my schoolyard when I was a kid). There is even a “pleasure wheel” (an early form of ferris wheel) in the background. Granted, a large number of the rides at Universal are roller coasters of various sorts, but a little research reveals that roller coasters originated in Russia during the 1600s in the form of ice slides –70-foot ice-covered ramps with wooden frames for riders to slide down. By 1784, wheeled vehicles were being used (powered by gravity, I suspect), and by 1812 in Paris they had even learned to lock the cars onto the tracks! I did not find evidence that these had reached England by then, however. More investigation needed!

Bartholomew Fair 1808

The idea of a fair running all year long on a permanent basis might surprise our Regency friend at first, but not after the example of the pleasure garden is considered. Pleasure gardens date as far back as the mid-16th century, providing a permanent acreage set aside for entertainment and recreation. Pavillions and long walkways were standard landscape features, all illuminated by hundred of oil lamps. Vauxhall Gardens in London (originally opened in 1661) is the one most associated with our period as Ranelagh Gardens closed in 1803, but there were similar gardens in many places. Games, dancing, concerts and fireworks, tightrope walkers, hot air balloon ascents, re-enactments of sieges and battles, illusions of exotic places…gee, with the exception of the hot air balloons, I think I saw all of these at Universal. Do you see a similarity in the two pictures below?

Universal Gateway

Vauxhall Grand Walk 1791

Modern technology has given a new spin to all of these time-tested crowd-pleasers –computers now control everything and video enhances many of the rides. The big thrill in Hogwarts in the Harry Potter section of Islands of Adventure is basically riding a moving gyroscope, a very new way to use technology that was only in its infancy during the Regency. The fireworks display and waterworks we saw in the evening at closing time at Universal included a fabulous light show and projection of images on the constantly changing configurations of fountains and curtains of water well beyond anything Vauxhall would have been able to produce. But you know, the descriptions of period illusions and shows they did manage to put on are quite impressive, even by today’s standards.

My husband pointed out that the biggest difference that might have truly frightened our visitor is the speed of everything. Coming from a world where people were frightened by the speed of trains when they were introduced at 35mph, and where at one time 20 miles was considered a full day’s travel, to our world where 20mph is considered an annoying snail’s pace, our Regency time-traveler might think twice about going on a rollercoaster traveling at 90 miles an hour. I know I passed on some of those myself! I think in the end that he or she would have been more astounded by this and by the building technology in the parks, the moving sidewalks, the acres of parking lots and rows of huge parking garages, the cell phones and cameras (and the skimpy clothing on the tourists) than by the parks or entertainments themselves. But since our visitor is obviously intrepid (having time-traveled, after all), after equipping him or herself with an appropriate t-shirt, I am certain he/she would have enjoyed the time spent there every bit as much as we did.

For more information about VauxhallGardens, I recommend these websites (among many):

www.vauxhallgardens.com

www.vauxhallandkennington.org.uk

www.history.co.uk/explore-history/history-of-london/pleasure-gardens.html

Gail Eastwood
www.gaileastwoodauthor.com

 

I’m delighted to introduce today’s guest, Gail Eastwood.
Gail worked as a journalist, theatre critic and PR consultant before she penned her first romance novel, A Perilous Journey. Since then, she has written six more Signet Regencies which have been nominated or won awards including the NJRW Golden Leaf, the Holt Medallion, and Romantic Times Book Club’s Reviewers’ Choice Awards. She also teaches writing and takes an avid interest in theatre, historical dance and costuming. Her books are known for their emotional depth, mystery and adventure and innovative characters and plot elements, such as a hero who is a French prisoner of war (The Captain’s Dilemma).
But the real reason I’m so thrilled to welcome Gail is that like me, she is making a comeback after having to take a break from writing to deal with serious family health issues. Starting sometime last fall, we have been emailing each other regularly to cheer each other on and help each other balance our creative lives with the continued challenges of caring for our loved ones. Gail has been a wonderful support to me; she is not only talented, but one of the kindest writers I know.
 
Today we’re going to talk about Gail’s upcoming ebook reissues, A Perilous Journey (available now) and An Unlikely Hero, coming in July. Enter a comment or question for the chance to win a Kindle or Nook copy of A Perilous Journey (winner to be chosen by the Riskies).
Praise for A Perilous Journey and An Unlikely Hero

“A scintillating debut…(Gail Eastwood) charms us with her sparkling storytelling.” – Romantic Times Book Reviews (A Perilous Journey)

“The brilliantly versatile Gail Eastwood changes pace once again to bring us a frothy Regency delight spiced with touching emotion…. beguiling characters and zesty interplay.” – Romantic Times Book reviews (An Unlikely Hero) 
Tell us about these two stories.
These two books tell the related-but-separate stories of twins Gillian Kentwell and her brother Gilbey, Viscount Cranford. When we first meet them in A Perilous Journey, headstrong Gillian has run away from home after finding no other way to avoid the marriage to an elderly neighbor her guardian has arranged. She has romanticized ideas about Scotlandand is heading there, hoping to find refuge with an aunt she has never met. Gilbey has come along to try to protect her, knowing that she will never give up the 400-mile path she has chosen. Young and inexperienced, they are already in trouble their first night out. That’s when they meet up with Julian Rafferty de Raymond, the Earl of Brinton, still one of my favorite heroes. Brinton rescues them twice in less than 12 hours, and by then is hopelessly ensnared by his own curiosity, not to mention his attraction to Gillian.
Their progress north through western England (including a stopover in Bath) includes misadventures and detours as they try to evade their pursuers, always driven by the question of whether or not they will be caught before they can reach their destination. Anyone who travels, even today, knows that it can test the best of relationships, but it can also forge strong bonds. The journey these three characters undertake certainly does both! A surprise awaits them in Scotland, however, and they must face more challenges before Gillian and Brinton can earn a happy ending.
Gilbey’s happy ending is that he is going to be sent off to university. An Unlikely Hero  takes place after he has been there three years and is the story of what happens when one of his Cambridge pals, the son of a duke, convinces him to attend a house party at the duke’s estate. Gilbey is a reluctant guest enlisted to help keep watch over his friend’s sisters, identical twins known as the Lioness and the Lamb. They are notorious for refusing marriage offers and testing their suitors, but this time their father has drawn a line, declaring that they must finally choose husbands from among the assembled guests.
The twins’ behavior is not all capriciousness and mischief—they have a dark secret, and one of the guests is trying to use it to blackmail them into a marriage. Gilbey, fighting his attraction to the beautiful twins, finds trying to meet the expectations of everyone around him challenge enough for his wits. The Duke has made it clear that Gilbey is not eligible and must keep his distance. The suitors have made it clear they don’t appreciate any perceived competition from Gilbey. But Fate keeps landing him repeatedly in the twins’ path and the center of attention. How can a hero worth his salt not step up to help them? What help is there for his heart, irretrievably lost to a twin he can never have?
What inspired you to write each?
A Perilous Journey, which was my first novel, was stuck in my head for many years before I finally realized no one else would ever write this story—only I could release it! Does that sound completely weird? I always wanted to be an author, and I worked as a journalist for many years, but I just somehow thought someone else would think of this story and write it. LOL! Writing an entire novel is a daunting prospect when you first begin—even for an experienced writer. Maybe I was avoiding the reality of that, or the time just wasn’t right, or the story needed all that time to percolate.
An Unlikely Hero, on the other hand, was a story I never planned to write. Gilbey is such an antithesis of your typical romance hero—he wears glasses, he’s so fair he blushes, he’s a little accident-prone and he’s a total geek! I was surprised when readers wrote to me and approached me at booksignings asking when I would do his story! As soon as I said, “He isn’t really a romance hero,” he started kicking me and protesting the way I had pegged him. He is unfailingly loyal and sweet. I realized that, like all good Beta heroes, he had what it takes underneath, and that stripping away his outer layers to reveal the hero inside would be so much fun to do. But I didn’t have a lady for him, and that makes it pretty hard to have a romance!
Venetia and Vivian St. Aldwyn walked up to me in a dream, and I knew immediately one of them was meant for him. But they were smart, beautiful, rich daughters of a duke—what was their problem? You know, no conflict, no story! I muddled over that for a few days before I saw an article in my local paper that totally sparked the idea for the secret that drives them. I loved the idea that underneath the romance in this book there might also be a social message. I love that a little history always gets taught with each book, too!
Were there any particular challenges you encountered in your research? Any new or surprising historical information that you discovered?
I love, love, love to research. Stopping to actually write the story can be the challenge! A Perilous Journey required a ton of research because of all the locations in the story, not to mention understanding methods of travel in 1816, and so much more. I did some of my research “on location” in England, and at least one incident in the book, at Morecambe Bay, was inspired by the delightful and purely serendipitous discovery of the Hest Bank Hotel and its long history as a rescue station for people caught by the bay’s tidal bore. Who could resist?
Settings are important to me as a “world-building” element of story. The location of the duke’s estate in An Unlikely Hero was carefully chosen and researched. The surname I gave the duke’s family also derived from the local area where the story is set, and that led to a surprise. Five years after the book was published I got an email from the Earl of St. Aldwyn, a modern-day English peer, asking about the book characters’ names. Yikes! I always research my made-up title names to be sure they don’t actually belong to anyone, and I was in the clear, since the title names I used were Roxley and Edmonton, not St Aldwyn. But I hadn’t checked on St. Aldwyn, since I only used it for a family name! As I reassured the earl, that name came “straight off the map” and most certainly was not intended to reflect any connection to his family. He asked for a copy of the book, which of course I was happy to send!
We pride ourselves in writing Risky Regencies. Tell us what is risky about your books?
Wow, there are so many answers to this! One risk now, of course, is whether or not the freshness in these stories still holds up after all this time, or if the stories can still charm readers anyway. I suppose the greatest risk is the chance of writing something that readers won’t want to read or won’t “get” when you write against type, which I like to do. I recently described what I write as “kind of off-beat sweet Regencies with a twist of suspense.” When my books were first being published (1990’s), I was lauded for pushing the genre’s boundaries. I was nominated for RT’s Career Achievement Award twice, and people asked me if I was trying to invent a new sub-genre, the “Regency Intrigue”. We were just beginning to break out from the “drawing room comedy” style of traditional Regency that many readers still love and prefer. The genre has expanded so much since those days, I doubt anyone would think my stories are ground-breaking now, but at the time I wanted deeper emotion and more plot. Mary Jo Putney and Mary Balogh and a few others were heading that way, too. I wanted to be able to do some darker stories. I wasn’t sure if I was writing Traditional Regencies or Historicals—what I wrote was something in between! That was a risk, and I will always be grateful to Signet for going along with it.
I am drawn to write about things that I haven’t seen done. Venturing off the path can be a great way to risk falling on your face, though, LOL. For instance, when I tackled The Captain’s Dilemma (1995), I wasn’t sure a romance between an English miss and a French prisoner of war could even be successfully done, given the depth of the conflict. I hunted and hunted for other stories that tried this idea and found almost none (and those I found did not really succeed as romances). That was scary! Yet my research showed that there really may have been some true-life cases, and I really wanted to do that story. For The Lady from Spain I wanted to do a story where the heroine was seeking revenge, instead of the man. (That’s not so unusual to find now!) In The Rake’s Mistake, I wanted to do something with pleasure sailing on the Thames, totally charmed by an engraving I saw. I like to take my characters out into an expanded Regency world not limited to the ballrooms and Almack’s. I am so grateful that readers have been willing to go along!
I haven’t even touched on book-specific “risky writing” and if this wasn’t already too long, we could also talk about the emotional risks characters face. I’m sure we could talk about this stuff for hours!!!
What is it that most excites you about the Regency setting?
I think Beatrix Potter and A.A. Milne started my love affair with England long before I found Jane Austen, but it’s also in my blood –a raft of English ancestors must surely influence me, because I always feel like I’ve come home whenever I have the privilege of visiting over there. Of course there’s another theory –a psychic once told me I lived during the Regency. Do you believe in past lives? It’s a shame I can’t recall any of it –think of all the research time that would save! Despite my tendency to expand beyond them, I do love the clothing, the balls, the glittering lifestyle of the upper reaches of society in this period. The aristocracy were the celebrities of their day! I love the elegance, and the elegant language. But I also think part of the appeal is that it was a transitional time, bridging the 18th century “Age of Enlightenment” and the more modern Victorian era when the world became industrialized and much more recognizable to us. Regency people were living in a time when things were changing at a much faster pace than ever before in history, and I think that resonates with us today—we all face the challenges of adjusting. Challenges make good stories, and when we write about this time period, the challenges of the changing society are always at least part of the background if they are not part of the primary plot!
Historical costuming and historical dance are among my hobbies, and although I first got into those through the medieval and Renaissance periods as a member of the Society for Creative Anachronism (in which I am still active), I quickly expanded into the 18th century and Regency periods as well. Here’s a picture of me in the second Regency gown I have made (my first one now gets loaned out to ladies much thinner and younger than I am!). It was taken at a local “Jane Austen Birthday” dance. Some folks may recall me teaching historical dance at a couple of RWA national conferences, and leading the dancing at our Beau Monde mini-conferences a few times—many years ago at this point! I also still participate in English Country Dancing in my local area.
What are you working on next?

I am busily preparing the ebook edition of The Lady from Spain to be my first self-pubbed reissue, and The Captain’s Dilemma will follow it soon. But I am also working on a new book, which I hope to have out next year. It features Harriet Pritchard, who has appeared as a secondary character in two of my previous books –she was a younger sister in one, and then turned up as a friend of the heroine in another one. She actually is referred to at the end of my last book, but not by name! Although readers have asked for this, too, I couldn’t do her story until I found the right man for her –to my surprise he turned out to be the best friend of the hero in that last book, The Rake’s Mistake, which should be reissued next year. Harry and Peter are such opposites (at least on the surface), but I know they are meant for each other! I’m having great fun with the new story and hope readers will too.
Thanks for talking to us, Gail!
Thank you so much for having me as a guest on the Risky Regencies blog, Elena! I really enjoy the blog and it’s both an honor and a pleasure to be here.
Ask Gail a question for the chance to win a Kindle or Nook copy of A Perilous Journey.
Void where prohibited. You must be over 18. No purchase necessary. Post your comment by midnight EST on Thursday, May 31st.  Either include your email address in your comment or make sure to check back Friday for the announcement post.
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