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Monthly Archives: September 2012

So this weekend I was off with 3 writing friends on a retreat to an adorable Victorian cottage in Eureka Springs!  (no pics at the moment–we spent most of the time wearing sweats and messy hair as we wrestled with our WIPs…).  It was a wonderful time, with lots of work done and lots of wine on the big front porch in the evenings.  I am in the middle of my newest project, the first in my Elizabethan-set mystery series (coming out from NAL next year!!), and this was a great way to get a few thousand words ahead.  Plus it was fun!

So I started wondering if authors of the past did something like this.  All I could remember was how in high school a friend of mine (another future English major) had an old, grainy VHS tape of a movie called Haunted Summer, about the time Byron and the Shelleys (and others) spent a few weeks together at Lake Geneva in Switzerland, where a dare on a rainy night gave birth to Frankenstein.  This is what IMDB says about that movie:

 In 1815, authors Lord Byron, Mary Shelley and Percy Shelley get together for some philosophical discussions, but the situation soon deteriorates into mind games, drugs and sex.

My own retreat was not nearly so interesting….

As I looked around this morning trying to find more info on this famous writing retreat, I found a great article from the NYTimes’ travel section–it’s really fascinating and makes me want to go to Lake Geneva right away:  Lake Geneva as Byron and Shelley Knew It

Where would you want to go on retreat?  What authors would you take with you??  (I think Byron and Shelley would be fun, but probably not so conducive to getting much work done!  I might go with the Brontes…)

The Riskies welcome back Marguerite Kaye, who is here to talk about her new release, the third in the “Castonbury Park” series from Harlequin Historicals….

Slave to Love! And a Giveaway

The Lady Who Broke the Rules is my book from the Regency upstairs/downstairs series Castonbury Park. My heroine is Lady Kate, the eldest daughter of the wealthy Montague family, a philanthropist and abolitionist. My hero is Virgil Jackson, a freed slave.
The Riskies welcome back Marguerite Kaye, who is here to talk about her new release, the third in the “Castonbury Park” series from Harlequin Historicals….
‘We want scandal, scandal, scandal,’ our editor told us eight authors when we first embarked on the ‘Castonbury Park’ journey, and a freed black slave seemed to me like a brilliant starting point. Any man who could survive the horrors of slavery and succeed on his own terms as Virgil does would have to be unbelievably strong-willed, yet at the same time, coming from such a traumatic background, he had to have some deep-seated issues of his own to contend with. Virgil is a free man, but he’s still a slave to his past
The history of slavery is a complex, emotive and controversial subject, one that has always fascinated me, but I have to admit there where times when I thought I’d taken a step too far in making a freed slave a romantic hero. However, with the Castonbury Park series is set at a time when slavery was being challenged in both the Old and the New Worlds, I’m always keen to push boundaries in my stories, so I stuck with it, and I’m glad I did.
The Lady Who Broke the Rules is set in 1816. In the United States, the trade of slaves was abolished in the north in 1804, after which manumission in those states gathered momentum. In the south though, cotton was in increasing demand (paradoxically thanks to the north’s industrialisation of textile manufacture), slaves were a hugely important part of the economy, and resistance to abolition was significant.
Virgil was born into slavery in the south and freed in the north. He was one of the fortunate ones who came to true eminence and used his wealth to give others the chances he had had to make for himself. Though in reality this kind of success was rare, it was not unheard of. Robert Purvis is just one example of the black philanthropists from whom I took inspiration for Virgil, but his entrepreneurial side is an amalgamation of a whole number of black men and women who flourished in Nineteenth Century Boston, renting out real estate, setting up restaurants and beauty parlours, making shoes and clothes for the mass market, taking on the Establishment by training as lawyers and doctors.
Across the pond, a huge number of aristocratic families had derived a large part of their wealth from plantations in the West Indies which relied on slavery, but their influence was on the decline. The actual trade of slaves became illegal in 1807, and although it was not until 1833 that slavery itself was abolished, by 1816 the growing Abolitionist movement, coupled with the decline of the economic significance of the West Indies plantations, made the idea, if not the reality, of slavery much less politically and socially acceptable than it had been a decade or so before.
My research for The Lady Who Broke the Rules taught me that a large number of the British abolitionists were women, and so I made my heroine, Lady Kate Montague, one of them. It was one of the few political causes in which it became acceptable for women to participate, and in which women took a leading and influential role. I relished the opportunity to create a heroine who could, without it seeming a historical anachronism, be active politically and philanthropically. Josiah Wedgewood’s daughter Sarah, who introduces Kate to Virgil, was just one real life example I drew on when writing her.
There’s a huge difference between perception and reality. Kate, like me, had only read about slavery. Virgil had experienced it. As a writer, I had to try and imagine myself in both sets of shoes. Whether I’ve managed it or not – well, that’s for you to decide.
I have a signed copy of Kate and Virgil’s story to give away. Just leave a comment for a chance to win.
The Lady Who Broke the Rules (Castonbury Park 3) is out in October in the UK, digital only in the US and Canada, though it will be released in a print duo (Ladies of Disrepute) with Book 4 in December. Here is the blurb:
‘Your rebellion has not gone unnoticed…’ Anticipating her wedding vows and then breaking off the engagement has left Kate Montague’s social status in tatters. She hides her hurt at her family’s disapproval behind a resolutely optimistic facade, but one thing really grates…For a fallen woman, she knows shockingly little about passion! Could Virgil Jackson be the man to teach her? A freed slave turned successful businessman, his striking good looks and lethally restrained power throw normally composed Kate into a tailspin! She’s already scandalised society, but succumbing to her craving for Virgil would be the most outrageous thing Kate’s done by far…
There’s excerpts, background and more about my books on www.margueritekaye.com.

Just for fun and procrastination I googled ten basic plots and came up with some weird weird stuff as you might expect. So I thought I’d come up with my own. Please feel free to add your own:

  • Hero[ine] leaves home and becomes involved with 50′ high pink rabbit cult.
  • 50′ pink rabbit arrives in town.
  • H/H want each other but physical object such as 50′ pink rabbit prevent their union.
  • H/H both want the 50′  pink rabbit, possessed of title and immeasurable wealth, but not each other.
  • The 50′ pink rabbit runs a spy ring and recruits H/H who become fierce competitors.
  • The 50′ pink rabbit writes a book called A Lot of Shades of Pink that becomes an immediate bestseller despite a rabbit’s typically incompetent grasp of grammar or basic math.
  • The 50′ pink rabbit receives movie deals and product endorsements and H/H plot its downfall.
  • The 50′ pink rabbit inherits a charming but run down B&B in a small town and hires H/H’s respective remodeling/interior design companies (note: excellent for Hero/Hero books)
  • H/H start new job as assistant to the 50′ Billionaire Pink Rabbit who mercilessly sexually harasses them and chews through their power cords.
  • 50′ pink rabbit invites H/H to secret club where he/she/they are forced to wear rabbit costumes and eat carrots.
  • Renegade government agents H/H capture 50′ pink rabbit that is a threat to national security.
  • H/H rescue 50′ pink rabbit imprisoned by Pentagon for secret testing.
  • The 50′ pink rabbit secretly gives birth to a litter of 10 blind 6′ babies.

More, please!

Posted in Frivolity | Tagged | 4 Replies

Last week was shoe-shopping; this week my activities were more nature-oriented: a hike (in more practical shoes) at the nearby Waterman Nature Center and reading my latest research find, A Selborne Year: ‘The Naturalist’s Journal’ for 1784. It’s one annual installment of the journal kept for 26 years by Gilbert White, curate, gardener and naturalist, who lived in Selborne, a village in Hampshire not far from where I am setting my current work-in-progress. The edition I own has lovely illustrations by Nichola Armstrong.

I like incorporating glimpses of nature and seasonal details into my writing. So A Selbourne Year is a positive treasure-trove. Here are some typical entries:

Apr 3. Rain. The ever-green trees are not injured, as about London. The crocus’s are full blown, & would make a fine show, if the sun would shine warm. (On this day a nightingale was heard at Bramshott!)

July 10. Grey, & pleasant. Gale, sun. The hops damaged by the hail begin to fill their poles. Thatched my hay-rick. Cherries very fine. Grapes begin to set: vine leaves turn brown. The young cuckow gets fledge; & grows bigger than it’s nest. It is very pugnacious. Cool.

This is just the sort of detail I love!

I find it interesting that Jane Austen had so little detail about the English countryside; perhaps she expected her audience to be too familiar with the subject to find it interesting. But it goes along with the general lack of descriptions in her books (we only know Elizabeth Bennett has “fine eyes” for instance, but her hair and eye color are left to the imagination). No matter; Austen’s characterization and dialogue are brilliant enough to stand on their own.

It is possible to go to the opposite extreme, I suppose. Friends and I were discussing Tolkien over beer (I love having friends with whom I can discuss Tolkien over beer!) and one said his descriptions of various imaginary settings went on too long. Those long descriptions always worked for me, though, because I like to visualize settings as I read. Tolkien’s description of Ithilien made me yearn to go there, although I would settle for the New Zealand film locations.

In my own writing, I try to strike a balance. I know too much description wearies some readers so I use it in service of the characters and the story. In my current mess-in-progress, the hero has spent much of his life in India and war-torn Spain and Portugal; a green and fertile England holds a special meaning for him. However, he may just enjoy hearing a bird sing; my heroine, the daughter of a naturalist much like Gilbert White, will know if it’s a lark or a thrush.

How much descriptive detail do you like in stories?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Apologies for my absence last week–I was off at the Jersey Shore (no jokes!), and was not able to post.

This week, I am very excited about the upcoming BBC America show Ripper Street; obviously later than the Regency period, since it references the Jack the Ripper murders, but it’s set in London in 1889, and I like Matthew Macfadyen (even if he’s not nearly as compelling as he was in MI-5 and Pride and Prejudice), and the actor who plays Bronn on Game of Thrones, who I really like.

I’ve been watching Copper on BBC America as well; it’s not nearly as good as it should be, but the setting (1864 NYC, right around the notorious Five Points area), and the badass hero keep me tuning in, at least until other stuff comes around again.

I love historical mystery series–I’m still waiting for someone to turn Barbara Hambly’s Benjamin January series into a screened event–although I could never write a mystery myself.

What historical mystery books or shows or movies are your favorites? ‘s

 

Posted in Reading | Tagged | 6 Replies
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