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Monthly Archives: December 2012

Welcome to our new home and thank you for visiting!

I hope to soon have the non-writing life under better control and not be so horribly scattered and stretched a wee bit thin.  But hey! The Riskies have done our thing and ported our blogger blog to WordPress and our very own domain. I say “we” but I really mean Risky Elena, who did all the work.

Big loud HUZZAH for Elena!

So, aside from welcoming you to our new digs, I want to talk about Jane Austen. Like most readers of this blog, I am not alone in having read Jane early in life. I read everything, naturally, including Austen’s work. I re-read P&P several times. The Darcy grovel scene was among my favorites. I discovered, later in life, that I continued to appreciate Austen throughout my life, and that has not been true of many books.

Though I adore P&P, I think Persuasion might just be one of my favorite Austen novels. Even now, I so very much identify with Anne and her travails with family and love. Austen is a master of the showing us the woman whose quality goes unappreciated by those closest to her. I’ve often wondered if Austen herself fell into that category. Depended upon, vital to the functioning of the family, and completely dismissed. It’s a familiar theme for women.

Austen, as we all know, was the master of longing. Oh, Elizabeth and Darcy, the longed for so much! She shows us how her characters navigate all that longing and end up happy. As a young girl, having read so much Fantasy where the women either died or just didn’t matter except in their domestic or sexual capacities, it was a revelation to read stories where the female mattered.

Thank goodness we have her stories!

Giveaway!

I have a hardback copy of Persuasion up for grabs. Leave a comment to be in the running for this giveaway. You can say anything, but it would be awesome if you completed this phrase:

Pink, my dear, is

Rules: No purchase necessary. Void where prohibited. You must leave your comment by midnight Pacific on Sunday December 16. International OK. Winner picked at random.

 

Last Wednesday I was walking along minding my own business when I was sucked into another dimension. I fought space pirates and dodged comets and turned down a marriage proposal from a Rare Metals smuggler. He was tots into me and–

What?

You don’t think that happened?

Maybe not. But it’s better than the day job being an absolute nightmare.

Here is a picture of a leaf. Photo: Yours Truly

Did my picture distract you? Oh, well.

So, anyway, I have also been working hard at My Immortals Book 5.

I’m pretty sure I have a title, and over at my blog you can vote for your favorite. I’ve also posted my in progress Chapter 1, which you can also read at my website. What you’ll read if you click depends on whether I have updated the page with the massive update in my current paper copy. Last update was 12/1. I have more changes to make.

Oddly, I kind of like posting the in-progress chapter 1, even though it’s, well, in progress.

At the moment, I have very little for you but for my photo of a yellow leaf. But next week — Big things coming to the Riskies next week. I will have things to say.

OK. Just for you, I made the picture bigger. Because you are special.

 

Today, author Isobel Carr visits the Riskies to talk about her new book, Ripe for Seduction, answer some questions, and give away some books. Check it out, because she’s being very generous. Details on how to enter at the end of this post.

About Isobel Carr

A photo of author Isobel Carr. She has dark curly hair, a pretty smile and she is wearing black. Behind her, there are books.

Isobel Carr

Isobel grew up participating in a wide variety of historical reenactment clubs (California Renaissance Faires, the Society for Creative Anachronism, Heyercon, Dicken’s Faire, Gaskills, etc.). On top of these clubs, she and her friends recreate 18th century fashions just for fun. Isobel has spent large parts of her life studying the manners, customs, and clothing of multiple periods (most specifically Renaissance England and Germany, Georgian/Regency England and France, and Victorian England), and she has firsthand experience creating and wearing the clothes of these eras (including the correct underwear and corsets!). Because of her interest in living history, and that hobby’s strong focus on the details of daily life, she hopes she has an unusual and intimate perspective on history that gives extra life to her books.

Find Isobel at her website: www.isobelcarr.com
On Twitter: @isobelcarr
On Facebook: https://www.facebook.com/isobel.carr

Ripe for Seduction

A cover in which a hunky dark-haired man is embracing a lovely blonde woman. His shirt is falling off. omg

Cover of Ripe for Seduction

After the scandalous demise of her marriage, Lady Olivia Carlow knows the rakes of the ton will think her fair game. So when a letter arrives bearing an indecent offer from the incorrigible Roland Devere, she seizes the opportunity. Turning the tables on the notorious rogue, she blackmails him into playing her betrothed for the season. But no matter how broad his shoulders or chiseled his features, she will never fall prey to his suave charm.

When Roland boasted he’d be the first into Lady Olivia’s bed, he couldn’t have imagined that behind those brilliant blue eyes lurked a vixen with a scheme of her own. Still, Roland is not about to abandon his original wager. If anything, learning that the lovely Olivia is as bold as she is beautiful makes him more determined to seduce her into never saying “never” again.

Get your hands on Ripe For Seduction: Amazon

What they’re saying about Ripe For Seduction:

Starred review from Publisher’s Weekly!

Carr is sure to balance her characters’ roguish antics with genuine heart, making the double love story a delightful and erotic page-turner.

4-Stars (RT Book Reviews)

For her third in the League of the Second Sons, Carr delivers not one, but two love stories that will charm and titillate readers. It’s intriguing that, at times, the more mature romance overshadows the younger couples love story, but it is the underlying passion in both, as well as the marvelously crafted backdrop, that holds readers’ attention. You will be easily drawn into the naught and bawdy era through Carr’s deft prose.

Five Fun Facts

The indecent offer my hero, Roland, makes to my heroine was based on one a real one made to Lady Mary Coke. The real-life lord got off easier than my hero, LOL!

Giant dogs, this time Scottish Deerhounds, once again put in an appearance. Deerhounds were a very rare breed by this point in history. It’s doubtful that most people had ever even seen one, but luckily for us all, a few people kept the breed alive. I am lucky enough to know several Deerhounds, as they frequent my local dog park. Watching them run across the field is truly a sight to behold. The Wolfhounds and Great Danes can’t keep up with them, and the Greyhounds are simply dwarfed by them.

RIPE FOR SEDUCTION features a shallop race on the Thames. The Queen’s Jubilee, with its display of historical boats, couldn’t have been more timely.

I based the house they all end up at in Paris on one that I stayed at in the Marais. Just down the street is my favorite Parisian café, Le Bouledogue, where you can meet Didier and his adorable French Bulldogs. Order the duck. You won’t be sorry.

After you’ve finished RIPE FOR SEDUCTION, you can read the reconciliation scene for the secondary couple on Ripe for Seduction’s page on my website. I deleted it from the novel to keep Margo and Philip from taking over, but it’s a scene I really love, so I kept it as a bonus for readers.

Excerpt!

You can download the first three chapters here (Word doc).

Q. Tell us about the series:

The League of Second Sons was a writers’ lunch burst of inspiration. I knew I wanted to write about a group of younger sons, men who would be hungrier, less secure, and have entirely different issues to wrestle with than their elder brothers. After the passage of the Marriage Act in 1753, the easy path of heiress abduction was essentially cut off (marriage under duress now being voidable) and this created even greater scope for setting up interesting plots. Add into it their banding together in the fight to claim what they can in a world that gives everything to the eldest brother, and you have a solid, interesting subset of the ton that most would be essentially unaware of as a force.

Q. We are all about author pet pictures. I understand you have a dog. A very large dog. Can you tell us about him? Does he help you write? Do you have a picture of him?

Clancy: Photo by Isobel Carr (All Rights Reserved)

Clancy: Photo by Isobel Carr (All Rights Reserved)

Oh, Clancy is perhaps the most well documented dog that doesn’t belong to William Wegman. He has his own gigantic Flickr page (along with his sisters, Slag and Tallulah, who belong to my sister and best friend respectively). http://www.flickr.com/photos/49097059@N00/3283805430/sizes/s/in/set-72157607307911869

He’s half Neapolitan Mastiff and half Bullmastiff and 175lbs of cuddly sweetness. Mostly, it’s like living with a lion. Mostly he’s napping (bed, couch, dog bed), but he’s defiantly aware of what’s going on around him. As for “helping” me write, not so much. He like likes to lay on the couch behind me and sigh gustily as I ignore him in favor of “petting” the evil glowing box. But he and his sisters were the inspiration for Pen, the dog in the first League book, so I guess he does help after all, LOL!

Q. Based solely on clothing alone (that is do not account for the status of women or minorities etc.) What time period would you most like to live in and why?

Mid to late 18th century. I love the clothing from about 1750-1790. Love, love, love it! The hoops and silks and hair (ok, not the 1770s hair). There’s a reason I set my books in the 1780s (my all time favorite decade for fashion).

Q. I have heard you say you like men with big noses. Like who?

Oh, I do. There’s nothing like a really nice, distinctive nose. Julian Sands, Joe Manganiello, Adrian Brody, Richard Armitage.

Q: Red-headed heroes. Go.

I love red-heads. Love ‘em. I can’t wait to write one (Leo, in Ripe for Pleasure is a red-head, but my editor made me change all the references to “auburn”). But I see Eric Stoltz, Domhnall Gleeson, David Wenham. Yum!

Q: Fill in the blank:

You walk into an antique store and you get short of breath because right there is a Limbert rocker. When you look in your wallet, you have enough money to purchase it. What is the item and why does it make you short of breath?

Well, mostly because we’re going to pretend I have that kind of money in my wallet. I own a 1916 Arts and Crafts bungalow, and one of the pieces of furniture I COVET for my living room is a genuine rocker from that period. The Stickley ones are nice, but there’s a Limbert one that I saw once in a local antique store that just called to me. The clean lines, the amazing quarter-sawn grain of the oak, the heft and solidness of it. That beautiful chair could hold up to being knocked about by my giant dog. Unfortunately, it was six grand.

Q: Corset vs. brassiere. Go.

Corset! I really do loathe the way a bra digs into my ribs. Corsets don’t do that, and if you lace them just snug, they’re really very comfortable. But I’m not yet ready to be the eccentric author who wears a corset every day…

Q: Your book is going to be a movie! Who do you cast?

Roland was based on Hal Ozsan. He played the witch in Supernatural “The Curious Case of Dean Winchester” and I just found him mesmerizing to watch. I love how dark he is, and how his hair curls. And yes, he has an amazing nose! Evidence that Isobel is right?

For Olivia, I pictured a young Rosamund Pike. I loved her as Lady Harriet in Wives and Daughters. There’s something really strong about her, but also a hint that she could shatter under the right circumstances. She’s an actress I just really enjoy watching.

Q: What’s next for you?

Next is Marcus Reeves’s book, Ripe for Revenge, which will be my first foray into self-publishing:

Running has always served Caro Frazier well. It worked when her parents disapproved of her chosen groom, when her husband took umbrage at his young wife’s social success, and when circumstances forced her to flee London altogether. But when her past comes back to haunt her—in the delicious form of Marcus Reeves—running is the last thing on Caro’s mind.

Marcus Reeves never expected to see—never wanted to see—Caroline Frazier again, not after he saved her when her husband cast her off and then she abandoned him too. He certainly never expected to discover her living in a quiet, rural hamlet with a child who is unmistakably his. Whatever her reasons for betraying him, she’s his now, and Marcus is ready for a little revenge . . .

Giveaway

Isobel is giving away 3 copies of her new book and one full set of the series for a new to her reader! Yes. That’s four winners. Woot!

Rules: No purchase necessary. Void where prohibited. International is OK, provided The Book Depository ships there. The winner will be picked at random from among qualified comments. Leave a comment on this post by midnight Pacific Thursday December 20. To be eligible for the full set of the series, mention whether you are new to Isobel’s books. Feel free to tell us about your pet, or the antique store item that would have you palpitating.

Does the idea of afternoon tea send a little curl of delight through you? Does the sight of rolling green pastures touched by mist make you yearn to be “across the pond”? Ha, I thought as much. As Regency fans—no, make that fanatics—we are all likely to be Anglophiles at heart—at least, those of us who aren’t lucky enough to be native Brits. Our romanticized fascination with the period is part and parcel of a love for the setting we read and write about.

The dictionary defines “Anglophile” as “a person who admires or sympathizes with Englandand English views, policy, things, etc.” It also says “Anglomania” is “an excessive or undue attachment to, respect for, or imitation of Englishmen or English institutions and customs by a foreigner.” Uh-oh. The Regency gown hanging on the back of my office door proves I am guilty of the “imitation” part of that. Certainly I don’t agree that my respect for and attachment to things English is undue, but hmm, how does one determine “excessive”? Is it a bit eccentric that I, an American, take note of Jane Austen’s and Queen Victoria’s birthdays? I believe that value judgment is both relative and subjective….

Pondering these weighty matters led me the other day to think about where this obsession with things English comes from. Have you ever thought about it? I come from a long line of English ancestors, so I could claim “it’s in the blood”, but I know plenty of Anglophiles/Anglomaniacs who haven’t a drop of English blood and are just as addicted as I am. How about you?
If it’s not heritage, then what? I suspect it’s more than just the obvious loveliness of everything English. I’ve been addicted from a very early age –if not before consciousness, at least before memory. It must be my mother’s fault. Her tool of choice had to be the books –those lovely illustrated children’s books. Beatrix Potter comes to mind in an instant. An edition we had included a sketch of Potter’s beloved home and I loved that picture as much as Peter Rabbit. And even before A.A. Milne’s Winnie-the-Pooh, we read the poems in When We Were Very Young and Now We are Six. I can’t recite “What is the matter with Mary Jane? (She isn’t sick and she hasn’t a pain), and it’s lovely rice pudding for dinner again” without attempting a British accent.

Were you raised with a vicarious diet of things English through books? Which were your favorites? The more I think about it, the more books come to mind: Peter Pan, Alice in Wonderland, The Wind in the Willows, A Child’s Garden of Verses. There’s such a rich legacy of classic children’s literature from British authors! I went through a phase of reading books about dolls—my favorites were British ones, of course. Rackety-Packety House and Impunity Jane. There had to come a point, though, when this diet fed to me became a preference of my own, and hence, a self-perpetuating addiction. Did you read The Wolves of Willoughby Hall? When did you first discover Jane Austen, or the great Georgette? Once I began to choose books because they were set in England or were about some aspect of English life or characters or history, there was no hope of a cure. And why would anyone want to be cured? This addiction has, of course, has led to a lifetime of delightful reading discoveries and pleasure, not to mention a few humble contributions from my own pen.

Speaking of which, I should mention that The Persistent Earl, the next of my ebook Signet Regency reissues from Penguin Intermix, is due out next week, on December 11. I do hope you’ll take a look at it, and perhaps if you have an Amazon account, you could give me some “likes”? The heroine in this story, a wary widow living in her married sister’s Londonhome and helping to nurse the hero back to health after Waterloo, also serves as a governess of sorts for her charming young nephews and niece. We could do a whole article about what books English children in the Regency were reading, or our characters read as children before that…Isn’t the power of books amazing?
I’ll give away a copy of The Persistent Earl to someone who leaves a comment (and includes their email so I can contact them). Come join the conversation! I’ll draw the winner’s name next Friday, the 14th.
Elena here.  To learn more about Gail and her writing, check out her website at www.gaileastwoodauthor.com 
 
And next week, we’ll be celebrating Jane Austen’s birthday.  There will be prizes.  🙂

(January marks another entry in the Castonbury Park series…Bronwyn Scott’s Unbefitting a Lady!  Bronwyn is visiting us this last weekend of the year to talk a little about the research behind the story of the horse-mad Lady Phaedra.  Comment for the chance to win a copy!!)

UnbefittingCover

As the Duke of Rothermere’s youngest daughter, Phaedra Montague is expected to be the dutiful darling of elegant society. Too bad, then, that this feisty Lady has swapped her dance cards and silk gowns for racing tips and breeches!

With the arrival of gorgeous groom Bram Basingstoke, Phaedra can’t help but be distracted. He’s as wild and untamed as the stallion he’s training. But Phaedra is supposed to act properly at all times. Even if this dark-haired devil in a billowing white shirt is tempting her to a very improper roll in the hay…

1817, a great year to be a horse!

Giles Worsley writes, “The stable was a setting to showcase the horse, a physical expression of the horse’s importance.” The stables were a world of its own within the estate. The concept of a stable included so much more than just a barn. It included outdoor training ovals (a left over innovation from the mid 1700s), a carriage house or carriage bays, outdoor paddocks, the stable block and the riding house (indoor riding arena, often complete with a viewing gallery). With that in mind, it made sense to set so much of Bram and Phaedra’s story, ‘Unbefitting a Lady,’ in the Castonbury stables. 1817 is an exciting year to be in the stables because many English horse enthusiasts are in the middle of a stable revolution. It’s a great time to be a horse! People are studying and learning how to harness architecture to make stables healthier places. 1790-1830 is a time of great stable modernization. There are lots of renovations being done regarding ventilation and health. Let me share two of those innovations with you; the iron hayrack and the loose box.

The iron hayracks hanging from the walls of the stalls: According to Giles Worsley in his book, “The British Stable,” hayracks were originally nothing more than wooden managers that ran the length of the aisles. These took up a great deal of space. Once iron became more accessible, iron hayracks could be fashioned and mounted in the stalls, freeing up space on the floors and they were more likely to withstand horses chewing on them, unlike the wood mangers. Iron hayracks were definitely starting to be in use in the more serious stables by 1817 and Kedleston, the estate we modeled Castonbury after did indeed use iron hayracks.

Moving towards the loose box : The loose box is the style of stall we’re most familiar with now in our barns. But before this, horses had a three sided stall with the aisle end open and they had to face the wall. Loose box stalls were used only for isolating horses who were ill. But the racing industry around the 1790s began to see the benefits a loose box stall would afford a horse in general. There are some early architectural designs in 1803 and 1810 that start to show the proliferation of loose box stalls for stables at Normanton and Tottenham Parks. By 1816, just a year before Phaedra’s story, the Ashridge stables in Hertfordshire were designed to incorporate a large number of loose boxes and by 1829, the loose box had become the norm. This is a transition that took about thirty years to catch on. Grooms felt leaving the horse loose in a stall caused too many problems.

Other improvements that took place between 1790 and 1830 include ventilation and lighting but we’ll save that for another time.

 

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