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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

In my mess-in-progress, the hero is a gentleman by birth and by virtue of having been an army officer, but he takes up ballooning as a business, not just a hobby. I haven’t found any historical examples of anyone like him, but I have come up with what I hope is a decent explanation for why he takes up flying.

A lot of stories might not see the light of day if the authors worried too much about plausibility. Chicks-in-pants is one of those plot themes. Although there are some historical examples of women who pulled off pretending to be men… And it worked for Shakespeare, so why not?

12thnight

One of my other more unlikely plots was in The Redwyck Charm, which I recently re-released in paperback. The heroine tries to escape an arranged marriage by masquerading as an opera-dancer. Silly, yes, but it was fun to write and is a favorite with my readers who say they like lighter stories. The idea came to me when I read this passage in The Mirror of Graces (an etiquette book of sorts published in 1811):

Extraordinary as it may seem, at a period when dancing is so entirely neglected by men in general, women appear to be taking the most pains to acquire the art. Our female youth are now not satisfied with what used to be considered a good dancing-master; that is, one who made teaching his sole profession; but now our girls must be taught by the leading dancers at the Opera-house.

 

I found it interesting that young ladies might have learned some elements of ballet. The author goes on to say that no gentlewoman could take the time and effort to develop true proficiency. Though I tend to agree, I don’t pretend that my heroine is more than a half-way decent amateur, getting by more because she’s a big hit with the young bucks who go to the opera to ogle the dancers.

greenroomHow do you feel about far-fetched plots? Any favorite examples that worked (or didn’t)?

I’ll give away one copy of The Redwyck Charm to a random commenter.  Comment by next Thursday (2/14) and I will announce the winner on Friday.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

 

rednewth

Posted in Reading, Writing | Tagged | 11 Replies
Last Sunday at church the sermon topic was “Sex and Attraction: An Embodied Spirituality.” (I go to a really cool church.) The minister made the point that religion has sometimes, though not always, created this duality of “spirit=divine and therefore good/body=beastly and therefore evil”. A lot of our culture has embraced this duality, along with the implication that what is good must be boring and what is fun must be evil. It ignores the intimate connection between the spiritual and the physical. Love as an abstract concept doesn’t mean much; it needs to be expressed through the physical: smiles, words, loving acts, including sex.
I think most romance authors understand this body-and-soul thing. But I have heard some authors of so-called “sweet” romance imply that their books are about the relationship and that the so-called “hot” books are “only” about sex. I don’t think so. The hottest erotic romances I’ve read are the ones with strong emotions driving the characters. The most moving “sweet” romances I’ve read are those where the author used the power of simple things like a smoldering gaze, the touch of a hand.
An erotic romance I read a few years ago bombed for me. The characters were so generic and the situation so contrived that it felt as silly as Benny Hill. On the other extreme, I’ve read several inspirational romances which were so careful to avoid not only the act of sex, but any hint of sexuality, that it felt unnatural. I don’t need to always read about sex and stories shouldn’t go further than makes sense for the characters and their situation. But if it’s a romance, I want to feel the sexual attraction, even if it’s expressed in subtle ways. If they kiss, let them enjoy it!
The other thing I’ve been ambivalent about is the fade-out, where the h/h start making love and the next thing we know they are smiling at each other over breakfast. I don’t think authors have to make a scene of it every time the hero and heroine make love. But if it’s the first time or at a turning point in their relationship, it feels like I missed something.
Anyway, what do you think? Does the dichotomy of “sweet” vs “hot” ever bother you? How do you feel about fade-outs? Who does “body and soul” best?
Elena
Posted in Reading, Writing | Tagged , | 7 Replies
The book jacket of my edition of North and South states that “Critical generalizations about Mrs Gaskell have tended to portray her either as an essentially feminine novelist, full of charm, tenderness and little else, or as a pioneer of the ‘social problem’ novel. Neither view does sufficient justice to her best novels…”
I agree. This book should not be pigeon-holed based on either the romantic elements or the social issues, but apparently, this sort of categorization was happening long before bookstores divided books into “romance” and “fiction.”  Personally, I love how Gaskell fused these elements in this story. Characters don’t exist separate from the issues of their times.
When I first joined RWA, I heard a lot of advice on how to write the romance that sells, which included “No saving the whales”, i.e. don’t address any controversial issues. At the time I was glad that my Regency ideas were tugging more strongly at me, since my only idea for a contemporary romance involved marine biologists.
The purpose of a romance novel isn’t to preach, and I do understand the marketing rationale involved, but this feels very limiting. I like a romance where the characters have more interesting goals than the pursuit of wealth or sexual pleasure for its own sake (though even those goals can be interesting if it turns out they mask something deeper). They could be less controversial goals like caring for family or solving a mystery, but they could be the pursuit of a cause, as long as it’s integral to the characters.
Some of our Risky books and other historical romances have done this. I suspect social issues are a little easier in historical romance, since the issues have changed form in modern times. I doubt anyone in mainstream society would openly support slavery. But I think things like this are still with us in many ways, so maybe touching on them in historical romance is a subversive way of addressing them.
Anyway, maybe the industry prohibition against issues is thawing. I can’t remember when I read that there were some romances that dealt with wildlife preservation. I made a mental note to check some of them out, but life intervened, so I don’t know how well they worked. And indie authors can try things traditional publishers might not.
I think it would be tricky to have the hero and heroine on opposing sides of an issue, since it’s hard to make both sympathetic unless it’s an issue (unlike racism) where both sides have some merit and where compromise or creative solutions are a good answer. Otherwise, the cause could be something that unites the hero and heroine rather than the source of their conflict.
What do you think of issues in romance, historical or contemporary?  Any books that made the mix work particularly well?
Elena
I’m delighted to introduce today’s guest, Gail Eastwood.
Gail worked as a journalist, theatre critic and PR consultant before she penned her first romance novel, A Perilous Journey. Since then, she has written six more Signet Regencies which have been nominated or won awards including the NJRW Golden Leaf, the Holt Medallion, and Romantic Times Book Club’s Reviewers’ Choice Awards. She also teaches writing and takes an avid interest in theatre, historical dance and costuming. Her books are known for their emotional depth, mystery and adventure and innovative characters and plot elements, such as a hero who is a French prisoner of war (The Captain’s Dilemma).
But the real reason I’m so thrilled to welcome Gail is that like me, she is making a comeback after having to take a break from writing to deal with serious family health issues. Starting sometime last fall, we have been emailing each other regularly to cheer each other on and help each other balance our creative lives with the continued challenges of caring for our loved ones. Gail has been a wonderful support to me; she is not only talented, but one of the kindest writers I know.
 
Today we’re going to talk about Gail’s upcoming ebook reissues, A Perilous Journey (available now) and An Unlikely Hero, coming in July. Enter a comment or question for the chance to win a Kindle or Nook copy of A Perilous Journey (winner to be chosen by the Riskies).
Praise for A Perilous Journey and An Unlikely Hero

“A scintillating debut…(Gail Eastwood) charms us with her sparkling storytelling.” – Romantic Times Book Reviews (A Perilous Journey)

“The brilliantly versatile Gail Eastwood changes pace once again to bring us a frothy Regency delight spiced with touching emotion…. beguiling characters and zesty interplay.” – Romantic Times Book reviews (An Unlikely Hero) 
Tell us about these two stories.
These two books tell the related-but-separate stories of twins Gillian Kentwell and her brother Gilbey, Viscount Cranford. When we first meet them in A Perilous Journey, headstrong Gillian has run away from home after finding no other way to avoid the marriage to an elderly neighbor her guardian has arranged. She has romanticized ideas about Scotlandand is heading there, hoping to find refuge with an aunt she has never met. Gilbey has come along to try to protect her, knowing that she will never give up the 400-mile path she has chosen. Young and inexperienced, they are already in trouble their first night out. That’s when they meet up with Julian Rafferty de Raymond, the Earl of Brinton, still one of my favorite heroes. Brinton rescues them twice in less than 12 hours, and by then is hopelessly ensnared by his own curiosity, not to mention his attraction to Gillian.
Their progress north through western England (including a stopover in Bath) includes misadventures and detours as they try to evade their pursuers, always driven by the question of whether or not they will be caught before they can reach their destination. Anyone who travels, even today, knows that it can test the best of relationships, but it can also forge strong bonds. The journey these three characters undertake certainly does both! A surprise awaits them in Scotland, however, and they must face more challenges before Gillian and Brinton can earn a happy ending.
Gilbey’s happy ending is that he is going to be sent off to university. An Unlikely Hero  takes place after he has been there three years and is the story of what happens when one of his Cambridge pals, the son of a duke, convinces him to attend a house party at the duke’s estate. Gilbey is a reluctant guest enlisted to help keep watch over his friend’s sisters, identical twins known as the Lioness and the Lamb. They are notorious for refusing marriage offers and testing their suitors, but this time their father has drawn a line, declaring that they must finally choose husbands from among the assembled guests.
The twins’ behavior is not all capriciousness and mischief—they have a dark secret, and one of the guests is trying to use it to blackmail them into a marriage. Gilbey, fighting his attraction to the beautiful twins, finds trying to meet the expectations of everyone around him challenge enough for his wits. The Duke has made it clear that Gilbey is not eligible and must keep his distance. The suitors have made it clear they don’t appreciate any perceived competition from Gilbey. But Fate keeps landing him repeatedly in the twins’ path and the center of attention. How can a hero worth his salt not step up to help them? What help is there for his heart, irretrievably lost to a twin he can never have?
What inspired you to write each?
A Perilous Journey, which was my first novel, was stuck in my head for many years before I finally realized no one else would ever write this story—only I could release it! Does that sound completely weird? I always wanted to be an author, and I worked as a journalist for many years, but I just somehow thought someone else would think of this story and write it. LOL! Writing an entire novel is a daunting prospect when you first begin—even for an experienced writer. Maybe I was avoiding the reality of that, or the time just wasn’t right, or the story needed all that time to percolate.
An Unlikely Hero, on the other hand, was a story I never planned to write. Gilbey is such an antithesis of your typical romance hero—he wears glasses, he’s so fair he blushes, he’s a little accident-prone and he’s a total geek! I was surprised when readers wrote to me and approached me at booksignings asking when I would do his story! As soon as I said, “He isn’t really a romance hero,” he started kicking me and protesting the way I had pegged him. He is unfailingly loyal and sweet. I realized that, like all good Beta heroes, he had what it takes underneath, and that stripping away his outer layers to reveal the hero inside would be so much fun to do. But I didn’t have a lady for him, and that makes it pretty hard to have a romance!
Venetia and Vivian St. Aldwyn walked up to me in a dream, and I knew immediately one of them was meant for him. But they were smart, beautiful, rich daughters of a duke—what was their problem? You know, no conflict, no story! I muddled over that for a few days before I saw an article in my local paper that totally sparked the idea for the secret that drives them. I loved the idea that underneath the romance in this book there might also be a social message. I love that a little history always gets taught with each book, too!
Were there any particular challenges you encountered in your research? Any new or surprising historical information that you discovered?
I love, love, love to research. Stopping to actually write the story can be the challenge! A Perilous Journey required a ton of research because of all the locations in the story, not to mention understanding methods of travel in 1816, and so much more. I did some of my research “on location” in England, and at least one incident in the book, at Morecambe Bay, was inspired by the delightful and purely serendipitous discovery of the Hest Bank Hotel and its long history as a rescue station for people caught by the bay’s tidal bore. Who could resist?
Settings are important to me as a “world-building” element of story. The location of the duke’s estate in An Unlikely Hero was carefully chosen and researched. The surname I gave the duke’s family also derived from the local area where the story is set, and that led to a surprise. Five years after the book was published I got an email from the Earl of St. Aldwyn, a modern-day English peer, asking about the book characters’ names. Yikes! I always research my made-up title names to be sure they don’t actually belong to anyone, and I was in the clear, since the title names I used were Roxley and Edmonton, not St Aldwyn. But I hadn’t checked on St. Aldwyn, since I only used it for a family name! As I reassured the earl, that name came “straight off the map” and most certainly was not intended to reflect any connection to his family. He asked for a copy of the book, which of course I was happy to send!
We pride ourselves in writing Risky Regencies. Tell us what is risky about your books?
Wow, there are so many answers to this! One risk now, of course, is whether or not the freshness in these stories still holds up after all this time, or if the stories can still charm readers anyway. I suppose the greatest risk is the chance of writing something that readers won’t want to read or won’t “get” when you write against type, which I like to do. I recently described what I write as “kind of off-beat sweet Regencies with a twist of suspense.” When my books were first being published (1990’s), I was lauded for pushing the genre’s boundaries. I was nominated for RT’s Career Achievement Award twice, and people asked me if I was trying to invent a new sub-genre, the “Regency Intrigue”. We were just beginning to break out from the “drawing room comedy” style of traditional Regency that many readers still love and prefer. The genre has expanded so much since those days, I doubt anyone would think my stories are ground-breaking now, but at the time I wanted deeper emotion and more plot. Mary Jo Putney and Mary Balogh and a few others were heading that way, too. I wanted to be able to do some darker stories. I wasn’t sure if I was writing Traditional Regencies or Historicals—what I wrote was something in between! That was a risk, and I will always be grateful to Signet for going along with it.
I am drawn to write about things that I haven’t seen done. Venturing off the path can be a great way to risk falling on your face, though, LOL. For instance, when I tackled The Captain’s Dilemma (1995), I wasn’t sure a romance between an English miss and a French prisoner of war could even be successfully done, given the depth of the conflict. I hunted and hunted for other stories that tried this idea and found almost none (and those I found did not really succeed as romances). That was scary! Yet my research showed that there really may have been some true-life cases, and I really wanted to do that story. For The Lady from Spain I wanted to do a story where the heroine was seeking revenge, instead of the man. (That’s not so unusual to find now!) In The Rake’s Mistake, I wanted to do something with pleasure sailing on the Thames, totally charmed by an engraving I saw. I like to take my characters out into an expanded Regency world not limited to the ballrooms and Almack’s. I am so grateful that readers have been willing to go along!
I haven’t even touched on book-specific “risky writing” and if this wasn’t already too long, we could also talk about the emotional risks characters face. I’m sure we could talk about this stuff for hours!!!
What is it that most excites you about the Regency setting?
I think Beatrix Potter and A.A. Milne started my love affair with England long before I found Jane Austen, but it’s also in my blood –a raft of English ancestors must surely influence me, because I always feel like I’ve come home whenever I have the privilege of visiting over there. Of course there’s another theory –a psychic once told me I lived during the Regency. Do you believe in past lives? It’s a shame I can’t recall any of it –think of all the research time that would save! Despite my tendency to expand beyond them, I do love the clothing, the balls, the glittering lifestyle of the upper reaches of society in this period. The aristocracy were the celebrities of their day! I love the elegance, and the elegant language. But I also think part of the appeal is that it was a transitional time, bridging the 18th century “Age of Enlightenment” and the more modern Victorian era when the world became industrialized and much more recognizable to us. Regency people were living in a time when things were changing at a much faster pace than ever before in history, and I think that resonates with us today—we all face the challenges of adjusting. Challenges make good stories, and when we write about this time period, the challenges of the changing society are always at least part of the background if they are not part of the primary plot!
Historical costuming and historical dance are among my hobbies, and although I first got into those through the medieval and Renaissance periods as a member of the Society for Creative Anachronism (in which I am still active), I quickly expanded into the 18th century and Regency periods as well. Here’s a picture of me in the second Regency gown I have made (my first one now gets loaned out to ladies much thinner and younger than I am!). It was taken at a local “Jane Austen Birthday” dance. Some folks may recall me teaching historical dance at a couple of RWA national conferences, and leading the dancing at our Beau Monde mini-conferences a few times—many years ago at this point! I also still participate in English Country Dancing in my local area.
What are you working on next?

I am busily preparing the ebook edition of The Lady from Spain to be my first self-pubbed reissue, and The Captain’s Dilemma will follow it soon. But I am also working on a new book, which I hope to have out next year. It features Harriet Pritchard, who has appeared as a secondary character in two of my previous books –she was a younger sister in one, and then turned up as a friend of the heroine in another one. She actually is referred to at the end of my last book, but not by name! Although readers have asked for this, too, I couldn’t do her story until I found the right man for her –to my surprise he turned out to be the best friend of the hero in that last book, The Rake’s Mistake, which should be reissued next year. Harry and Peter are such opposites (at least on the surface), but I know they are meant for each other! I’m having great fun with the new story and hope readers will too.
Thanks for talking to us, Gail!
Thank you so much for having me as a guest on the Risky Regencies blog, Elena! I really enjoy the blog and it’s both an honor and a pleasure to be here.
Ask Gail a question for the chance to win a Kindle or Nook copy of A Perilous Journey.
Void where prohibited. You must be over 18. No purchase necessary. Post your comment by midnight EST on Thursday, May 31st.  Either include your email address in your comment or make sure to check back Friday for the announcement post.

Before I announce the winner of A Perilous Journey by Gail Eastwood, I’d like to share some fun stuff I’ve learned about the history of ballooning while working on my next story, which features a Waterloo veteran turned aeronaut.

Fun Fact #1
The first creatures to fly in a balloon were a cockerel, a duck and a sheep. They ascended in a Montgolfiere (hot air balloon, named after the brothers who invented it) in 1783, with an audience that included Louis XIV and Marie Antoinette. I have heard that the sheep was taken to live on Marie Antoinette’s farm, but I haven’t been able to verify that story.

Hot air balloons were kept aloft by burning straw, old shoes and rancid meat, which must have had a delightful smell. Because there were no fuels at the time that could burn for long flights, hydrogen balloons became more popular for a time.

Fun Fact #2
The first unmanned hydrogen balloon, created by the scientist Jacques Charles, took off in 1783, after the first hot air balloon flights. On landing it was said to have been destroyed by peasants with pitchforks who were frightened by the strange creature that hissed and spewed noxious gas. Pure hydrogen is odorless, but the process of creating it involved pouring “vitriolic” (sulfuric) acid over iron shavings. When I consulted a chemist, she told me that the process would  have been imperfect. She concurred with my guess that the result may have smelled like rotten eggs.

Fun Fact #3
The first aeronauts to cross the English channel were a Frenchman, Blanchard, and an American, Dr. Jeffries. They departed from England on the 7th of January, 1795. They found themselves losing altitude over the water, possibly because the balloon was overloaded or because the cold had cooled the hydrogen, or a combination of the two. To avoid landing in the Channel, they had to ditch all non-essential items. This included most of their clothing.

Fun Fact #4
Blanchard’s and Jeffries’ problems were not over with crossing the Channel. They began to descend again over dense woods south of Calais. As landing in trees is not advisable, they once again had to lighten the load. Since they had ditched just about everything, they decided to pee their way out of danger!

I hope this was interesting. Which (if any) of these facts do you think I’m using in my own balloonist story?

And now for the winner of Gail Eastwood’s giveaway…

Congratulations to Ruth!

Please email me at elena @ elenagreene.com (no spaces) to let me know whether you prefer Nook or Kindle, and which email address you’d like Gail to use in setting up your order.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

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