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Author Archives: Gail Eastwood

About Gail Eastwood

Gail Eastwood is the author of seven Regencies that were originally published by Signet/Penguin. After taking ten years off for family matters, she has wobbled between contemporary romantic suspense and more Regency stories, wondering what century she's really in and trying to work the rust off her writing skills. Her backlist is gradually coming out in ebook format, and some are now available in new print editions as well. She is working on the start of a Regency-set series and other new projects. Stay tuned!

Book Three in my village of Little Macclow sweet Regency series, Her Perfect Gentleman, has taken me two years to wrestle into submission, but some books are like that! Characters don’t always cooperate, plotlines don’t always gel, and the fun twists and surprises can make you wait a long time to discover them. However, Her Perfect Gentleman has just gone up for pre-order on Amazon! It will release on December 15 at its full price, but if you read on Kindle, you can save by ordering now at the reduced pre-order price. https://www.amazon.com/dp/B0BMLQCLSW

Maybe one day the other distributors will get on board with this, but as far as I know that option isn’t available yet. The book will be “wide” (available in multiple formats at multiple distributors) once it releases.

She is the worst thing that could happen to him. He might be the best thing that could happen to her. How will two hearts on such opposite tracks find their way to true love?

The last thing Christopher Haslitt needs or wants is another involvement with a high-ranking lady. He is still trying to repair both his heart and his reputation after last season’s disaster left him branded as a fortune hunter. Five days in Little Macclow for his best friend’s wedding should be only a brief delay on his path. But he hasn’t counted on spending it with five unmarried daughters of earls, one of whom has her sights set firmly on him!

Lady Honoria deRaymond finds Mr. Haslitt more attractive and charming than any other gentleman of her acquaintance. What’s more, his perfect manners include overlooking her tendency to be impulsive and not always quite proper. She knows the rules; she just has trouble sticking to them. Marriage to a high-ranking peer, as her family expects for her, will mean a highly visible life of constant pressure to conform and behave properly. Could Mr. Haslitt, a baronet’s son, be her means to escape such a fate? Can she possibly win his heart in just five days? When she returns to London, her one chance to forge a different future may be gone.

Sweet with a little sizzle, the Tales of Little Macclow are linked by a common setting and recurring endearing characters. They follow a shared chronology and, while best read in order, they are complete stand alone romances that will warm your heart.

Little Macclow—a village tucked away and maybe touched by magic…at least the magic of love.

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Can you identify which of the following games (all of them ways of hitting a ball) would have been activities for Regency people and which would not?  Tennis, baseball, rounders, nine pins, croquet, ground billiards, golf, cricket. Let’s take look at these and see how you did. Have you ever played any of these sports, or enjoyed Regency fictional characters who did?

A group of young ladies in Regency era gowns play at ninepins and bowling in an outdoor court enclosed by walls with a wide double gate behind them.
Playing bowls and ninepins in a courtyard, 1822

TENNIS: “Tennis” is a catch-all term that actually covers two types of the game with separate but related histories. While our modern sport of “tennis” has roots that go as far back as medieval times, it actually developed from “lawn tennis,” a later offshoot of the form of the game known as “royal” or “real” tennis.

Royal tennis evolved from a 12th century monastic French game, “jeu de paume” (“game of the palm”), where the ball was hit with hands. Eventually, gloves were used, and by the 16th century when the game was at peak popularity, racquets were introduced and the game was being played on enclosed courts. But as we have already seen with lawn bowling, only the very wealthy could afford to build and maintain special venues for games—hence the name “royal” tennis. The intertwined history of royalty between England and France easily explains how the game arrived in England and gained popularity there.

Wikipedia dates the game in England to Henry V (1413–22). Sports enthusiast Henry VIII added sporting venues to his palaces, including tennis courts. Whitehall was said to include four indoor tennis courts, and the tennis court at Hampton Court Palace still exists. Mary Queen of Scots played tennis on a court at Falkland Palace in Fife which also still stands. But during the 18th century in England with the German-based House of Hanover on the throne, tennis fell out of royal favor, and in France the royal sport was doomed by the French Revolution, followed by the Napoleonic wars.

Young lady dressed in late Victorian style clothing and large rbimmed straw hat, one hand holding it against a breeze and a tennis racquet clutched under her arm.

Although a reference to “field tennis, an invented game” is made by a memoirist from 1767, it was not until the 1870’s that “lawn tennis” came along, a version of the game that the general populace could play on smooth grass. As we have previously seen, the invention of the lawn mower no doubt played a key role in that evolution. So, tennis was played both before and after the Regency, but during the 18th and early 19th centuries it declined in popularity and is not a sport Regency folks would likely have played. They did, however, play racquets and squash racquets in very similar form to those games as known today.

CROQUET/Ground Billiards: Croquet is another game with ancient roots. Since croquet lawns in the 1870’s were venues for the first games of lawn tennis, let’s look at that quintessential summer game next. Croquet seems to have origins in either, or both, of two other games using balls, mallets and wickets. One is an earlier popular English game that, like tennis, has French origins—the game of pall mall (“paille-maille” in French), dating to the 13th century in France (using wickets made of wicker) and introduced in England in the 16th or 17th century (sources vary). The other root is the Irish game of “crooky” which by the earliest record dates from the 1830’s.

Thomas Blount’s Glossographia (1656) described pall mall as a game played in a long alley with wickets at either end, where the object is to drive a ball through the “high arch of iron” in as few mallet strokes as possible, or a number agreed on. Blount adds: “This game was heretofore used in the long alley near St. James’s and vulgarly called Pell-Mell.” (This is where the name of the famous London Street comes from.) The length of the alley varied, the one at St. James being close to 800 yards long. In 1854 an old ball and mallets were discovered, now in the British Museum, described thus: “the mallets resemble those used in croquet, but the heads are curved; the ball is of boxwood and about six inches in circumference.”

But how did pall mall evolve into croquet, a game with six or more wickets set in a pattern and spread over a much larger area than an alley? Or did it? An entire family of individually unidentified lawn games played in medieval times, collectively known today as “ground billiards,” were played with a long-handled mallet or mace, wooden balls, a hoop (the pass), and an upright skittle or pin (the king).” Any one of these games could have led to the development of “crooky” in Ireland, which locals are known to have played in 1834 at Castlebellingham. As with the earlier games, there is no record of the rules or method of playing.

However, a form of “crooky” was introduced in England in 1852. Isaac Spratt registered a set of rules for “croquet,” from a game he saw played in Ireland, around 1856. John Jaques published official rules and editions of croquet in 1857, 1860, and 1864 and manufactured sets. At first, croquet was played rarely, mostly by affluent or upper-class people. But the All England Croquet Club was formed at Wimbledon, London, in 1868. That same year the first all-comers croquet meet was held in Gloucestershire, England. Croquet became all the rage and spread quickly to all corners of the British Empire by 1870. Sad to say, croquet is thoroughly Victorian.

Victorian croquet match

Baseball/Rounders: The earliest reference to rounders, which may actually date back to Tudor times, was made in A Little Pretty Pocket-Book (1744) and included an illustration of “base-ball,” depicting a batter, a bowler, and several rounders posts. The rhyme refers to the ball being hit, the boy running to the next post, and then home to score.  

In 1828, William Clarke in London published the second edition of The Boy’s Own Book, which included the rules of rounders and also the first printed description in English of a bat and ball base-running game played on a diamond.

Rounders is very similar to the American game of baseball and is surely the ancestor of that game, evolved once brought across the pond. Clarke’s book including the rules and description was published in the U.S. in 1829, but English emigrants would have brought the game over with them far earlier. Rounders has been played by British children right up until modern times, so Regency children given the opportunity (most likely in the country or at school) would very likely have played the game. Would adults have played? Less likely, unless they were being particularly playful in re-enacting their childhood pursuits.

Ninepins/Skittles: Differing from lawn bowling, many lawn games involved rolling a bowl and hitting a pin or cone, or multiples of these. These games are the true ancestors of our modern day bowling. An early form of bowling was called “cones,” in which two small cone-shaped objects were placed on two opposite ends, and players would try to roll their bowl as close as possible to the opponent’s cone. The very old game of “kayles”—later called nine-pins, or skittles, after another name for the pins—usually involved throwing a stick at a series of nine pins set up in a square formation, although in some variations the players would roll a bowl instead. The object was to knock down all the pins with the least number of throws. Sometimes, the game would feature a larger “king pin” in the center of the square which, if knocked down, automatically granted a win.

Ninepins, 18th century “Modern Exercise”

Ninepins (1570s) or skittles (1630s) was generally played in an alley, like pall mall, and an arrangement of pins might stand at each end, or only at one. But it did not really require much more than a flat space of ground and became popular among all the classes, especially by the 18th century. Public houses with grounds often offered skittles accompanied by gambling, of course, leading the poor to become even poorer. Press gangs, too, found the pub-side ninepin alleys a fruitful place to gather men to serve the king.

Instructions to jurors from a Portsmouth magistrate, 1800

In the late 18th century, the moral outrage over the destructive effect of such gaming led to a movement to level the skittle grounds to counteract the problem. This merely led to the resurgence of another game, nine-holes (1570s), also known as “bumble puppy” later on. In this game, instead of pins to knock down, the object became to throw balls into nine holes (in a board or dug into the ground) arranged with successive number values and the player with the highest points won. Since this game wasn’t banned in the statutes against skittles or ninepins, the authorities could not stop the games. Eventually during the Regency, skittles reclaimed its popularity. (see illustration at top, from an 1822 book on exercise and sports for young women)

Cricket: There’s a theory that cricket, another “bats and ball game,” may have derived from a game like pall mall or bowling, by the intervention of a batsman stopping the ball from reaching its target by hitting it away. The game is so old it probably dates back to Saxon or Norman times in the southeast of England, but written references go back at least to 1590. The name comes from either Old French (criquet “goal post, stick”), Middle Dutch/Flemish (cricke “stick, staff”) or Anglo-Saxon (cricc “shepherd’s staff”).

A Village Game of Cricket

By the early 18th century cricket had become a leading sport in London as well as the south-eastern counties of England with organized clubs and some professional county teams, and continued to spread slowly. The switch to throwing the ball instead of rolling it along the ground came sometime around mid-century along with the change to straight bats instead of bent ones. Boys played cricket at schools, children played cricket in their villages, and adults of both genders apparently played as well. The first known women’s cricket match was played in Surrey in 1745. The famous Lord’s Cricket Ground opened in 1787 with the formation of the Marylebone Cricket Club. Interest in cricket has not waned from that time to the present day, so it was certainly being played during the Regency.

GOLF: Golf is another stick-and-ball game with roots in those early and unknown ancient lawn games. While the specifics of golf were developed by the Scots, the roots of the game (and even some of the early wooden balls used to play the game) came to them from the Dutch. The name “golf” is derived from the Dutch word “kolf” which means club. A Dutchman first described the game of golf in 1545, while it first appeared in Scottish literature in 1636, but there are other references to the Dutch game as early as the 13th and 14th centuries.

It was the Scots, however, who had the idea of making holes in the ground, laid out over a course, and made the object of the game to get the ball into each of those holes.

“The MacDonald boys playing golf,” portrait by 18th-century artist Jeremiah Davison

Golf has an interesting history, but it evolved quite steadily over time in Scotland with the exception of being banned by James II (1457), James III (1471) and James IV (1491) for distracting the military from training. James IV reversed his ruling by 1502, however. It seems the Scottish king was fond of the sport himself. Later in that century, King Charles I brought the game to England and Mary Queen of Scots introduced the game to France.

The Old Course at St Andrews, Scotland is one of the oldest courses dating to 1574 or possibly earlier. Diarist Thomas Kinkaid mentioned some rules in 1687, but the first “official” rules were not issued until 1744. James VI played golf at Blackheath near London in 1603 when he became James I of England, where the Royal Blackheath Golf Club was later established (1745 or earlier). Two English courtiers played against James VII of Scotland in 1681 at Leith for a wager, but there is little evidence the English took to the game until the Victorian era. But if you had a Scottish character in Regency London, he might be happy indeed to play at Blackheath if he were accepted as a member or knew someone else who was.

A group of 18th century gentlemen wearing tailcoats, breeches, boots and tricorn hats surround a putting green and hole watching as one man with a golf club prepares to sink his ball. In the background can be seen building of St. Andrews, Scotland.
Golf at St. Andrews, 18th century

“Golf is an exercise which is much used by a gentleman in Scotland……A man would live 10 years the longer for using this exercise once or twice a week.”–Dr. Benjamin Rush (1745 – 1813)

(illustrations in this post are public domain, as vintage art)

In Regency times, would you have been a “bluestocking”? How many times have you read about (or written) a heroine who either considered herself one, or was warned in no uncertain terms by her mother/aunt/sponsor or best friend against becoming one?

blue_stockingNot too long ago I was invited to join a group of Regency authors calling themselves The Bluestocking League. (A lot of authors are finding it wise to band together to help promote each other’s work.) We haven’t been very active yet, but we discovered soon after naming ourselves that another group of authors had recently formed a group called the Bluestocking Belles. You see? Bluestockings are back!! So it seemed timely to take a look at what was originally an 18th century women’s society, and in the Regency became a (derisive) slang term for educated women with intellectual interests –who might, after all, threaten the social order!

The 18th century, “The Age of Enlightenment,” earned the name because ideas and intellect flourished during the period. While women had few rights, two things they –could- do (and were expected to do) were socialize and engage in the arts. Salons were popular, and hostesses angled to have the most illustrious leaders of culture and literature as guests. The London salons hosted by the well-to-do and well-educated friends

Elizabeth Montagu

Elizabeth Montagu

Elizabeth Montagu (1718-1800), Elizabeth Vesey (c.1715-91) and Frances Boscawen (1719-1805) attracted some of the greatest intellectual minds of the times, such as the writer Samuel Johnson, and artists Francis Reynolds and her brother Sir Joshua Reynolds. By mid-century these get-togethers evolved into a loosely organized network, kind of a “women’s club” that offered more than intimate gatherings for conversation, supplying mutual support, friendship and patronage for a growing pool of writers, artists, and intellectuals. Writers Hannah More and Fanny Burney, poet Anna Seward, and artist Angelica Kaufmann were regulars among many others in later years. The women, and their male guests, also advocated for education and explored options for civic and social improvements.

Most of the women portrayed as young Greek Muses in this group portrait by Richard Samuel were Bluestockings. Singer Elizabeth Ann Sheridan is in the centre. Artist Angelica Kauffman sits at the easel with writer/poet Elizabeth Carter and poet Anna Letitia Barbauld behind her. The five at right are (L-R) historian Catharine Macaulay, hostess & literary critic Elizabeth Montagu, and writer Elizabeth Griffith (all seated), and standing behind them, writers Hannah More and Charlotte Lennox. Some were much older than shown by the time the picture was exhibited in 1779. (Montagu was 61.)

Most of the women portrayed as young Greek Muses in this group portrait by Richard Samuel were Bluestockings. Singer Elizabeth Ann Sheridan is in the centre. Artist Angelica Kauffman sits at the easel with writer/poet Elizabeth Carter and poet Anna Letitia Barbauld behind her. The five at right are (L-R) historian Catharine Macaulay, hostess & literary critic Elizabeth Montagu, and writer Elizabeth Griffith (all seated), and standing behind them, writers Hannah More and Charlotte Lennox. Some were much older than shown by the time the picture was exhibited in 1779. (Montagu was 61.)

The story of exactly how the network acquired the affectionately applied name of the Bluestocking Society, or the Bluestocking Circle, is debated. Blue wool stockings were commonly worn for informal or daytime dress then, with white or black silk reserved for evening or more formal occasions. The informal style (and the cross-class nature) of the salon gatherings was unprecedented and set a new style for socializing. One version of the story holds that Mrs Vesey (or Mrs Montagu), inviting the botanist Benjamin Stillingfleet to attend a salon, assured the man who had given up polite society that he was welcome to come “in his blue stockings.” Another version says Stillingfleet simply showed up wearing them. OTOH, the French version of the term (bas bleu) had actually already been in use since the 1500s. At any rate, the group adopted the name with pride. The network expanded well beyond London, and probably peaked during the 1780-90’s, when Elizabeth Montagu opened her new Portman Square home for meetings, and was hailed by Johnson as “the Queen of the Blues”. Hannah More’s poem “Bas Bleu, or the Conversation” was published in 1789.

Typically, though, as the term “bluestocking” became widely accepted as a tag for an intellectual woman, it also began to be perverted into derisive slang, belittling the very values it once stood for. The original Bluestockings were dying off at the start of the Regency, and their supportive network had suffered setbacks such as the loss of friendship between Montagu and Johnson, a scandal over patronage and money involving Montagu, More, and the poet Anna Yearsley, and later, scandalous lifestyle choices made by members like Macaulay. Ridicule replaced admiration in the eyes of society –Byron scorned them and Rowlandson did a cartoon, “The Breaking Up of the Bluestocking Club” published in 1815. In the Regency, to be a bluestocking was considered tantamount to declaring spinsterhood and rejecting society. rowlandson-bluestockings

The original Bluestockings were the feminists of their day, ahead of their time in many of their ideas, but especially in valuing the female mind. Their moniker shows up these days in all sorts of ways, from the name of bookstores and a play, to a week-long celebration of women in education at UQ in Australia. I’m happy to be among women ready to reclaim the term and put it back into its original perspective and meaning. So, are you a bluestocking, too?

If you want to read more, there’s a great article connected to an exhibit at London’s National Portrait Gallery: http://www.npg.org.uk/whatson/exhibitions/2008/brilliant-women/the-bluestockings-circle.php, and another with great detail at https://bluestockingssociety.wordpress.com/the-blue-stocking-history/.

Also, there’s a book: Biographical Sketches of Principal Bluestocking Women, by Anna Miegon. I want to read it now! There’s also a collection of essays: Reconsidering the Bluestockings, by Nicole Pohl & Betty A. Schellenberg, and much more, of course. I think the original Bluestockings would be pleased to see how far we women have come, don’t you? Although perhaps dismayed that it took as long as it has, and that we still have more to achieve. What do you think? Please comment!

TheProposal400x600I’m delighted to announce the winner of Margaret Evans Porter’s giveaway  from her guest interview last week. Kristen H is the winner of a print copy of Margaret’s newly reissued romance, The Proposal!! Congratulations, Kristen. We’ll put Margaret in touch with you to work out the details. And thank you, everyone else, for your great comments and for participating. Margaret enjoyed visiting with us and sends her best regards to all.

TheProposal400x600Today the Riskies welcome guest Margaret Evans Porter! Margaret and I have been friends since early days in my career, and I was a huge fan of her work even before that. The Proposal is one of my absolute favorites among her books, so I am very excited that a new edition will be released tomorrow!! Margaret is offering a print copy of The Proposal to a randomly chosen winner among those who comment by the end of this week, so please share your thoughts with us below after visiting here. And read on to find out about a new project she has coming out next month, as well!

mepatberkeley

Margaret Evans Porter

Margaret is the author of 11 novels and 2 novellas published in hardcover, paperback, digital editions, and in translation. She earned the Best New Regency Author award from Romantic Times Magazine with her first book, and later novels received multiple award nominations. She has also published nonfiction, poetry, and her photography, and is a trained actress who has worked on stage and in film and television. All this and she is also a historian and an avid gardener! But I should let HER tell you.

What’s the premise of The Proposal?

A: In 1797, Sophie Pinnock, a botanical artist and the widow of a famous landscape designer, is employed by the Earl of Bevington to alter the ground of his newly inherited castle in Gloucestershire. She would much prefer to restore the gardens to their original state than replace them. After many years living in Portugal, her employer has returned to England to claim his title.

Where did the idea for this particular story come from?

mepgarden

Margaret’s garden

A: It was the dead of winter in New England, the world was buried under snow–much like this winter! My coping mechanism was to design new rose beds that would feature historic period roses from Medieval times to the Regency and Victorian eras. I had recently spent time at a Gloucestershire castle. I ended up with a 2-book contract as well as an expanded garden!

Where did you turn for research?

A: I had already amassed a collection of historic gardening guides and price lists from the 17th, 18th and 19th centuties. My mother is a rose gardener, so I was raised with historic roses and books about them. On trips to England I visited intact gardens from earlier times.

What aspects of the research itself most intrigued you?

A: There was a raging debate about landscape design at that very time, when Humphrey Repton was altering many formal gardens to conform with his more “natural” style–popular with some people, and criticised by others. I was able to rely on primary sources, like the Red Books that Repton created for his clients (Sophie provides her clients with Blue Books!) And I’m always happy when I can wander through English gardens, so that was particularly appealing to me.

Do you have a favorite scene in this book?

A: I managed to include a scene in which Sophie debates Humphrey Repton himself, because–quite conveniently–he had clients in the neighborhood.

What would you say is “risky” about this book?

A: It seems “risky” to us nowadays, the concept of a female businesswoman in the late 18th century or Regency. But there is so much precedent! Many a widow, through financial necessity or entrepreneurial desire, took on responsibility for her late husband’s businesses. I think it’s a disservice to these women to bury the record of their achievements, and in some cases their innovations–Mrs. Eleanor Coade, who developed Coade stone, Hester Bateman the Silversmith, Rolinda Sharples the artist, Mrs. Sarah Baker the theatre proprietress who developed the theatres of southeast England. These are the notable names, but how many more must there have been that we do not know?

Another aspect of “risk” concerns opium addiction, and to a lesser extent, attitudes and suspicions about sexual orientation. Both of which have an effect upon the secondary mystery plot.

How long have you been writing?

A: I’ve been writing stories since I could hold a crayon in my fist. I became a publisher-editor-author at age 9 or 10 when I founded a class newspaper. My family is packed with writers, so it wasn’t an unusual path for me to follow. My mother, who taught me to read quite young, says she always knew I would be a writer.

What aspects of your own personality show up in your stories?

Rose from Margaret's Garden

Rose from Margaret’s Garden

I’m everywhere. I create gardens and grow roses–so does Sophie in The Proposal. I performed on stage for many years, and studied dance–I’ve written novels featuring an actress, a dancer, and an opera singer. Like Oriana in Improper Advances, I play the mandolin. I mine the places in Britain or Ireland where I’ve studied, lived and/or travelled and use them as settings for my stories. My dogs turn up in books as members of my characters’ households.

Do you find that your training in theater is helpful to you as a writer?

A: It’s immensely helpful, in a variety of ways. Performing period plays immersed me in the idiom of past times, I was speaking dialogue uttered by the people who lived in the eras about which I write. From a very young age I was required to do intensive character biographies, creating backstories for the people I was portraying–this often required in-depth research into social customs, education, upbringing, styles of speech, popular books and music. And of course I was wearing costumes–corsets, petticoats, full skirts, strange shoes–and carrying fans and having my hair dressed and so on. Those experiences were extremely valuable, as you might imagine!

Which book, if any, was the most difficult for you to write, and why?

I would say my new historical biographical novel, A Pledge of Better Times, for several reasons. It is entirely fact-based, all the characters were real people of the late Stuart court–monarchs and aristocrats. PledgeCover400x600Historical events provided the structure, the research was intense and took place over many years between other commitments. (For example, my productivity suffered a little during my 2 terms in the state legislature. But some sections of the novel were written surreptitiously during boring floor debates!) I don’t remember that any of my Regencies or historicals were difficult to write, although I did have to manage a very quick turnaround on an option book proposal while visiting friends in England. Almost every character in that book, Improper Advances, except the hero and heroine, were historical persons, so my fictional story needed to tie in with historical reality.

You now have a second website (www.margaretporter.com) for your mainstream historical novels, featuring real people from history. Your April release, A Pledge of Better Times, is the first of these. Tell us a little bit about this new direction in your writing?

A: In my youth I read many YA biographical historical novels, and my ambition to write mainstream historical novels dates from that time. It took a long time for the right story to find me–that of Lady Diana de Vere, and of Charles Beauclerk, 1st Duke of St. Albans (bastard son of King Charles II and actress Nell Gwyn). It was sparked by some genealogical research, and caught fire after I became acquainted with a direct descendant of theirs. I spent years carrying out the research all round London–at Kensington Palace and Hampton Court and the Tower–as well as in Holland at The Hague and Paleis Het Loo. And Versailles. This book also features the development of formal gardens!

A Pledge of Better Times, will be available in print and as an ebook in April. It has just been named one of the “Books to Read in 2015” by the Book Drunkard blog–very exciting.

Where can readers go to get in touch or learn more about your books?

Website: www.margaretevansporter.com
http://www.facebook.com/AuthorMargaretEvansPorter
@MargaretAuthor on Twitter.

Risky readers, don’t forget to post a comment if you’d like a chance to win a print copy of The Proposal! Margaret Evans Porter, thanks so much for visiting with us today!

The Proposal:

When a lonely young widow and a mysterious earl clash over a neglected castle garden, suspicion and secrets threaten a blossoming love.
“Part romance, part mystery, a highly entertaining read.” –M.K. Tod, author of Lies Told in Silence
“Very sensual…lush in detail. Her characters have as much depth as the settings, and the gardens provide a wonderful backdrop for a tender love story.” –Affaire de Coeur
“Decidedly different…totally believable and deeply heartfelt.” –Rendezvous

Print on Amazon:

http://www.amazon.com/Proposal-Margaret-Evans-Porter/dp/0990742091

Kindle on Amazon:

http://www.amazon.com/dp/B00UKI0UAC

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