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Author Archives: Gail Eastwood

About Gail Eastwood

Gail Eastwood is the author of seven Regencies that were originally published by Signet/Penguin. After taking ten years off for family matters, she has wobbled between contemporary romantic suspense and more Regency stories, wondering what century she's really in and trying to work the rust off her writing skills. Her backlist is gradually coming out in ebook format, and some are now available in new print editions as well. She is working on the start of a Regency-set series and other new projects. Stay tuned!

Mothering-Sunday-BannerIf you assumed that the British holiday of “Mothering Sunday” (this coming Sunday) is the equivalent of the American “Mother’s Day”, only celebrated two months sooner, you’d be making a historical mistake that even lots of Brits make. While it may be mostly true today, that was not always so. Mothering Sunday as observed in Regency times, and centuries before, sprang from both religious and more practical concerns. Did it still have anything to do with honoring mothers? If it didn’t, where does the name come from? Read on, my friends.

Mothering Sunday is always celebrated on the fourth Sunday in Lent. That should tell you it’s rooted in Christian tradition, unlike the secular American holiday. Depending on what sources you consult, some claim the early Christians co-opted the Roman celebration in March that honored mothers and the Mother Goddess Cybele, and in its place established Mothering Sunday to be a time of devotion to Mother Mary, the virgin mother of Jesus Christ. Madonna by memling4 priestess_cybele

The timing worked well. Early Christians were no dummies, and giving everyone a little break in the middle of the long 40-day fast of Lent no doubt increased the chances that people would stick with the disciplines expected of them. In some places, this mid-Lent Sunday was called “Refreshment Sunday”, or “Sunday of the Five Loaves”.

But as with anything that old, there are multiple roots entwined with these beginnings, and very little documentation. This particular Sunday was also known as Laetare Sunday in the pre-Reformation times. As Christianity and the proliferation of churches spread during the medieval period, the distinction was made between smaller parish churches (known as “daughter” churches) and the major cathedrals in each diocese (the “mother” churches). Important sacraments, such as baptisms, were done at the “mother” churches, presided over by bishops, rather than the local parish priest. On Laetare or Mothering Sunday, families were expected to gather together to make the pilgrimage to their “mother’ church to honor Mary and their own baptisms.

Mothering Sunday-Victorian Church

Victorian children bring flowers to church to honor the Virgin Mary.

Since most children were put to work by the age of ten, many lived away from home, serving as apprentices or learning to be domestic servants. A half-day holiday was often not long enough for them to be able to return home, so once a year, on Mothering Sunday, they would be given a full day holiday to visit their families and go to their “mother” churches. That they might pick flowers on the way and perhaps bring small gifts to their mothers is easy enough to believe. Mothering_Sunday2

The first known dated written reference to Mothering Sunday is from 1644, when a royal officer from Essex was visiting Worcester and reported that “…all the children and godchildren meet at the head and chief of the family and have a feast.”

Special foods like simnel cake became associated with Mothering Sunday. (In some places it was called Simnel Sunday!) Kind of like the holiday itself, simnel cake is a mixture of things, part fruitcake and part pastry, both boiled like a pudding and baked like a cake. It may have a hard outer crust, and may be coated and decorated with almond paste (11 marzipan balls represent the Apostles minus Judas). Simnel Cake-classic  An early reference to it being brought as a gift for “mothering” also dates from the early 17th century. It was usually served with “braggot” (hot spiced ale) or “frumenty” (a spiced drink made from boiled wheat), depending on location.

Simnel Cake-pc

After the Reformation, and increasingly up to the Regency period, the emphasis for Mothering Sunday focused far less on the church-going and far more on the day for apprentices and servants to be given time off to visit their families. Imagine how important that day would have been to them, if they could only see their families once a year!

The observation of the holiday declined during the later 19th and early 20th centuries as other kinds of employment became more common. Mothering Sunday had about died out by WWI. But the United States had created Mother’s Day in 1913, and other countries adopted the idea.

Christopher Howse, writing for The Telegraph (2013), says “the revival of Mothering Sunday must be attributed to Constance Smith (1878-1938), and she was inspired in 1913 by reading a newspaper report of Anna Jarvis’s campaign in America. …Under the pen-name C. Penswick Smith she published a booklet The Revival of Mothering Sunday in 1920.” Smith did not want the day to be connected to any one Christian denomination and pushed the revival through secular organizations such as scout groups. Howse adds, ‘“By 1938,’ wrote Cordelia Moyse, the modern historian of the Mothers’ Union, ‘it was claimed that Mothering Sunday was celebrated in every parish in Britain and in every country of the Empire.’” Transformed into a modern holiday! Has it become less meaningful?

Do you live near your parents? How often are you able to visit your family? Do you believe “absence makes the heart grow fonder” or would you stay close if you could? Did you already know this history of Mothering Sunday?

Cooking recipes 1882How many of you researchers love primary sources? Is anyone’s hand NOT raised?

One of the things I love best about researching is that moment when you stumble across some telling tiny detail that just resonates…. Diaries, letters, and other materials from centuries past offer a trove of detail rich enough to make a researching author sing for joy. Where would we be without Jane Austen’s letters? How would we know what colors were in fashion, or how seams were sewn, without period magazines, dressmakers’ patterns or samples of clothing? Just for examples. While we may learn some of these things through secondary sources, we wouldn’t have THOSE without the primary sources to be studied and interpreted first.

I am currently deep in the middle of two quite different published collections of letters and diary excerpts, Penelope Hind’s (thank you for the loan, Elena!) and James Woodforde’s famous “Diary of a Country Parson”. As is so often the case, parts of them are wonderful and parts less so. Woodforde's Diary  Because these published versions have been edited, I wonder about the parts that have been left out –probably dull, but what if something useful to me (not to the editor) was in there? I would have loved to have the job of reading through the originals. Do you also think this way?

What got me thinking about this topic, though, was spring cleaning. My younger son, temporarily out of work, has been helping out at home by bravely delving into boxes that have been sitting in various corners ever since we moved here –and I don’t want to tell you how many years ago that was. Many belonged to my mother, who passed away four years after we moved here, and that was not recently!

Amazing things have been coming out of the boxes, besides trash (junk mail still unopened from when we moved, for example) –two items pictured here were too old to belong to my mother. Who knew we had this stuff?  Caduceus 1908

The 1882 recipe booklet (at top) is filled with ads for local businesses on all the pages facing the recipes. It is too old even for my grandmother. Did it belong to my great-grandmother? The ads remind me of my favorite type of primary resource, old newspapers. Do you have a favorite?

The “Caduceus 1908” was a mystery, even after I saw it was a sort of yearbook from the senior class of Classical High School in Providence, RI. Why did we have it??? As I perused the pages, amused by descriptions of events and the humor, I stumbled across write-ups of the individual class members and discovered that my paternal grandmother was a member of this class. I can pick her out clearly in the class photo (blonde in the center of the 2nd row) –because she looks so much like my sister!

Class of 1908I knew she had been a school teacher, but love this glimpse of her earlier life. My imagination runs with it. She did not live in Providence and must have had a long trip by trolleycar and on foot each day to get to school and home again.

I won’t be keeping these, fascinating as they are. But I hope to find good homes for these treasures. “Museum mentality” is the bane of those of us with cluttered homes. We can’t hang onto everything! But what if no one ever did? Those precious letters and diaries, those old newspapers and magazines from long ago that we now enjoy so much, that give us glimpses into the real lives of people in the past? What if zealous spring cleaners had tossed them all?

Do you wonder, as I do, if all the electronic versions of everything we have now were to disappear (or, as we have repeatedly seen, become inaccessible as technology keeps changing?) –what are we leaving for future generations to study? I know it won’t be stuff from my house.  The chorus around here lately is “just throw it out!” However, at least a few treasures deserve to be “re-homed”, as I call it. I just wish that didn’t require so much extra time. What do you do with your clutter?

Met Museum-Tea Table Set-2

Tea Table Setting in the Met Museum, New York, c. 1750-1775

I had planned a lovely post for you today. Really. But I’m hosting another Facebook party this weekend (well, actually Sunday and Monday, it lasts 32 hours!) –a “virtual Tea Party” –and I’m also running a “real” Tea Party on Sunday, both charity fund-raisers for my friend with kidney disease. I have been juggling a sick husband, a sinus infection, and too many things to do. The post, of course, was related to Tea Parties, looking not just at the history of their evolution as a social event, but focusing on the “necessities” of the tea table, which I find interesting. Today we simply have the pot, the creamer and sugar, and the cups and saucers, but back in the day, many more pieces were required.

IMG_5601However. It is very late at night now, my brain refuses to do anything more, the post is not finished, and here I am. I am going to leave you with a few pictures of the accoutrements of serving tea. Can you identify all of the pieces in these sets, and their purpose?

Liotard_Jean-Étienne_1781-83-_Still_Life-_Tea_Set

Still Life Painting by Jean-Etienne Liotard 1781-83

If you are in the mood for more on the history of tea drinking, or about tea itself, I refer you to these earlier posts by Riskies Isobel Carr and Carolyn Jewel:

Isobel’s post, December 16, 2015 “Happy (belated) National Tea Day”, about The Tea Purchaser’s Guide, published 1785.

Carolyn’s post Sept 12, 2012 “Tea Redux” which includes some great links to sources for tea history.

If you are on Facebook, please consider yourself invited to my Mad Tea Party! You do need an invitation from myself or another patroness, but all you need to do is send me a friend request and ask. (If we are already friends, I’m pretty sure you’ve been invited!) We have lots of games and real prizes lined up, along with all the virtual partying we can think up!

If I don’t add a small pitch for donations in case anyone would like to help and isn’t on Facebook, I’d have to give up my fund-raiser’s hat, so here’s the info: tax-deductible donations can be made to my friend Joyce Bourque’s campaign at the Help HOPE Live Foundation, which manages fundraising for transplant patients, both before and after surgeries. www.helphopelive.org/campaign/376

My apologies for not leaving you with a “real” post today!! I hope you have a great weekend.

Straw work case w drawers -POW 1800 Research rabbit holes are so much fun! Rose’s foray into Regency material culture (May 23) inspired me to share one that fascinated me back when I was writing the original edition of The Captain’s Dilemma (1995). The hero of that story is a French prisoner of war who has escaped (for good reason) into the English countryside, and of course, thereby hangs the tale. But he is an engineer, and actually an artist of sorts, and objects that he makes out of straw (and other materials) to while away time when he is restricted are based at least in part on real POW works made during the late 18th and early 19th centuries.

I had known that country people in Britain at that time often made “corn dollies” out of the last sheaves of grain at harvest time, as part of the superstitions that surround the important harvest ritual. Pictured here is one that graces the bulletin board in my writing office as a souvenir of sorts corn dolly (my office has at least one object that represents each of the books I have written). But it was my research into Regency-era prisoners-of-war that led to my discovery of ornamental “straw work” and its popularity (which continued throughout the 19th century), along with bone objects and other things the prisoners made.

Straw work Noah's ark w animals Prisoners had nothing but time on their hands, and boredom sometimes led to disciplinary problems. The prison administrators had a vested interest in keeping the men occupied. Selling the items they made at the weekly prison market also gave these men a way to supplement their rations and make other purchases –so it was a win for everyone. The heroine and her family visit one of these prison markets in my book, at a key turning point in the story.

Work boxes were probably the most commonly made item decorated with straw, and according to some sources were sometimes given as courting gifts, with messages and promises incorporated into the decorations through the choice oPOW straw work marquetry work boxf flowers and symbolic ornamentation ( for example, roses for remembrance or lilies for faith in love).  Pictures, frames, toys and many other types of items were made and decorated with straw, with amazing intricacy. Straw embroidered fan 1740

There’s an American museum devoted to straw work (http://www.strawartmuseum.org), and they divide their holdings into five categories: straw appliqué (which includes the type of marquetry most often seen in POW work), straw weaving (which is how corn dollies are made, and how I imagined Alex made his little bridges), straw lace, coiled straw, and straw hats and bonnets. Their website “tours” are worth checking out! If you want to see pictures of modern straw work, just type “wheat weaving” or “straw art” into Google or Pinterest!!

PPOW bone work ship model-2OWs also made things out of bone, which was another plentiful material available to them. (Mutton bones, NOT human ones –what were you thinking?? <g>) . The first prisoner-of-war artworks I came across in my research were ship models made from bone. Look at how amazing they can be!

The men also made bone toys, gaming sets, boxes –again, all sorts of items, in addition to the ships. The most amazing of all may be the model guillotines!  I have a bPOW bonework guillotineeautiful book on POW ship models, which helped me identify museums in Britain that had collections of POW artworks I was able to visit. Research is so much easier now that we have the Internet! But of course, seeing the real thing in person is a fabulous experience nothing else can equal.

Have you been sidetracked by anything in your research that has become a permanent interest? Or, do you manage not to fall down any rabbit holes when you do research? I would love to hear about it in the comments. If you have any pictures, I think you might be able to post them on the Facebook page. Let’s share!

POW bone work jackstraws spillikins set

 

Thomas_Luny_Blackfriars 1806

Thomas_Luny_Blackfriars 1806

The River Thames has a starring role in my story, The Rake’s Mistake. The heroine, Daphne, Lady Wetherell, lives in a house on the river, and my hero, Lord Ramsdale, is a recreational sailor in an era when that pastime was still developing. Lots of action takes place on the river, from peaceful romantic sailing to a frantic race with much at stake. Researching the river was one of my great pleasures in writing that story, which I will be reissuing one of these days after some revisions I want to make.

The idea for that story was inspired by a single sketch of the Thames that showed a small sailing race on the Thamesflotilla of sailboats, what we’d call “day-sailers” around here, engaged in a recreational race in London. I think it was dated 1795, and my first thought was that it looked just like any recreational sailboat race held today –like this one.  I had one of those moments when it feels as if the divisions between the centuries fall away, leaving a universal moment in time that transcends history.

For centuries the river was the main artery for goods and transport (not to mention jobs), the lifeblood of London. Sailing on the river required a lot of knowledge, not only of the currents and tides, but also of navigating all the various bridges. “shootinbridgeShooting the bridge” –traveling through the bridge openings with their swift current and varying water levels –could be very dangerous, yet was necessary for anyone who needed to get up or downstream for any distance.

As we travel through Regency London in our stories, I think we tend to forget how much construction was going on everywhere. Gas lines were being laid in the streets, and new bridges were being erected over the Thames, adding to those already in place. Unbearable traffic on the existing bridges made the need for new ones pressing.

Watercolour1799 Old London bridge

Old London Bridge 1799

London Bridge, of course, had existed in one form or another since the days of the Romans.  For centuries it was the only bridge across the Thames in London, until Fulham Bridge (first proposed in 1671) was completed in 1729. There’s a lovely story that Sir Robert Walpole pushed for the Fulham Bridge construction after being delayed by the ferryman, who was drinking in the nearest tavern and oblivious to customers waiting to cross the river.

The rights of owners, ferrymen and watermen –not to mention competing bridges, and financing –were all matters of contention each time a new bridge was proposed. A proposal for Westminster Bridge was already being debated in the 1720’s, but the bridge wasn’t completed until 1750.

1954/1.371

Battersea Bridge, sketch by Whistler

Blackfriars (1768) and the rough wooden Battersea bridge (1776) followed.

Prince & Duke at Waterloo Bridge 1817

Opening Waterloo Bridge

The Vauxhall Bridge, the first cast iron bridge across the river, opened in 1816.

The opening of the Waterloo Bridge in 1817 was a festive and crowded occasion complete with military displays and bands playing (my characters mentioned above observe this from Archer’s boat on the river).

southwark-bridge

Southwark Bridge

Parliament authorized the construction of Southwark Bridge in 1811. The work began by 1813, and the cornerstone ceremony was held two years later. The bridge opening took place in March, 1819, at midnight –“the bridge, illuminated with lamps, being declared open as St. Paul’s clock tolled” the hour.

The power of the river is extraordinary, and every one of these bridges has since been replaced.

There’s a nice brief summary of the Thames history at http://www.southwarkbridge.co.uk/history/the-river-thames.htm

A description of Old London Bridge by Louis Simond (1815) reads:  “Nothing can well be uglier than London bridge ; every arch is of a size different from its next neighbour; there are more solid than open parts; it is in fact like a thick wall, pierced with small unequal holes here and there, through which the current, dammed up by this clumsy fabric, rushes with great velocity, and in fact takes a leap, the difference between high and low water being upwards of 15 feet.”  Simond, in fact, ventured to stay in his hired boat to experience shooting the bridge, reasoning that boats had to do it every day, and he “being quite sure of reaching the shore by swimming, … remained with the boatman.” London Br 1794c J.M.W. Turner

I know other authors who have featured the river and/or the bridges in their stories –Jo Beverly comes to mind, and Regina Scott. But still it surprises me that something so integral to life in London (at any time period) so often has no place in our fantasized Regency version of Town.

Have you ever traveled on the Thames? Can you recall any Regency romances you’ve read (or written) that use the river as part of the story?

 

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