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Category: History

A man is shown seated with his hands on his thighs. He looks pensive. Above and to the the left of him are the words, "I can't believe it's been a year since I didn't become a better person."

Are you one of the people who make resolutions every January? I confess I am not –I often just carry on with unfinished goals from the previous year. But is the practice of New Year’s resolutions a modern one, with our recognized focus on self-improvement and achievement? Did people in the Regency era take the time to reflect on their past years and did they make resolutions, too? If they did, was their focus the same as ours?

A quick dive into the history of New Year’s resolutions reveals that the practice dates back at least 4,000 years (if not longer, if it may be ascribed to human nature!). The ancient Babylonians, with their agricultural culture, recognized and celebrated the start of each new year when the growing cycle renewed at the spring equinox (circa March 20 on the modern calendar). Their twelve-day celebration, called Akitu, signaled the start of the farming season, a time to crown or renew loyalty to their king, and also the time to promise to pay their debts. One common resolution, according to some sources, was the returning of borrowed farm equipment! Starting the new year “right with others” was believed to insure good fortune for the seasons ahead.

The Romans adopted the same practices, including the making of resolutions, with the same timing until about 46 A.D. when Julius Caesar introduced the Julian calendar. He set the start of the year as January, named after Janus, the forward and backward-facing Roman god of doorways and gates, beginnings and endings, forward planning and backward reflection. Sacrificing to the god and promising to be better people were meant to bring good fortune just like the Babylonian resolutions, but a stronger emphasis on moral character was added by the Romans.

When Christianity became the official religion of the Roman Empire in the 4th century, religious practices replaced resolutions and anything else associated with the pagan Roman customs. For instance, the Feast of the Circumcision was set to be observed on January 1 with prayers and fasting, rather than the revelry that non-Christians indulged in.

small image taken from a medieval manuscript shows orange vines with large leaf shapes, and among them a small figure of a peacock with crested head and distinctive broad tail featuring the "eye" decorated tail feathers.

Over the following centuries the changes met with varying success, however. During the Middle Ages, a sort of New Year’s resolution was made by knights who would renew their vow to chivalry by making their annual “Peacock Vow”–placing their hands on a peacock (cooked or not) during the last feast of Christmastide (usually Twelfth Night) and recommitting to the moral and social code of conduct.

According to historian/author Bill Petro, by the 17th century “the Puritans urged their children to skip the revelry and spend their time reflecting on the year past and contemplating the year to come. In this way, they again adopted the old custom of making resolutions. These were enumerated as commitments to employ their talents better, treat their neighbors with charity, and avoid their habitual sins.”

But “New Year’s Resolutions” as an identified thing was still not the common concept it is today.

In the 18th century, making resolutions (other than those creating laws and regulations) was a firmly entrenched practice, especially among the religious. In 1710 we can find the writer William Beveridge, in his treatise “Private Thoughts Upon Religion, Digested into Twelve Articles,” writing: “And how, then, shall I be able, of myself, to resolve upon Rules of Holiness, according to the Word of GOD, or to order my Conversation according to these Resolutions….”

Black and white portrait image of Jonathan Edwards wearing a white wig with rows of even curls. He has a pleasant face with a long nose and small mouth, smiling slightly. He is dressed in a buttoned black coat and wears a white neck stock with dual front tabs.

A decade later (1722-23), the young Puritan-raised American theologian-to-be Jonathan Edwards wrote down his resolutions over the course of two years after his graduation from Yale University. He created seventy of them altogether, that he tried to review on a weekly basis. But young Puritans were trained to practice self-examination and introspection, indeed, as were entire congregations.

Edwards’s resolutions are often compared to the resolutions penned by another noted American of the period, Benjamin Franklin, whose resolutions (published in his Autobiography) for guiding a good life numbered merely thirteen.

Color portrait of Benjamin Franklin, 1783. A heavy-set older man with receding hairline at the top of his head but shoulder-length hair that covers his ears. He is showing signs of age: baggy skin beneath his eyes and under his chin. His lips are very thin. He wears a gray suit (coat and waistcoat) with matching gray buttons, a narrow white cravat around his neck, tucked in, and white ruffles from his shirt extend out through the unbuttoned top section of his waistcoat.

According to George S. Claghorn (Editor, Letters and Personal Writings (WJE Online Vol. 16) ): “Both men agreed on the value of making resolutions, evaluating their effectiveness, and following them lifelong. And the resolutions show that the two were united on the importance of speaking the truth, living in moderation, helping others, and doing one’s duty. Each counseled himself (and others) to avoid sloth, make good use of time, cultivate an even temper, and pray for divine assistance; and each offers an energetic, thoughtful approach to life.” However, as the writer points out, Edwards’s focus was on producing “a soul fit for eternity” and Franklin’s was on producing “a good citizen” of this world.

John Wesley, founder of the Methodist movement, was an 18th century influence on practicing New Year’s resolutions. In 1740 he created a new worship service he called the Covenant Renewal Service, most commonly held on New Year’s Eve or New Year’s Day. It became the root of the “watch services” still held by some evangelical Protestant denominations today, and included praying and making resolutions for the year ahead instead of indulging in revelry.

Apparently, a Boston newspaper from 1813 featured the first recorded use of the phrase “New Year resolution,” although it seems clear the concept itself was already common. The article states:

“And yet, I believe there are multitudes of people, accustomed to receive injunctions of new year resolutions, who will sin all the month of December, with a serious determination of beginning the new year with new resolutions and new behavior, and with the full belief that they shall thus expiate and wipe away all their former faults.”

In fact, one source claims that as early as the 17th century there were jokes about people failing at their intentions to become better in some way in the coming year.

I would say it’s safe to say yes, in the Regency decades people were commonly making (and breaking) New Year’s resolutions, even if they didn’t call them that, for in that time period the “multitudes” of Americans doing so were still generally aping whatever people in the United Kingdom were doing.

Were they making resolutions to lose weight, give up drinking, or get more fit? These “self-improvement” promises are typical of modern times. The top New Year’s resolutions for 2021 were “living healthier 23% of people, getting happy 21%, losing weight 20%, exercising 7%, stopping smoking 5%, reducing drinking 2%. In addition, people resolve to meet career or job goals (16%) and improve their relationships (11%).”

In Regency times, for one thing, most people were more fit and got more exercise in the normal course of everyday life. Their resolutions were much more likely to be outward-looking: about their relationship to others and the world around them, and to have a moral imperative attached: to be more charitable, for instance. If you had lived during the Regency, what do you think your resolutions might have been?

Just in time for “National Pi Day” on 3/14* (not National “Pie” Day—Jan 23), I’d like to introduce to you one the Regency era’s finest mathematical minds, Dr. Olinthus Gilbert Gregory. I fell in love with him first just for his name, I must confess! But he turned out to be a fascinating fellow—well, at least to me! Read on to see if you agree or not.

Part of my fascination, I admit, comes from the missing bits in his story that are links in his path to success. Someone ought to put together a proper biography of the man! Olinthus Gregory rose to prominence from humble beginnings, not an easy feat in the rigidly structured English society of the Regency. He was born in January of 1774, the son of a shoemaker and his wife, the eldest of four children, in Yaxley, Huntingdonshire (now Cambridgeshire). I find nothing more about his early life other than the names of his siblings who were all sisters, and the fact that one (Sophia) died in 1783, when Olinthus was nine. I would love to know where his parents came up with the name Olinthus for their son!! Did a simple shoemaker and his wife have any knowledge of Olynthus, the son of Heracles, or the ancient Greek town that bears this name? The misspelling suggests they might merely have heard it somewhere and liked the sound.

18th century Yaxley must have had a school, or else Gregory was tutored, but either way he must have shown an aptitude for serious study since he was sent to study in Leicester for ten years with Richard Weston, a botanist, mathematician and writer who ran a boarding school there. That city is about 45 miles by road from Yaxley. Was there a Yaxley schoolmaster who recommended this? How old was Gregory when he left home for this? I could find no dates. One must admire his parents for recognizing (we assume) that he was meant for greater things than simply taking on his father’s trade.

Like Gregory, Richard Weston rose from humble beginnings, starting out as a “thread-hosier” according to Wikipedia, but it seems he moved to London for a time and while there nurtured his interest and knowledge of plant science and made connections through the Society for the Arts. His first written works were published during those years. His published output continued without pause after he moved back to Leicester, which no doubt influenced Gregory’s ambition to write and publish. Gregory’s first work, Lessons, Astronomical and Philosophical, for the Amusement and Instruction of British Youth, was published in 1793, when he was 19 years old, and became a popular text used in schools.

He was still studying with Weston at this point in time. Was it through Weston that Gregory acquired the patron who made his publication possible? According to a biography of Gregory at https://mathshistory.st-andrews.ac.uk/, Gregory was helped by John Joshua Proby, 1st Earl of Carysfort, who was a fellow of the Royal Society and also held high political office at the time. Perhaps more significantly, given the way things worked in that era, the Proby family had been lords of the manor near Yaxley (Elton Hall) since 1617. A local lad rising to prominence may have been easy to bring to the earl’s notice.

Charles Hutton By William G. Jackman – Public Domain, https://commons.wikimedia.org/w/index.php?curid=179750

Weston encouraged Gregory to submit mathematical problems to be published in The Ladies Diary, an annual magazine devoted to such puzzles. Gregory also wrote a treatise in 1794 on “The Use of the Sliding Rule” that was never published, but it brought him to the attention of a new mentor, Charles Hutton, a professor of mathematics at the Royal Military Academy in Woolwich.

Sometime between 1796-98 (sources vary) Gregory moved to Cambridge. He served briefly as the editor of the Cambridge Intelligencer, a radical paper, and set himself up as a teacher of mathematics, the start of his academic career. He also opened a booksellers shop in Cambridge, married Rebecca Marshall in Yaxley in 1798, and pursued his writing. Did Weston, Carysfort, or Hutton encourage or help to make any of these connections?

Gregory fathered a son and a daughter with Rebecca. With this family to support, no doubt he was extremely grateful when three things came his way in 1802: 1) Hutton recommended him for an appointment as a mathematical master at the Royal Military Academy in Woolwich; 2) he was named editor for The Gentleman’s Diary, and 3) his next major work, A Treatise on Astronomy, was published, dedicated to Hutton.  (Like The Ladies Diary, The Gentleman’s Diary was a recreational annual published as a supplement to an almanac and offering mathematical problems and enigmas for readers to solve.)

He received an honorary Masters Degree from the University of Aberdeen in 1806, published the 2-volume work A Treatise of Mechanics, theoretical, practical and descriptive, dedicated to Lord Carysforte, and continued to teach at the RMA as a master until 1807. In that year, his wife died, Hutton retired, and Gregory, at age 33 a widower with two children under age 11, was elevated to the available professorship.

By Stephen Craven – This file was derived from: Former Royal Military Academy – entrance – geograph.org.uk – 971943.jpg, CC BY-SA 2.0,https://commons.wikimedia.org/w/index.php?curid=16365270

Gregory received a second honorary degree in 1808, that of Doctor of Law, which allowed him to be addressed as doctor. The following year he married his second wife, Anne Beddome, with whom he fathered another daughter and two more sons between 1811-1817. He became the editor of The Ladies Diary in 1819, a position he continued for another 20 years. He also continued as a professor of mathematics and became chair of the academy’s mathematics department in 1821.

While best known for his knowledge and teaching of mathematics, Gregory’s interests were far-ranging, as can be seen by the work on astronomy. Besides mathematical subjects, he also published works on natural philosophy, mechanical physics, and even music and religion—it seems almost anything involving systems interested him.

Public Domain

Nor did he limit his curiosity to the written word. He also performed scientific experiments dealing with astronomy and also sound. The best known of these was carried out at Woolwich to determine the velocity of sound by firing mortars, guns and muskets at various distances from observers. His results (1100 feet per second) have held up well under modern scrutiny with our far more advanced methods of measurement: according to the University of St. Andrews web bio, the speed of sound in dry air at 20° C is 1125 feet per second.

Gregory received many honors for his accomplishments and was co-founder of, most prominently, the Royal Astronomical Society, and also the Woolwich Institution for the Advancement of Literary, Scientific and Technical Knowledge. He was a member of a great many literary and philosophical societies as well and served on boards with other scientific greats of this period, including John Herschel, Charles Babbage, Henry Colebrooke, and Thomas Colby. He remained in his position at Woolwich until he retired in 1838, at which time he was quite ill. He is said to have suffered with illness for the last ten years of his life, but notably he died in 1841, just three years after he retired, at age 67.

In his farewell RMA address in 1838, his devotion to education, and indeed to the very ideals of the Regency period, is abundantly clear, for he tells the first year academy students:

            The genuine object of all sound education is the development of the intellectual, the moral, and the bodily faculties of man; or, as it has been sometimes more tersely expressed, the improvement and application of head, heart, and limb. The system of education in the institution in which you have the honour to receive instruction, embraces all this. The blame will be your own, and it will through life be the subject of regret, if any of you quit this Academy without having acquired the manners of a gentleman, the principles of a man of honour and high and pure morality, the ornamental facilities of an artist, and a competent store of literary and philosophical knowledge.

*National Pi Day seems an appropriate time to salute this “real Regency hero” for the success he made of himself and the hundreds if not thousands of young minds he helped to shape. National Pi Day was started in 1988 and is on March 14 each year because 314 are the first three digits in pi.

If you need a review: pi is the ratio of a circle’s circumference to its diameter, represented by the Greek letter Pi because it is actually an irrational number (a decimal with no end and no repeating pattern). Depending on how far towards infinity you wish to go, the value may be written as 3.141592654…, or shortened to simply 3.14 or the fraction 22 over 7.

Calculations of pi go back 4,000 years and early on were largely based on measurement. It was the Greek mathematician Archimedes who first used an algorithmic approach to calculate pi. But the concept wasn’t called “pi” until 1647, when English mathematician William Oughtred named it in his publication Clavis Mathematicae. He chose this particular Greek letter because it is the first letter of the Greek word “perimetros,” which means “circumference.” But no one has ever solved the perennial puzzle of pi: If pi is the number of diameter lengths that fit around a circle, how can it have no end?

Passive solar heating is a “hot topic” these days (no pun intended). Did you know it was being used on Regency estates and even 150 years before the period? (Rabbit hole warning!!)

I asked my fellow members in the Regency Fiction Writers about the availability of citrus fruit in remote Derbyshire in April 1814. I asked because many of the Regency recipes I have seen require oranges or lemons as part of the ingredients, and the characters in my current wip, Her Perfect Gentleman, needed some for a project. These fruits grow best in places like Spain, Italy, the Caribbean or Florida, and I wondered how much the Napoleonic Wars disrupted these imports.

An interesting discussion followed and uncovered some wonderful sources. The answer was: not as much as you might think, because the trade was so important and the Royal Navy made sure to protect the shipping trade routes. But I still wondered how far north the distribution of imported fruit would reach, and how far from the main cities and towns. I was reminded that some of the very wealthy might have orangeries on their estates, and their surplus would be sold. But how common were orangeries, and how far north could they still be effective?

The earliest orangeries began as shelters created to protect fruit trees being grown against south facing “fruit walls” in gardens. The use of fruit walls in northern Europe to create a micro-climate for growing fruit dates to the mid-16th century, not coincidentally about the same time as the start of the so-called “Little Ice Age” (c. 1550-1850). A Swiss botanist named Conrad Gessner observed in 1561 how well the sun-heated warmth of a thick south-facing wall improved the ripening of figs and currants. Such a wall, built of brick or stone, both absorbs heat and reflects sunlight during the day and releases heat during the night, which in cold seasons could protect against frost.

English fruit wall –(PD Wikimedia Commons)

Intrepid fruit growers experimented to improve the effectiveness of fruit walls, adding canopies of thatch (or glass, later on) or woven mats or canvas curtains that could be drawn over the fruit trees to protect them from rain, hail or bird droppings, for instance. When techniques to create panes of clear glass came out of Italy, growers began to make cold-frames to start seedlings early and also to tilt frames with panes of glass against the fruit walls to increase the solar heating effect, protect the trees from winds or other weather and extend the growing season.

The Dutch were particularly adept at innovations in improving the solar growing techniques and were the first to build actual framed glass enclosures along the fruit walls, creating the first “orangeries.” They also began to add other heat sources to supplement the sun, including small stoves inside the enclosures, for example. They also were the first to try building channels within the fruit walls themselves for artificial heat to supplement the sun, developing what became known as a “hot wall” (not to be confused with certain portions of the fortifications at Portsmouth harbour which also bear this label!).

“Fan” style espaliered pear tree (PD: Wikimedia Commons)

From this common point, the further development of orangeries and hot walls diverges. The French, who discovered improved yields by training their fruit trees or vines along their fruit walls in the method known as “espalier,” also had entire towns adopt fruit walls as an industry. But their walls produced mostly peaches or grapes, not citrus.

Orangeries, meanwhile, began to be built as separate facilities, designed by landscapers and architects not only to shelter citrus fruit trees but also as places for entertainment, a way to show off a luxury only the very wealthy could afford. Walkways, statuary, fountains, even grottos were added features among the citrus trees, although the buildings needed to be long and narrow to allow light from the windows to reach all the way into the space. The buildings were often designed to echo the architectural style of the main house. As interest in exotic plants grew, the function of orangeries’ micro-climate expanded to offer shelter and display for such other choice and tender specimens.

Orangery at Kensington Palace, 1704 (PD: Wikimedia Commons)

Some early examples still exist: the orangery at Kensington Palace designed by Nicholas Hawksmoor was built for Queen Anne in 1704 and featured a heated floor. The orangery built at Versailles in the 1680’s was the largest in Europe, designed to hold Louis XIV’s 3,000 orange trees.

Orangery at Versailles (PD: Wikimedia Commons)

Dyrham Park in Gloucestershire has one designed to hide the view of the servants’ quarters from the main house. Built in 1701, it had, like all orangeries at this early period, a solid roof. Humphrey Repton is credited with replacing the slate roof with a glazed one in 1801, about when the technology to do so first began to be feasible.

The Kew Gardens orangery was designed by Sir William Chambers in 1761. At the time, it was the largest in England, but it wasn’t very successful because of low light levels. Its orange trees were removed to the Kensington Palace orangery in 1841 and renovations were made to the building at Kew. Orangeries can be found at more than a dozen estates managed by the National Trust, and many are now used as cafes or restaurants, their many windows and bright light still providing very pleasant surroundings.

Orangery at_Belton_House_-_geograph.org.uk_-_1498894 (Wikimedia Commons)

Many private estates that chose not to build an orangery boasted a fruit wall as part of their gardens, however. In England, the added expense of building these in the form of “hot walls’ was often worthwhile because of the colder climate, especially in northern counties. The earliest hot walls were heated by fires actually lit inside the flues, in addition to the sun. Later, the supplemental heat came from small furnaces located at intervals along the back (north) sides of the walls. They were common enough to be described in detail in Phillip Miller’s Gardener’s Dictionary in 1754.

Interior hot wall flue at Croome Court, by Amanda Slater from Coventry, West Midlands, UK, CC BY-SA 2.0, via Wikimedia Commons

The science of creating a successful hot wall is quite impressive, requiring different thicknesses of bricks or stone for various parts of the structure, support for the channels that run through the structure, plastering of the interior heat channels to facilitate cleaning them, and stove chimneys built at regular intervals as part of regulating the heat. Some wall chimneys were fitted with ornamental chimney pots made of Coadestone. Specially skilled masons as well as the expensive custom-made materials were required to construct them. However, none of this provided enough warm shelter to grow citrus successfully in mid-to-northern England without fully enclosing the space. From extant accounts, it appears that the fruits most commonly grown on fruit walls were peaches, nectarines, and Morrell cherries.

How many estates had hot walls is not known. Fruit walls were a labor intensive, high maintenance undertaking, and hot walls added a second layer of labor to maintain and clean the heating system itself as well as to monitor and regulate the heat. The need for hot walls declined as railroads came along, for improved transportation made importing fruit cheaper. Many of the walls were left derelict and were later torn down.

Portion of the hollow hot wall at Eglinton in Ayreshire, showing flue opening blocks at three levels, which could vent or be used for cleaning. (PD: Wikimedia Commons)

The article on JSTOR cited at the end of this post lists specific estates where hot walls have been recorded: Yorkshire (17), Cheshire (5), Lancashire, (1), and Essex (1). Probably half a dozen more are mentioned in the text also, including Staffordshire (1), Norfolk (1). Wikipedia mentions the one at Croome Court, Worcestershire, as well as two in Scotland in its article on walled gardens. Recent interest has sparked some research and increased awareness that may contribute to more “remains” of old hot walls being recognized and recorded as time goes on.

Improved technologies in the 19th century led to changes in the orangeries rather than their demise—no doubt why more remain to be seen today. But as orangeries became “greenhouses” with more and more glass, they became less and less energy efficient. They lost the balance between heat absorbing, insulating materials like brick and stone to offset the sunlight-providing glass and relied more and more on artificial heating, especially piped hot water. Today, the newest trend in greenhouse agriculture is heading back towards using solar power for both heating and regulating light.

If you’d like to learn more about these early growing technologies, I recommend the following articles:

https://www.orangeries-uk.co.uk/famous-orangeries-in-britain.html

https://www.lowtechmagazine.com/2015/12/fruit-walls-urban-farming.html

https://www.jstor.org/stable/1586918?seq=1#page_scan_tab_contents

(Hot Walls: An Investigation of Their Construction in Some Northern Kitchen Gardens by Elisabeth Hall)

Or simply see Wikipedia (see “Orangery” and/or “Walled Garden”) for an overview on these!

Every year, June 18 always brings with it thoughts of the battle of Waterloo, an epic battle that claimed tremendous losses for its time but ultimately altered the course of world history. But I also always think of the huge commemoration of the battle that occurred two years later in London, when the latest among the new River Thames bridges was opened with much pomp and fanfare. (The Vauxhall Bridge, the first cast iron bridge across the river, opened the previous year.)

Many artists attempted to capture the scene, and a look at their pictures shows why: the river is literally filled with every conceivable type of watercraft, and people crowd every available space along the riverfront that could afford a view of the proceedings. All of that, in fact, seems more of interest than the actual ceremonial proceedings upon the bridge itself. The Ackermann illustration above (public domain) is my favorite, because it shows the view from Somerset House, looking the opposite way from most of the other, more distant views, including the famous seven-foot-long one by John Constable in the Tate Museum collection, completed in 1832 (below, cc by public domain, Wikimedia Commons).

“The-Opening-of-Waterloo-Bridge-Seen-from-Whitehall-Stairs,” John Constable, 1832

In the last of my old Signet/NAL Regencies, The Rake’s Mistake (2002), my hero and heroine attend this festive occasion in his small sailboat, the Ariadne.

“By noon the banks of the Thames beyond Westminster Bridge were crowded with spectators on both sides of the river, in the gardens, on the rooftops, and in stands that had been constructed on wharves and in many of the yards. Huge barges that normally carried corn or coal were loaded this one day with human curiosity instead. A flotilla of sailboats similar to the Ariadne milled about in mid-river, weaving in and out of an even larger assemblage of rowed vessels—excursion boats, private barges, watermen’s wherries and the like. Many of these vessels carried flags that snapped and fluttered smartly in the breeze. Buildings and even several church steeples were similarly adorned, while eighteen standards flew upon the bridge itself. Ramsdale furled the sail and anchored the Ariadne close enough so that as he and Daphne delved into the contents of their picnic hamper, they could listen to the Footguards band that was among the military detachments stationed on the bridge.”

The river is actually an important character in that story, and I have blogged about the River Thames here before (July 2016). (I still haven’t re-issued that book as I feel it needs extensive revisions, and the new Little Macclow stories set in Derbyshire are taking up my time and brain! It is currently out of print.)

Enterprising people with access to the riverfront or places overlooking it were selling viewing spots for weeks in advance of the actual bridge opening. Here is an example of a newspaper notice from June 11, a week before the event:

“OPENING OF WATERLOO BRIDGE June 11, 1817 Apartments and places commanding a complete front view of the intended Royal procession on Wednesday next, in Commemoration of the battle of Waterloo, may be had by early application to Mr. Stevenson, No 41, Drury Lane, near Long-Acre.”

Mr. Stevenson was very likely acting as agent for a number of different persons who were too genteel to be directly involved or, in the case of businesses, too busy to want to manage the details of these one-time side-line transactions.

Not everyone was in favor of naming the bridge after a battle that had occurred on continental soil. Some critics felt the name was out of keeping with all of London’s other bridges, since all of the others referenced something to do with London. The bridge, when originally proposed in 1809, was intended to be called the Strand Bridge. Work on it was begun in 1811. It was only in 1816 that a Parliamentary Act was passed to change the name to Waterloo Bridge as “a lasting Record of the brilliant and decisive Victory achieved by His Majesty’s Forces in conjunction with those of His Allies, on the Eighteenth Day of June One thousand eight hundred and fifteen.”

The Opening of the Waterloo Bridge on the 18th of June, 1817, etched by A. Pugin from a drawing by W. Findlater, engraved by R. Havell and Son, 1818 (c.c. by public domain)

What do you think? Was naming a bridge for the battle an appropriate commemoration, even as an anomaly? Or were the Regent and the other powers behind the bridge project simply too carried away by their enthusiasm for the important victory? Would you have liked to attend the grand opening celebration?

According to The Survey of London, the bridge cost £618,000 (c. $58.5 million in today’s U.S. currency or £37.1 million UK) and the total cost of the bridge and its approaches was £937,391 11s 6d. (c. $88.8 million or £56.1 million UK). It began as a “penny toll” bridge, but as the Survey authors point out, “As a commercial speculation the undertaking was far from being a success since, in order to avoid payment of tolls, many people who would otherwise have used the bridge made a detour to cross the river by Blackfriars or Westminster Bridges, which were free.” The toll operation ceased in 1877. 

Sadly, the lack of success as a toll bridge led to a more tragic form of success as a prime site for suicides—so especially sad given the high hopes and celebration when the bridge opened. The lack of traffic compared to other London bridges meant anyone intent on suicide was less likely to be seen or stopped before they could carry out their final act. Newspapers carried many accounts of poor souls who ended their days by jumping from Waterloo Bridge. There were enough to inspire poets and artists of the mid-Victorian era, and a new nickname arose from Thomas Hood’s 1844 poem “The Bridge of Sighs”, about a homeless woman who jumped from the bridge.

The bridge began to deteriorate by the end of the century, and by the 1930’s debate was whether to attempt to repair it or replace it altogether. The decision was made to replace it, and the work carried out during the war years of the early 1940’s, mostly by women. This gave a new nickname to the replacement Waterloo Bridge opened in 1942 and completed in 1945: the “Ladies Bridge” in view of their labors to build it and despite the opening day remarks that credited “the men” who had supposedly created it.

As promised last month, here is more of our look at Regency summer sports and activities. When the sun shines and the days are warmer, what can’t be done outside? But you might be surprised at which sports were not developed or popular until later than our favorite period. Given the interesting details of the following two games, it looks like we will need to have a part 3 next month to keep this short enough!

Jeu de Volant, 1802

LAWN GAMES

Battledore and Shuttlecock

In my almost-finished wip, Her Perfect Gentleman (releasing in November, I hope), a game of battledore and shuttlecock ends a bit disastrously for my heroine, Honoria. What happens is her own fault, for she insists on playing and the ground is still muddy from the previous day’s rain.

The game (known as Jeu de Volant in France, which means “the game of flight”) has been played in Europe for centuries. Western artworks from the 16th, 17th and 18th century document both adults and children playing it.

Young girl with a shuttlecock (p.d.)

The game differs from our modern sport of badminton, for it is played by individuals without “sides” or a net or defined court space, and the object is to keep the shuttlecock from landing. It can be played indoors (with an adequate space) or outdoors, using battledores (paddles or racquets) usually covered with parchment or gut-string net. The shuttlecock was made from cork (sometimes covered with leather) and feathers.

(c) National Trust, Ham House; Supplied by The Public Catalogue Foundation

The British National Badminton Museum says of the earlier game: “If a single player played, they would hit the shuttle in the air counting the number times they could do this without it falling on the floor. Two or more players hit the shuttlecock back and forth. This was usually a cooperative rather than competitive game. The players purposely hit the shuttlecock towards rather than away from each other, their goal was to have as long a rally as possible keeping the shuttlecock up in the air and counting the number of consecutive successful strokes in each rally.”

Adults play at shuttlecock in a garden, 18th c (p.d.)

Indeed, in Diana Sperling’s delightful book Mrs Hurst Dancing we find the following charming (and humorous) entry and illustration: 

The Badminton Museum website says: “We know the game of ‘battledore and shuttlecock’ was played at Badminton House as early as 1830 because they still have in their possession two old battledores which have inscriptions handwritten in ink on their parchment faces. The oldest reads: ‘Kept with Lady Somerset on Saturday January 12th 1830 to 2117 with… (unreadable)’.The second says: ‘The Lady Henrietta Somerset in February 1845 kept up with Beth Mitchell 2018.’”

Illustration from Healthful Sports for Young Ladies, by Mlle St. Sernin, a French governess – 1822

Several sources say the more competitive badminton evolved from Poona, a game with sides and a net learned by the British military in India in the 1860’s. It took on the name badminton in the 1870’s, named after the country estate of the Dukes of Beaufort in Glocestershire where it was either played a great deal or introduced at a party. Other sources suggest that the later version of the game was invented at the estate during a house party in 1860. An article called ‘Life in a Country House’ in the December 1863 Cornhill magazine used the term “badminton” (albeit with an explanation required), so it may have been the first introduction in print of the name in use at the duke’s house. The reference says: “your co-operation will be sought for…badminton (which is battledore and shuttlecock played with sides, across a string suspended some five feet from the ground)….” The North Hall at Badminton House is the same size as a badminton court as we know it today, 13.4m by 6.1m, and five feet is still the standard height for a badminton net. I’ll let you draw your own conclusions on this one!

Lawn bowling (not to be confused with the game of  skittles or nine-pin) is so ancient it goes back to the Egyptians 7,000 years ago, and it may have been played in Turkey before that. It is believed that the Roman Legions spread their version of the game (today called Bocce in Italy) to all the European lands, where each country adopted its own variations, influenced by climate and terrain.

“Figures on a Bowling Ground” by Pieter Angillis (Flemish-1685-1734) p.d.

Lawn bowling, where the objective is to roll a ball so that it stops as close as possible to a smaller, target ball named the kitty, or jack, was so well established in England by 1299 A.D. that a group of players organized the oldest established bowling club in the world that is still active, the Southhamptom Old Bowling Green Club. The sport was so popular that royalty in both France (where it is called Boules) and England passed laws restricting it for the common people during several centuries, because it had supplanted archery as a pastime and archery skills were essential for the national defense.

In England, Edward III in 1361, Richard II in 1388, and Henry IV in 1409 put restrictions on not only who, but when and for how long certain segments of the population could play. Henry VIII outlawed it entirely for the lower classes in 1541, excepting on Christmas Day, and in 1555 Queen Mary passed her own prohibition on it for the lower classes, on the grounds that it supported “unlawful assemblies, conventiclers, seditions, and conspiracies.” Her restriction on it lasted for 3 centuries!

Lawn bowling green on a large estate, 18th century p.d.

In the meanwhile, fashionable land owners and the aristocracy could play on private bowling greens, if they paid 100 pounds to the Crown. Samuel Pepys mentions in his diary being invited to “play at bowls with the nobility and gentry.” The cost of maintaining and grooming the greens was prohibitive enough to limit them to the wealthiest circles, such as royalty, or those most devoted to the sport. Many very old bowling greens are still in use today, including one at Windsor Castle, and one at Plymouth Hoe where Sir Francis Drake and his captains were said to be bowling in 1588 when they received the news of the invading Spanish Armada.

Lawn bowling was never restricted in Scotland where rich and poor alike embraced it wholeheartedly and it has remained very popular throughout the centuries. Early versions of the game used a round ball like those used in Boules or Bocce, but later the English version adopted a weighted or “biased” ball which rolls with a curve. One story attributes that development to the Duke of Suffolk in 1522, when his wooden ball split and he replaced it with a stair-banister knob that was flat on one side and could not roll straight, thus increasing the challenge and skill required to play.

But it was not until the Victorian era that the game reached its present-day mode. Three events played a large role in that progress: 1) the invention of the lawn-mower in 1830, which made maintaining a smooth, flat green both more attainable and less expensive; 2) the queen’s 1845 rescinding of the old prohibitions, which opened the game officially to all English people; and 3) the Scots (notably W.W. Mitchell, along with 200 other bowlers from various clubs) agreed upon standardized rules in 1848 and codified them into a uniform set of laws that were eventually adopted internationally.

In Part 3 next month we’ll take a brief look at more “summer games” and even quiz you on which ones would have been played during the Regency!

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