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Category: Reading

Posts in which we talk about reading habits and preferences

I have been doing a bit of thinking on this topic. I trolled the internet to see what others wrote, but didn’t find anything that delineated the types in the way I was thinking of them.

We see certain Regency heroines over and over and marvel at how authors can make them fresh and new.

Here’s what I came up with:

DUKE'S GUIDE TO CORRECT BEHAVIOR cover[2]The Governess.
Tried and true from Jane Eyre to Megan’s upcoming The Duke’s Guide to Correct Behavior. The governess is often a genteel young woman who has fallen on hard times and has to accept employment that basically robs her of any social status at all. She is neither servant nor noble. It is the hero who comes to her rescue and frees her from her dismal fate. In a way she is a Cinderella figure. Just thought of that this moment.
My Born To Scandal is a governess story and my homage to Jane Eyre.

The Debutante.
The classic traditional Regency heroine. I used to love to read the Signets and Zebras about the young woman making her come-out and attending Almack’s for the first time. Her task, of course, was to make a good match and often it was not the man with the high title who ultimately won her heart.

The Bluestocking.
A bookish heroine who is more interested in her field of expertise than in the marriage mart. I have yet to write one of these heroines, because my imagination has yet to go in that direction.

The Fallen Woman.
I’d place courtesan heroines or heroines ruined by scandal in this category. She is a woman who, perhaps, once had a fine reputation but has lost it and this can either free her to take charge of her life or trap her in a worse situation. My The Mysterious Miss M fits this description, as does the heroine in Scandalizing the Ton. I’m returning to this type of heroine in A Lady of Notoriety, due out in paperback June 17.

The Feisty Heroine.
I think of this heroine as the one who defies all convention and protests to want things that, in my mind, only a modern woman would expect. You can tell this is not one of my favorites, but I do think that readers can love this heroine if she is done well. About the closest I’ve come, I think, is in Chivalrous Captain, Rebel Mistress.

91cbc8f1c531b62592f78425641434d414f4141The Hard Times Heroine.
This would be the heroine who needs to marry well in order to save her family or to escape something worse. My Wagering Widow was one, and looking through my books list I’ve written different versions of this heroine several times – . One of my favorite old Regencies had one of these heroines, The Last Frost Fair by Jo Freeman.

The Commoner.
This heroine is not a typical choice for a Regency Historical. She is not from the aristocracy. She is a commoner, like my French heroine in Valiant Soldier, Beautiful Enemy or Innocence and Impropriety.

You might also be interested in Mary Balogh’s discussion of Regency heroines.

And, for fun, here is a Regency Heroine Quiz to discover which type you are.

Do you have other Regency Heroine types to add? Let me know!

How do you feel about epilogues? Does it seem to anyone else that there’s a “current trend” going on to include them at the end of every story? I think every recent book I’ve picked up lately has had one. Is it a fad, or a change in readers’ tastes and expectations? Or is having that extra glimpse into the characters’ happy-ever-after ending something readers have always wanted all along? Do romances always need to have one?

TCD Cover-FinalI have been noticing and thinking about this, because I decided to add an epilogue to The Captain’s Dilemma while re-editing that book for reissue. TCD (my third book, published in 1995) is out now, I’m excited to report, on Amazon for Kindle and B&N for Nook, and also for Kobo and other formats through Smashwords. This is my “prisoner-of-war” romance. Read on below for details on the giveaway!

Meanwhile, back to our topic. I used to feel that a good romance that ended properly shouldn’t need an epilogue. If all the obstacles were overcome, the loose ends were tied up, and the hero and heroine finally figured out they were in love, admitted it to each other, and committed to a future together, that certainly seemed very satisfying to me! “Trail off into the sunset” endings were considered bad form.

Yet I think we all enjoy thinking of the characters we come to know and love during a good story as continuing on with lives that last beyond the pages of the book. So the question becomes, do you want the author’s view of it, or would you rather imagine it for yourself? And has this changed over time?

I used to call the lovely but inaccurate Allan Kass cover for my second book, The Persistent Earl, a “visual epilogue”, explaining that it showed the artist’s vision of the hero and heroine together after the story was over. (The heroine, a young widow, wears half-mourning throughout the book, but as you see here, on the cover she is in a beautiful gold satin gown.) Readers always thought that made perfect sense! Can you imagine the rest of this scene without having the words? I consider reading a collaborative process, and even though as an author I give the reader the specifics of my story, each reader brings some of her own imagination into the mix as she reads. I think that’s one of the great pleasures of reading, and one of the (many) reasons movie adaptations of our favorite books don’t always succeed –one director’s view of the story may not match up well with the personal version we have envisioned in our own heads. Ah, but that’s another entire topic.

My decision to write the Captain’s Dilemma epilogue was fairly easy –I never felt the book quite ended with all the loose ends tied up. More information about how the future was going to work for my French hero and English heroine was needed, but for the old Signet Regencies we had some strict length restrictions, and I had no room to add more back then. It has been great fun revisiting my characters and adding the extra scene they so deserved!

So what do you think? Are we seeing a “trend” for epilogues in romance now? Do you like them? If you are a fan of story epilogues, have you always been one? Is the abundance a recent phenomenon, or have I just become more aware of it lately? I’m going to give away a copy of The Captain’s Dilemma to someone randomly chosen among those who comment, and if we get a lot of comments, I’ll give away a second one! Keeping it simple. Please jump in. I’ll be very interested to hear your thoughts!

And if you want to know more about TCD, you can click here to see it on my web site. Or you can click here to see it on Amazon.

Three_Disgraces_CoverWhile my critique partners and beta readers have been reviewing Lord Langdon’s Kiss, I’ve been working on another project: reuniting my “Three Disgraces” Regency series in an ebook bundle.

Comment on this post for the chance to win one of 5 copies on either Kindle or Nook. (Apple and Kobo are still in the works.)

The Three Disgraces includes reissues of The Incorrigible Lady Catherine, The Redwyck Charm, and Saving Lord Verwood. Although many Regency ladies were educated by governesses at hom, my three heroines met at one of those select schools for girls we sometimes read about. Although they’re very different in terms of birth, interests and temperament, none of them quite fit in for various reasons. And so they developed a warm friendship while defending themselves against the catty set at the school.

I had so much fun writing this trilogy. I didn’t really plot ahead, other than coming up with the issues each heroine would have to deal with and what sort of hero would challenge her the most. Somehow it all came together.  I’ve mostly written standalone books, but I have to admit it’s also a lot of fun to spend some time with characters you loved in a previous book, and help beloved secondary characters get their own stories.

Now I’m contemplating another series. This one involves more characters over a longer period of time, so I’m thinking I should maybe plan a little. Luckily, I have a writers’ retreat coming up which will be a perfect time to brainstorm.

Do you enjoy series? Why or why not? And for my fellow authors, how much planning do you do up front for your series? Any tips and tricks?

Elena
www.elenagreene.com

a Rafflecopter giveaway

MistressOfMerrivale72webToday we welcome Shelley Munro and her new release Mistress of Merrivale to the Riskies. Shelley is giving away two digital copies of one of her historical backlist books, and there are a zillion ways to enter (see below!)

A marriage of convenience…full of inconvenient secrets.
Jocelyn Townsend’s life as a courtesan bears no resemblance to the life she envisioned in girlish dreams. But it allows her and her eccentric mother to live in relative security—until her protector marries and no longer requires her services.

Desperate to find a new benefactor, one kind enough to accept her mother’s increasingly mad flights of fancy, Jocelyn is nearly overwhelmed with uncertainty when a lifeline comes from an unexpected source.

Leo Sherbourne’s requirements for a wife are few. She must mother his young daughter, run his household, and warm his bed. All in a calm, dignified manner with a full measure of common sense. After his late wife’s histrionics and infidelity, he craves a simpler, quieter life.

As they embark on their arrangement, Leo and Jocelyn discover an attraction that heats their bedroom and a mutual admiration that warms their days. But it isn’t long before gossip regarding the fate of Leo’s first wife, and his frequent, unexplained absences, make Jocelyn wonder if the secrets of Merrivale Manor are rooted in murder…

Warning: Contains mysterious incidents, a mad mother who screeches without provocation, scheming relatives, and a captivating husband who blows scorching hot and suspiciously cold. All is not as it seems…and isn’t that delicious?

OK, I’ll bite. Tell us about the screeching mother.

Thanks so much for having me to visit today.
Jocelyn’s mother has a form of dementia, a disease that would be diagnosed as Alzheimer’s during our modern times. Her memory is gradually going, and her behavior is becoming erratic. Jocelyn’s two older sisters want to send Elizabeth Townsend to Bedlam, but Jocelyn hates the thought of her mother in a place like that, and she takes measures to keep her remaining parent safe with her.
Elizabeth isn’t above screaming when she wants attention, and she screeches when she doesn’t get her way. She’s very trying at times, yet Jocelyn gets the odd glimpses of her mother of old and she keeps hoping her parent will improve. She never does.

You’ve written so many books and in so many subgenres–what got you into writing historicals?

My first love as a reader was always historical romances, but gradually I started reading other genres. Once I started writing, I followed the same path. I tend to get bored writing the same genre all the time. While this isn’t the best plan, I need to enjoy the process of writing too, hence my dipping into the historical romance arena.

I do have a super-secret idea for a new historical series, and I hope to start working on that later in the year.

What is it that attracts you about the Regency?

My favored period is actually the 18th century, which I like because I think they were a little naughtier than the Regency era. It was a time of great change, which makes it interesting, and lastly, I adore the clothes.

You have a courtesan heroine. How difficult was it to make this trope fresh?

I didn’t think about making the trope fresh. It was more a case of writing my heroine the way I thought she should be written, and my story, the Mistress of Merrivale, emerged. Can you tell I’m a pantser rather than a plotter?

What’s your favorite scene in the book?

I like the scene when Leo and Jocelyn have their first meal together after being reunited and consummate their marriage. They both want their marriage, and they’re attracted to each other, but everything is new and strange for both of them. This makes for fun scene as they learn about each other.

What was the most difficult part of the book to write?

When I first wrote this book it ended up at just over 50K words. I subbed it to one of my editors and received a rejection. I never give up, and I liked this story a lot. Since I was about to go on holiday, I set the story aside. On my return I reread it, and decided I needed more plot to make the story stronger and be true to my characters. In the end Mistress of Merrivale ended up at 86K words. Working out what to add and how to do it was the tough bit, but it was worth it. I’m pleased with the end result.

What are you working on right now?

I’m percolating my super-secret historical series idea in my head while I’m working on a sci-fi series which is contracted with another publisher. I’m busy writing the third book in this series and the words are stuck in a swamp in the depths of my brain. At least that’s what it feels like today!

What are you reading right now/last great book you read?

I’m listening to an audio book at present – Shades of Gray by Maya Banks. As for the last great book I read, I can’t tell you the name of the author or the title since it was one of the books I judged in the RITA. I love it when I discover new authors, especially if they come with a back list!

Your task: Enter the contest via the magic of Rafflecopter, or ask Shelley a question about her book, or, since she lives in New Zealand, you could ask her about, for instance, rugby players. Or Lord of the Rings. Or, share with us a new author you’ve discovered recently.

a Rafflecopter giveaway

I just sent off the heavily revised (and 16,000 words lighter!) version of Lord Langdon’s Kiss to my critique partners and beta readers. I’m starting to look at new cover art and thinking about a topic that concerns many authors, especially those who self publish: keywords. These are the (often invisible) words that help customers on a website find what they’re looking for, beyond general categories like “Historical romance”. They could include words that describe the tone of the book, like “sexy”, “funny”, “dark”, etc…

So I’ve been thinking about how to describe a book which has no sex scenes other than kissing, but does have sexual tension.

Some of the terms I’ve seen that readers use when looking for Regency romance without sex scenes include “sweet”, “clean” and “decent.” I have a lot of problems with the latter two, because I don’t believe sex is dirty or evil. Readers who use such terms might not like the sexual tension in Lord Langdon’s Kiss and they definitely won’t like most of my other books.

So that leaves “sweet”, which I also take issue with as it implies that “spicy” stories are all about the sex. But that pet peeve aside, what do people really mean by the term “sweet romance”? Obviously, no sex scenes. However, a lot of the old traditional Regencies, the ones that were as much comedy-of-manners as romance, didn’t even sexual tension, or even sexual awareness. So if there’s physical attraction and/or a hot kiss or two, is the story no longer “sweet”?

So I’d love to know. What do you think “sweet” means?

And here’s a bonus question. The Romance Reader described Lord Langdon’s Kiss as a “fine Regency romp”. I’ve seen “romp” used to describe traditional Regencies before, but recently it seems to imply a fun and sexy read. If I use the word “romp” anywhere, will it mislead readers into thinking this book is sexier than it really is? Because I don’t like to disappoint!

And here’s a Wordle I created using this blog post. That site could be addictive!

LLKWordle

Elena
www.elenagreene.com

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