Back to Top

Category: Research

Posts in which we talk about research

Winter brings us the flu season (and COVID is still a threat), but with vaccines and modern medicine, the vast majority of us take it for granted we will survive.

In the Regency era, though, influenza and other infectious diseases were often fatal. In 1775, an epidemic killed 40,000 people. It is not entirely clear if all the deaths were from what we know as influenza. Similar illnesses went by such names as the grippe, putrid fever, putrid infection, putrid sore throat. They might have included illnesses we know today as typhus, strep throat, Scarlet fever, pneumonia, diphtheria, or others.

Whatever illness, though, there was no effective cure for it.

Medicines like Edinburgh Powder or Daffy’s Elixir were advertised as cures, but were ineffective.

Regency era science had not yet learned exactly what caused the infectious diseases, nor exactly how they were spread. For example, it was not until 1909 that French microbiologist, Charles Nicolle, discovered that typhus was spread through body lice. Concepts of bacteria and viruses were unknown, although some illnesses were believed caused by breathing in “bad air.” It was also understood that one person could catch the illness from proximity to the sick person. In fact, the concept of quarantining was used as early as the 14th century to protect against plague.

In Jane Austen’s Sense and Sensibility, when Colonel Brandon rescues the rain-soaked, feverish Marianne, it sends pregnant Charlotte Palmer, the lady of the house, fleeing the house along with her husband and her servants, for fear of catching whatever fever from which Marianne suffers. Austen obviously realized illness could be contagious.

In addition to lack of effective medical treatment during the Regency, sewage was dumped in the streets, water was contaminated, and rodents and lice spread disease. In our modern age, we don’t worry about such things.

Thank goodness!!

Recently, an article about whether or not Mr. Darcy’s fortune was based on slavery set my Twitter feed alight. And I thought, well of course it was (in one form or another). This is the dark side of our wealthy, aristocratic characters that romance sweeps under the rug. It is certainly possible that the Darcy family fortune was based entirely on the profits of the mines in Derbyshire (harsh as those conditions might have been, they were NOT akin to slavery), but it’s much more likely that those profits were then put to use in ways that almost certainly have ties to slavery.hip0210043WHH%20v2

How so, let us tally up the ways …

1) Directly. Many families owned plantations in the West Indies (see this fascinating account of how the Earls of Harewood built their fortune on slavery, the products there of, and the overseeing of same).

2) Being paid off. When slavery was abolished in 1833, the British government spent a staggering amount of money to compensate the owners of slaves for their losses (good article about that here). Some families got the equivalent of millions of dollars. There were over three thousand claims, which lets you know how widespread slavery was and what its impact must have been on the fortunes of the top families.

3) Via investments. People invested in specific ships and ventures (sometimes called consortiums or syndicates). Many of those would have been involved in producing or importing some kind of product that was produced by slaves in either America, the West Indies, or India (sugar, rum, cotton, opium, tea, rice, etc.).

4) The East India Company. It’s worth noting that when Britain abolished slavery, supposedly throughout its empire, it made an exception for slavery in India. So all those fortunes made in India by younger sons, all those tea plantations, and cotton farms, and military careers, existed because of slavery (good summation on Wikipedia).

I’m sure Janet would have even more insightful things to say on this topic, but I wanted to bring it up for discussion given the timeliness of the article. I know romance is generally seen as escapist, and I don’t want to ruin that for anyone, but I do think it does history a disservice to gloss over these sorts of things to the point where they no longer seem to exist.

So what do you all think? Do you want to topics like this addressed in romances, or do you think it makes it too hard to enjoy the HEA and heavy topics are best left to those writing straight historical fiction?

 

75As is often the case, today’s post is brought to you courtesy of Twitter. After the first episode of Wolf Hall aired, there was a raging debate about the colors used in the costumes. I think the main thing that set people off was Henry’s brocade doublet and his bright red schaub coat (how sad is that I only know the German name for that garment, because I’ve spent all my time in that period studying Landsknecht costuming?).

Several people said they were simply too bright, too vivid, etc. to be historically accurate. They landed particularly on the reds as being impossible to achieve in that era (and then purple got brought up, which I’ll tackle next time I post). When I was done scraping my jaw off the floor, the tweets were fast and furious.

madderTo put it in a nutshell: YOU DO NOT NEED ANILINE DYES TO GET DEEP, BRIGHT, INTENSE COLORS! (and anyone who’s ever looked at extant textiles should know this)

Let’s outline the dye options open to Henry VIII (c. 1525, when he was trying to divorce Catherine):

First and foremost, there was madder root. Madder was cheap and plentiful. It produces decent reds, but is probably not what is being used to produce fancy brocades for the KiWall Hanging 16thCng of England. Top left you can see Dharma Trading’s madder root swatches, and as you can see, madder is pretty vivid on silk (and would be so on wool).

The next option is kermes, a red dye made from the body of a Mediterranean insect. It was used    throughout Europe and was a highly desirable (and very expensive) dye stuff. If you had money, fabrics made with kermes dyes were readily available. They were widely in use by the Church and by the nobility (and the wealthy in general; we know they were widely cochinealavailable, because they had sumptuary laws about red in some places). The detail of a 16thC wall hanging to the right is most likely dyed with kermes.

After the Spanish conquest of the Aztecs, you also have Mexican cochineal (first shipment in 1523, so it’s entirely possible that fabrics made with cochineal would have already joined those made with kermes on the open market). Bottom left you have Dharma Trading’s cochineal swatches, which on my compter are trending a little more purplish than they do in real life.

So, while I may have quibbles with the costuming on Wolf Hall (none of Anne’s gowns fit properly which I think is due to the fabric choices being too light for those style gowns; why are some of the men running around in jerkins with no doublets?!), I don’t have any qualms about the color of Henry’s brocade doublet or his overcoat.

For more examples of naturally dyed red clothing, see my post from last year about red Georgian era gowns.

largechocolatepot

Original chocolate pot c. 1750-1800, Colonial Williamsburg

The easiest way is what we could call “hot cocoa”. This was a very common breakfast drink for the gentry and upper class (aka anyone who could afford it). It was also often served at coffee houses (in fact, White’s started out as a “Chocolate House”). It was generally made with water (not milk, alas) with a “mill” which very much resembles a simpler version of the wooden whisk (molinillo) that is used to make Mexican hot chocolate today (which makes sense when you think about it, as Europe got chocolate from Mexico in the first place so the method of making it would remain the same).

This basic directions are thus (from Experienced English Housekeeper, 1769): “Scrape four ounces of chocolate and pour a quart of boiling water upon it, mill it well with a chocolate mill, and sweeten it to your taste, give it a boil and let it stand all night, then mill it again very well, boil it two minutes, then mill it till it will leave a froth upon the top of your cups.”

I’ve also found this recipe from 1814 which more closely resembles modern hot cocoa, being made with milk. And I like ease of it. Nice to have something made up that can be used for the whole week.

HOT COCOA 1814 A new system of domestic cookery

A New System of Domestic Cookery, 1814

 

 

 

 

 

 

Many of the cookery books of the day have various chocolate tarts, biscuits, pastils (which are basically spot-on modern nonpareils), and even ice cream. So while I haven’t (yet!) found a bonbon with a cream center, I have found PLENTY of delicious options for our characters to enjoy. Below are a few of these for you to explore.

chocolate biscuit 1829 the Italian confectioner

The Italian Confectioner, 1829

chocolate drops 1800

The Complete Confectioner, 1800

 

 

 

 

 

 

 

 

 

 

chocolate tart 1787 The Lady's Assistant

The Lady’s Assistant, 1787

chocolate ice cream 1814 Cookery and Confectionary

Cookery and Confectionary, 1814

Someone on Twitter was saying she has trouble keeping track of all the locations that get tossed around in Regency Romances. This is entirely understandable as we fanatics tend to treat Mayfair and the City of London (c. 1800-1830) as though they were our hometown. There are some GREAT map resources out there. Even if you don’t want to invest in a hardback copy of the Regency London A-Z, you can go to Motco and look at John Fairburn’s wonderfully detailed 1802 map (snippet provided) or the even more detailed Horword map (1799) which shows individual houses. I once printed out all of Mayfair and had it pinned up like wallpaper so I could plot my books.

1280px-1806_Mogg_Pocket_or_Case_Map_of_London,_England_-_Geographicus_-_London-mogg-1806

Edward Mogg’s 1806 case map of London. (This file was provided to Wikimedia Commons by Geographicus Rare Antique Maps).

I started out making a small map with a few places on it based on the Fairburn map, but then it occurred to me I could use Google Maps to make a “perioid” map that was zoomable and scalable and that I could even put links into! And once I got started, it became a bit of a monster project. I now has well over 200 locations and I will continue to add new locations and details as I have time and find new resources.

CLICK HERE FOR LINK TO GEORGIAN/REGENCY MAP

Currently I’ve input info from a few Georgian blogs, The Georgian Index, The Survey of London, and several books about historic homes. I plan to add info from The Epicure’s Almanack (an 1815 book about hotels, restaurants, chophouses, and pubs) and a couple of period guide books that I have either print or Google Book copies of.

If anyone has further suggestions for specific locations or sources, please let me know!

There’s also this amazing overlay of John Rocque’s 1746 map of London you can check out. Unfortunately, they don’t have a KML export I can find so I can overly it onto my Google Map, but I’ve emailed to see if they will provide one or alternatively add my map as an option to theirs. *fingers crossed*

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com