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Category: Writing

Posts in which we talk about the writing craft and process

Teaser image for The Return of the EarlLast evening I finished the first draft of my new Regency story, and I’m still in that finished-the-book stupor that makes you feel as if your head is stuffed with wool. So instead of attempting to write something clever about mummers’ plays (which I mention in The Return of the Earl – and I mention them with SO MUCH GLEE because it’s a topic I did some research on for my PhD thesis, and to me, it’s always such a delight when I can make use of some of my older research 🙂 )…

Sooooo, instead of trying to write something clever about mummers’ plays, I’m going to give to you an excerpt from the new story. With a grumpy earl!! (See picture above)

The Grumpy Earl has come home after some years of absence and is majorly disgruntled when he finds his former lover has become his stablemaster. So, of course, Grumpy Earl is even grumpier than usual, but he will not give anybody the satisfaction of staying away from his own stables & thus goes to said stables the next morning & bellows for a horse. Which makes the stablemaster come over.
____________________

And now, finally, for the first time in thirteen years, Con could clearly see those two-toned eyes—muddy-green and stormy-blue—and for a moment, he felt quite dizzy at the familiarity of them. He could almost hear his memories battering at their cage. If he left them out, now, here, in front of this man, he would disintegrate and shatter into a million pieces.

He would be damned before he gave the stablemaster that satisfaction.

“You want to ride?” the man asked.

“Yes.”

The stablemaster’s brows rose. “Have you had any practice in the past years?”

Con compressed his lips and thought about snapping some reply about a stablemaster’s proper deference to his employer. But he wouldn’t give the man the satisfaction of letting him rile him either. Oh no!

Thus, Con just gritted his teeth and forced out, “Of course, I have.”

Bryn’s lips twitched briefly as if he had to hold back a smile. At that tiny movement, Con felt an unexpected tightening of his stomach.

How he had loved to kiss those lips when he had been younger! He had loved chasing Bryn’s smiles with his lips and tongue, had particularly loved sucking on that slightly plumper lower lip.

No!

Angry at himself, angry at his damned stablemaster, Con pushed those unwanted memories aside.

Lifting his chin, he gave Bryn his haughtiest look.

But was had proved to be such an effective weapon in the ballrooms and drawing rooms across the continent, turned out to have very little effect on his stablemaster.

“If you say so.” Bryn’s tone was easy, and he didn’t give any indication that he was in any way greatly perturbed by his employer’s demeanor. Instead his eyes briefly flicked down Con’s body, assessing him as if Con were a blasted horse at Tattersall’s.

“What?” Con snapped.

Bryn’s gaze was thoughtful. “You used to have a good seat.” His eyes twinkled, before he turned and began to walk across the yard. “I hope you didn’t forget everything you’ve been taught,” he threw over his shoulder.

Con spluttered with outrage, a hot flush blooming in his cheeks.

How dared he?

Bryn threw him another glance over his shoulder—and Con’s outrage mounted as he spotted the grin on the man’s face.
“Are you coming, my lord?” Bryn called. “I have a few horses you might find suitable.”

Grimly, Con stomped after him. By Jove, how he wanted to throttle the man!

He tried to imagine it: Putting his hands around Bryn’s throat and—

His hands on Bryn’s skin.

Touching Bryn again.

Running his fingers over the strong neck down into the soft, vulnerable hollow at the base of his throat…

This time, it wasn’t just his stomach that tightened, and Con cursed himself, cursed the Fates, but most of all, he cursed his stablemaster.

Damn the man!

Posted in Writing | 3 Replies

A picture of the new print edition of Castle of the Wolf
Today I come to you with all kinds of bookish news: I’m currently knee-deep into the production of new print editions of all of my books. (It kind of hit me when I was preparing  Eagle’s Honor: Ravished, which I have entered into the RITAs, for print that very few of my novels were actually available as paperbacks. So it was definitely beyond time to remedy that situation.) Moreover, a few weeks ago, I also discovered how to create drop caps in MS Word and since then I’ve been on a roll. As you can see from the picture above. 🙂

For the print edition of Castle of the Wolf, my Beauty & the Beast story, in which a young woman inherits a mysterious castle in the Black Forest, I chose a set of initial letters that reminded me of old fairy tale books. I thought that was quite fitting since fairy tales play a very important role in the story.

So this is the good part. However, overall Sandra’s Adventures in Print Publishing didn’t go quite that smoothly. The grumpy dude on the cover? He’s orange. “But, Sandy,” you might say, “he is not orange in that picture above.” Yeah. I know. I applied a number of filters to that picture above because I didn’t want to inflict his glow-in-the-dark color on anyone. So if you’d like to get a nice new edition of Castle, please wait a few days. I’m currently fixing it. (I just hope he doesn’t turn out to look like a zombie this time around.) (That’s what living in a run-down castle does to you: turns you into a zombie!)

But what *did* turn out really nicely is the frontispiece (see? I’m really on a roll here! hehe!): I did include a sketch of the Kastelburg in Waldkirch, upon which the castle in my novel is (partly) based. Here is a picture of the frontispiece in the making:

A sketch of the Kastelburg in Waldkirch Annnnnnd in other bookish news, my grumpy centurion, whom I mentioned in my last post about doing portraits, is going to hit bookshelves this Friday. I so enjoyed telling Caius & Lucius’ story. I fell in love with these two when I first wrote them as secondary characters into Eagle’s Honor: Ravished, which is set ten years after The Centurion’s Choice, and I knew from almost the start that I very much wanted to tell their story as well.

Teaser image for The Centurion's Choice by Sandra SchwabFor me, one of the great joys of writing the Eagle’s Honor series is that has expanded into an exploration of family relations across several generations as well as an exploration of family stories. Family stories formed an important part of my growing up – my paternal grandmother in particular liked telling me stories about the time when my father and his sisters were little, and sometimes also about the time when she was a young woman. And above my parents’ dining table there’s a huge collage of family pictures going back as far as the 1890s. So my own experiences of how people in my family talked about their past and about people from past generations I’ve never met, very much informed the way I have been approaching the stories the Florius family share.

I love imagining what kind of stories members of the Florius family would share about past generations and what kind of things would be passed from one generation to the next. And also imagine what sort of circumstances would interrupt this chain of oral traditions; in how far memories might change over time. For me, it’s a really nice way to link these stories that set apart several decades. (And of course, I hope readers will enjoy these links, too!)

Teaser image for The Centurion's Choice, by Sandra SchwabBut, of course, these family stories just form a tiny part of the background for The Centurion’s Choice, which at its heart is a enemies-to-friends-to-lovers story. With a very grumpy centurion. 🙂 (Watching those grumpy guys fall in love is always such great fun, isn’t it?) So without further ado, here’s the blurb for the novella. I will add buy links on Friday, when the book comes out.

It’s 178 AD, and barbarian tribes once again threaten the borders of the Roman Empire. To make matters worse, Lucius’ promotion in his auxiliary cohort has been denied, and instead the governor has appointed a moody, mean-tempered Roman to become the new centurion of the Septem Gallorum. And, incidentally, to trample all over Lucius’ ambitions.

Tall and burly, Centurion Caius Florius Corvus might be way too good-looking for Lucius’ peace of mind, but the man has also made it abundantly clear that he doesn’t trust Lucius as his second-in-command. Yet as they are swept into war and each has to shoulder his responsibilities, a reluctant respect begins to grow between them, which soon grows into friendship — and, perhaps, more?

Hello all! I’m sorry that I haven’t been around much of this year. Life has been more than ordinarily challenging–maybe I’ll share some of the story someday.

What I can tell right now is that once again I’m working on a comeback. I’ve some experience at this already, having made two creative recoveries in the past, and this time I am more strongly motivated than ever. Perhaps over the next few years, I’ll even surprise myself. I hope so!

One of the first steps I’ve taken was heading out to this year’s RWA conference in San Diego. I know about a month has passed, but you may still enjoy some pics from the Beau Monde (Regency special interest chapter) soiree. Here are some of the members, including me, posing in our Regency garb.
RWA_2016_Beau_Monde

And here I am with Cara King, author of My Lady Gamester and past Risky, along with Sir Reginald Scott, the rakish cousin of author Regina Scott.
RWA_2016_Roommates_Smaller

Some of us helped out with a video used as part of the RITA and Golden Heart ceremony. Here’s the video from Youtube. Check us out at about 15:15.

Since RWA, I have been starting work on several projects. More on that soon! And it’s nice to be back. 🙂
Elena

Sandra Schwab, Castle of the Wolf Teaser image
Last month I re-released Castle of the Wolf, a novel that was originally published back in 2007. It is a gothic romance — well, at least, it was planned as one, only then the lady with the sturdy boots turned up in the story and stomped all the gothicness to dust. Quite… eh… literally.

In the best gothic tradition, Castle isn’t set in England, but in southern Germany — in the Black Forest, to be exact, the place where I spent my primary school years and a place that is drenched in stories and covered with deep, dark woods. And quite a few castle (ruins).

Kastelburg in Waldkirch

The Kastelburg in Waldkirch. I spent my primary school years in this little town, & the town & castle were the inspiration for the main setting in Castle of the Wolf

Upon her father’s death, my heroine surprisingly inherits one such castle upon the condition that she marry the son of its former owner. Alas, that son turns out to be a super-grumpy dude, who does his very best to make Cissy leave the castle again. Enter rats, bats, a mouse skeleton (hey, it’s a gothic romance, there needs to be a skeleton, right?), and a bunch of very mysterious gargoyles. Oh, and there’s a very intriguing deck of (erotic transformation) cards too. In other words, my heroine has her work cut out for her if she wants to unravel the secrets of the castle.

One of the main themes of the novel is hinted at when Cissy is still in England and is packing her bags:

Cissy carefully wrapped one of her tea dresses around her copy of the Lyrical Ballads  so the leather-bound volume would come to no harm in the travel chest during her journey. […]

“I cannot imagine what you want to do in Baden.” Wood creaked as her brother George shifted on the chair. “There is nothing for you there.”

There is nothing for me here. For a moment, Cissy had to close her eyes. Then she shook her head and busied herself with wrapping her book and putting it away. “I am going to have a castle.” Just imagine: a castle. Like a princess. She took up another tome.

“And marry a man you have never seen in your life.” Suddenly George sounded aggressive. “How our dear father could have come up with such a harebrained scheme is quite beyond me, I swear!”

Distracted, Cissy frowned and rubbed a thumb over a scratch in the blue leather cover of her book of German fairy tales, a present from her father for her nineteenth birthday. With her forefinger she traced the golden lettering: Kinder- und Hausmärchen gesammelt durch die Brüder Grimm.

Castle of the Wolf is a story about stories: it’s stuffed full of references to fairy tales, local legends, and to modern popular literature. While Cissy travels to the Black Forest by steamboat down the Rhine, she hears the grizly legend of the Mouse Tower of Bingen (evil bishop eaten up by mice), and later on Fenris, the grumpy hero, provides for a nice Austen / Bridget Jones moment: “For somebody called Fenris to strut around like a snarling demon wolf was just as ridiculous as, say, for somebody called Darcy to refuse to dance at an assembly.” I also couldn’t resist putting a German copy of Terry Pratchett’s Men at Arms (Helle Barden) into the castle library.

However, the most significant body of reference is formed by works of British and German Romanticism. I mean, when you have a grumpy hero and a completely exasperated heroine, you just have to reference Byron’s Byronic heroes, right? (Or rather, let the heroine reference them.) (She has never liked Byron’s Pirate and thinks Fenris’ sulking around the castle is a tad too melodramtic.) In addition, the German setting allowed me to refer to all my favorite German literary fairy tales, first and foremost Ludwig Tieck’s “Eckbert the Fair” (no happy ending, alas) with the enchanting song about woodsolitude sung by a magical bird:

Wooldsolitude,
Brings joy to me
Now and tomorrow
Forevermore,
What joy to me,
Woodsolitude.

In the course of Castle of the Wolf, Cissy also reads one of my favorite literary novels in German, E.T.A. Hoffmann’s The Life and Opinions of the Tomcat Murr. The first two volumes of the novel were published in 1819 and 20; Hoffmann died before he could begin working on the third volume. In a way, it is fitting the novel remained a fragment, for it is told in fragments: it is the autobiography of the (rather conceited) Tomcat Murr, who rips apart an older book to have paper to write on and as blotting paper. This older book is another biography, that of the bandmaster Kreisler, and at first it seems that these two stories don’t have anything to do with each other, but they become more and more intertwined. The Life and Opinions of the Tomcat Murr was clearly a writing experiment for Hoffmann, a fun project where he created something very innovative and very intriguing.

cover Castle of the WolfSo in other words, my own novel, Castle of the Wolf, is a declaration of love for stories and for reading and for seeing the world through the lens of fiction.

If you would like to accompany Cissy on her journey to the Black Forest, grab a copy of Castle at the following retailers:

Amazon: http://www.amazon.com/dp/B01IDD8K7U/
Apple: https://itunes.apple.com/us/book/id1133885806
B&N: http://www.barnesandnoble.com/s/2940153356716
Kobo: http://store.kobobooks.com/Search/Query?fcmedia=Book&query=9783000400926

Happy reading!

A retreat. Sylvan peace and lots of writing.

Sort of. That’s what I was doing last week, at a writers’ retreat in NC (and I have to say it, but the south is weird. Just weird. Sorry, y’all. But that’s not what this post is about).

woodsThere were trees. Lots of trees. Mountains. Fresh air. And at 3000′ you don’t need AC. It was incredibly quiet, too. I consider that I live in a quiet place although there is a constant hum of traffic, and on the weekends a lot of screechy power tools as neighbors beautify their surroundings. We even have more birds here. The dawn chorus up in the mountains was fairly restrained.

sunsetLovely sunsets and spectacular storms. This pic captures both.

Also lots of wildlife. We were told not to hike the trails alone because there had been bear sightings, although I’m not sure if anyone had told the bears not to come onto the tarmac. We didn’t see any. I saw deer and wild turkeys that did not stand still long enough for me to take their pics, altho this sleeping beauty, a lunar mothmoth, allowed itself to be photographed. It was quite big. There is nothing to indicate scale here except that it is on a window sill. Now if that was a piano keyboard in the background it would be a truly monster moth.

The other wildlife was the writers, a friendly bunch who liked to party. I’d post the pic of the pirate party but inexplicably it’s upside down. Just imagine.

This wasn’t a romance writers event and so there were no editors or agents and it was a time for people to write, critique, and talk about writing. There were also readings, again generally a non-romance thing. I had some notoriety as someone who wrote filthy stuff and considered reading a spanking scene aloud until I realized that to do so I would have to use three different dialogue voices, and decided against it.

So was it worth it? Definitely, yes. Do you really need to get away into a different environment with minimal internet and (mostly) no phone to  crank up your writing? I’m undecided. If I wanted to lock myself up and write write write this wasn’t the place to do so, since there were classes to attend or audit. (I chickened out midway through the week and drove to the nearest Burger King to read my emails.) But it was a good place to take a breath and plan what to do, and where my writing should go next.

Have you been on a retreat? Did you find it useful?

Posted in Writing | Tagged | 5 Replies
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