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One of my favorite stops on the Duke of Wellington Tour was at Stratfield Saye, Wellington’s country house. Like when Amanda and I visited the house in 2003, the weather was incredibly beautiful.

Here’s a view of the house from the back. It is so beautiful!
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After the victory Waterloo, a grateful nation gave Wellington the funds to buy a property commensurate with his status as a duke and the hero who finally vanquished Napoleon. What was envisioned was something along the lines of Blenheim Palace. It was supposed to be called Waterloo Palace. Wellington liked Stratfield Saye because it was near enough to London and close to the property of a friend, but he ultimately abandoned plans for the Waterloo Palace because of the expense. He did improve the house, adding central heating and water closets….but not until after his wife passed away.

We could not photograph the inside of the house, but that was okay with me, because the house is still a family home. The present Duke of Wellington, who is 99 years old, still lives on the estate in another residence. His grandson and grandson’s family live in the house at present. As you go through the house you can see evidence of this fact, including a desk with stacks of paperwork, pens, and sticky pads on it.

Front of the house:
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Another sign that this is a country home still in use, was the sight of horses in the paddock.
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No visit to Stratfield Saye would be complete without a visit to Copenhagen’s grave. Copenhagen was Wellington’s horse during the battle of Waterloo. The Duke rode Copenhagen during the entire battle. Copenhagen retired to Stratfield Saye and, after his death at 28 years, was buried under a beautiful oak tree on the property.
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In the stable buildings are exhibits of memorabilia from Wellington’s life. Also on display is Wellington’s funeral coach, made in part from the iron of cannon from the battle of Waterloo. It is a Victorian monstrosity that the Duke would have hated, but it was lovingly created by teams of workers and seamstresses in a remarkably short period of time.
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In the room housing the funeral carriage a recording of the accolades recited at Wellington’s funeral plays over and over. When I first heard this recording in 2003, I burst into tears, realizing that, in a way, I was in the presence of a truly great man.

Ever since that time, I’ve been a Wellington groupie and remain in armed combat with Kristine Hughes as to which of us is Wellington’s favorite!
(I am….)

Posted in History, Regency | Tagged | 8 Replies

I’ve spent the last several weeks moving The Republic of Pemberley to a new server and a new platform. This is the fourth or fifth time our web site has moved since it started as a one-horse bulletin board on a small local server. This, however, is the first moved necessitated by the need to retrench and it made me think about the moves that Jane Austen made in her life, all them driven by the shrinking income as a result of her father’s retirement and then death.

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Steventon Rectory

Jane Austen was born in 1775 in Steventon, Hampshire. The Steventon parsonage in which she was born and in which she spent her childhood is no longer standing, but St. Nicholas Church, where her father was vicar, is still there and still honors her memory. When George Austen retired and turned his church over to his son, James in 1801, he and his wife and two daughters moved to Bath.  They first leased 4 Sydney Place, a good location and fine building, but moved to Green Park Buildings in 1804.

4 Sydney Place, Bath

4 Sydney Place, Bath

When Jane Austen first looked at Green Park Buildings in 1801, she wrote to her sister: Our views on G. P. Buildings seem all at an end; the observation of the damps still remaining in the offices of an house which has been only vacated a week, with reports of discontented families and putrid fevers, has given the coup de grace. We have now nothing in view. When you arrive, we will at least have the pleasure of examining some of these putrefying houses again; they are so very desirable in size and situation, that there is some satisfaction in spending ten minutes within them. 

And yet, within three years, they had moved into them. At George Austen’s death in 1805, his income from the livings in Hampshire ceased and money became even tighter, forcing Mrs. Austen, Cassandra, and Jane to move from Green Park Buildings to 25 Gay Street.

At this time, Jane’s brothers began talking about supporting their mother and sisters. In 1807, the three Austen women moved from Bath to Castle Square in Southampton.

Chawton Cottage

Chawton Cottage

In 1809, Edward Austen Knight, offered the Bailiff’s cottage on his estate in Chawton to his mother and sisters. Jane Austen moved to Chawton cottage in July of that year and lived there until the year of her death, in 1817, when she spent May through July in Winchester at 8 College Street to be near her doctor.

Jane’s years in Chawton were a fecund period for her writing. There she revised Sense and Sensibility and Pride and Prejudice, and wrote Mansfield Park, Emma, and Persuasion.

We hope that the Republic of Pemberley’s move with Jane Austen is as successful as her removal to Chawton. Please come visit us at our new home.

Posted in Jane Austen | 4 Replies

makingvictorianDo you love the word “slapdash”? I do. It’s been another busy week so here are just a few highlights.

I’ve started research for a new series about the grown-up children from Lady Dearing’s Masquerade.  Amanda recommended this wonderful book, The Making of Victorian Values by Ben Wilson. It’s been a huge help in thinking about the transition from Regency to early Victorian times. Thanks, Amanda!

I’m also working with my fellow Regency Masquerades contributors (Brenda Hiatt, Lynn Kerstan, Allison Lane, Gail Eastwood and Alicia Rasley) to launch this boxed set. This set releases on October 13–look forward to a week-long Regency Masquerades Ball, with fun and giveaways.  You can also preorder now for 99 cents! (Kindle Nook Apple Kobo)

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I also took a little time to enjoy the fall foliage and pick apples and late-season raspberries.

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How’ve you been spending your time?

Elena
www.elenagreene.com

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Today’s Risky guest

Janet is so incredibly lazy that she asked me to recycle a post I wrote a year or so ago. She is also refusing to feed me even though she’s up at 5 am and doesn’t seem to have anything else to do. She’s been very picky recently about hair balls, even though a cat’s gotta do what a cat’s gotta do, and if sometimes it happens on the bed, well, you can’t argue with nature. She also bought me a cat tower recently. I’ve no idea what she expects me to do with it.

So, the Regency. Not a good time for cats. No reproductive rights, persecuted for our beautiful coats and tuneful intestines. Portrayed, as you can see, as grotesque gluttons or sneaky criminals:

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I’m HELPING the fish. What do you think I’m doing?

Well fed French cat, probably fattened up to make some sort of pate.

Well fed French cat, probably fattened up to make some sort of pate.

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Guess what I just did down here.

Excuse me, I must go eat.

Where was I? Oh yes, the Regency. A time of persecution and–

OMG what is that on the ceiling?

Never mind. Hey, I bet you can’t get your leg up by your ear and do this.

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Dream on, dog.

Any other cats out there who wish to comment?

BetrayedByHisKissCoverIt’s almost October—that means it’s new book day for me!!!!  Betrayed By His Kiss is (almost) available now (see it on Amazon here or at my website for more info)–and you can win a signed copy by commenting on today’s post.  Here’s a little sneak peek at the history behind the book….

I was first inspired to write Isabella and Orlando’s story when I had a yucky cold and spent the weekend lounging around on the couch, having an epic viewing of all three seasons of The Borgias! The sumptuous costumes, the luxurious palaces, the passion and murder and danger. (Not to mention Cesare’s eyes…). I’ve always loved the Italian Renaissance, the beauty and intrigue of it. And I loved finding the characters of Isabella and her Orlando among the palazzos and riverbanks of Florence.

The pinnacle of danger in the Renaissance came with the famous Pazzi Conspiracy of 1478. It was an attempt by a few members of the ancient Pazzi family, along with some powerful allies (including the pope!) to displace Lorenzo de Medici as the de facto ruler of Florence. On April 26, 1478, they rose up in the midst of a crowd of 10,000 at Mass in the Duomo to assassinate Lorenzo and his handsome younger brother Giuliano. Lorenzo escaped; Giuliano did not.

According to the Encyclopedia Britannica:

In league with the Pazzi were Pope Sixtus IV and his nephew Girolamo Riario, who resented Lorenzo de’ Medici’s efforts to thwart the consolidation of papal rule over the Romagna, a region in north-central Italy, and also the archbishop of Pisa, Francesco Salviati, whom Lorenzo had refused to recognize. An assassination attempt on the Medici brothers was made during mass at the Cathedral of Florence on April 26, 1478. Giuliano de’ Medici was killed by Francesco Pazzi, but Lorenzo was able to defend himself and escaped only slightly wounded. Meanwhile, other conspirators tried to gain control of the government. But the people of Florence rallied to the Medici; the conspirators were ruthlessly pursued and many (including the archbishop of Pisa) were killed on the spot.

The failure of the conspiracy led directly to a two-year war with the papacy that was almost disastrous for Florence. But the most important effect was to strengthen the power of Lorenzo, who not only was rid of his most dangerous enemies but also was shown to have the solid support of the people.

Cesare1I always love incorporating real historical figures into my fictional stories. Botticelli is one of my favorite artists!  Isabella’s cousins Matteo and Caterina are not real, though Giuliano de Medici certainly might have been in love with the beautiful, fragile Caterina, who is loosely based on his real love Simonetta Vespucci, who died young of tuberculosis and was the model for many of Botticelli’s paintings. . Fiencosole  is also a fictional town, but based on some of the many walled, beautiful fiefdoms of Renaissance Italy.

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