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Tag Archives: Diane Gaston

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Today we in the USA we have a holiday to celebrate July 4, Independence Day, the anniversary of the Declaration of Independence, the American colonies’ declaring themselves independent sovereign states separate from Great Britain.

What were they thinking?

The members of the Continental Congress who signed the Declaration were fed up with being taxed by Great Britain without having any representation in Parliament. The colonies had their own legislatures; they didn’t need Parliament.

Ordinary citizens of the colonies were not so sure of this independence idea. They were used to British rule and did not know what life would be like if they weren’t subjects of the British crown. Upper classes feared they might lose their status in an independent America and no one knew if common citizens were capable of governing themselves.

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In Great Britain the aristocracy called the American’s misguided in their desire to break from the Crown. The signers were threatened with imprisonment, seizure of property and death. A pamphlet of the times also noted that although the Americans declared their belief that “all men are created equal,” they weren’t freeing their slaves. They had a good point there.

King George III declared the colonies to be in a state of rebellion and he sent in the British Army to set them straight.

British merchants, on the other hand, urged the government to make some kind of peace with the Americans. They did not want the lucrative trade with America to be interrupted.

Other British citizens, though, did not support the Americans. If the Americans could not be made to pay taxes, then the Brits’ taxes would go up, which they did. This was the advent of all sorts of “nuisance taxes” on such things as ink, paper, stamps, newspapers, and even the rabbit fur used to make ladies’ hats.

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The Declaration of Independence captured the interest of French revolutionaries, who used it when drafting their own Declaration of the Rights of Man and Citizen. The document influenced the development of freedom and democracy in Europe and other parts of the world.

So as we celebrate with our hot dogs, parades, and fireworks (in ways we couldn’t do last year because of COVID), let’s remember the courage it took to leap into the unknown and start a new country founded on new ideals.

I hope your July 4th was a happy one!!

(an earlier version of this blog was posted on July 4, 2016)

I first wrote a version of this blog in 2011 when I’d just purchased a new research book, Vauxhall Gardens: A History by David Coke and Alan Borg, a coffee-table sized volume brimming with everything you’d want to know about these historical pleasure gardens. It was worth every penny I spend on it and I spent a lot of pennies!

During this pandemic year, though, I came across a lecture on Vauxhall that gave some new information. More on that later.

I think of Vauxhall Gardens as the Disneyland of its time, a place people of all walks of life and social classes flocked to for recreation, to see wonders that thrill, amaze, or simply entertain them. Things like fireworks and tightrope walkers, musical performances, frescos made so real you felt transported to a different land, spooky dark walks featuring a hermit at the end. There was food special to the place, just like the special foods we find at amusement parks or State Fairs. Paper-thin slices of ham, tiny whole chickens, orgeat (the soft drink of the day), poor quality wines, cider and ale.

Jonathan Tyers opened Vauxhall Gardens in 1729 and from the first made no distinctions between the classes. Everyone paid the same price of admission, so from the first, the classes mixed in the various entertainments like a Venetian Carnival. Throughout the years Vauxhall Gardens entertained visitors with music, a mix of performances from serious styles of music to light-hearted popular tunes of the day. A grand organ was included. Popular vocalists appeared. Handel was featured. In fact–new information–Handel’s Fire Music was first played at Vauxhall. Music was often advertised as coming first to Vauxhall, a way to increase attendance.

Artwork was always a part of the gardens, including paintings by Hogarth and sculpture. A statue of Handel came to personify Vauxhall and remained in the gardens most of its almost 200 years.

Other entertainments appeared, some from the beginning and some as years went on. Fireworks. Fountains. Lamps which were lit all at once. A rope dancer named Madame Saqui. I once mentioned Madame Saqui in one of my books and received a letter from a reader in the UK whose last name was Saqui. She’d not known of this possible ancestor until reading of her in my book.

Some more new information from the lecture–the servants Tyers hired to serve the food were highly trained to be as unobtrusive as possible. Like Disneyland employees? Also unobtrusive (and new information to me) were guards who patrolled the Dark Walk and also snatched up drunk young men and put them in a cage to sober up. Wouldn’t one of these guards be a good character for one of our Regency books?

Speaking of possible Regency characters, the lecture also revealed that the casual pick-ups at Vauxhall were not typically the prostitutes, but other young women looking for that sort of good time. The nearby inns and taverns provided the rooms for such goings on.

Although entry cost a shilling, policing legitimate attendees was a challenge. Some gained entry through counterfeit tokens; others by climbing in from the riverbank. Tyers built a haha as a barrier, but this did not stop the most intrepid trespassers.

I’ve loved using Vauxhall Gardens as a setting in my books. Flynn, my hero in Innocence and Impropriety became smitten with Rose as she sang at Vauxhall Gardens. In A Reputable Rake, Morgana brought her courtesan students to Vauxhall Gardens to practice their lessons. A masked Graham Veall chose Vauxhall Gardens as a place to meet Margaret and hire her as a temporary mistress in my homage to Phantom of the Opera, The Unlacing of Miss Leigh.

I also used Vauxhall Gardens for A Not So Respectable Gentleman?, the last of the Welbourne Manor books. That book was set in 1828 and my wonderful research book told of several new events at Vauxhall that year.

New was the Grand Hydropyric Exhibition, consisting of cascades of colored fire and water. A new vaudeville called The Statue Lover was introduced, as well as a short comic ballet called The Carnival of Venice. Even though there had been complaints of excessive noise the previous year, a reenactment of the Battle of Waterloo took place on the battle’s anniversary. They also introduced a lottery with dozens of different prizes.

Are you planning any summer outings? It may take us all a while to feel comfortable in the sort of crowded summer settings like Vauxhall, I think. No matter what, this summer is bound to offer more entertainments than last summer!

Let’s look forward to it!

I can recall reading somewhere (a long time ago) that, sociologically, the happiest population group are widows. The logic of this argument was that a widow had experienced a happy married life, possibly with children and now grandchildren, and with widowhood was now able to live a life of independence in decisions about spending, where to live, activities, friends. I presume the statistics assume the widow has an adequate income for her needs because poverty certainly spoils everything.

I’m not certain how true this conclusion is in today’s world, but I can say that widowhood in the Regency had its advantages, especially for those Regency ladies who entered into loveless marriages of convenience or for status and wealth.

When a Regency lady married, she, in effect, became the property of her husband. She lost all identity as a person; she was not considered separate from her husband. He existed legally; she did not. Of course, that meant that she could rack up debts, like the exorbitant gambling debts incurred by the Duchess of Devonshire, and her husband must pay them. He might even be held responsible for any illegal acts she engaged in. On the other hand, marriage meant all the wife’s property became her husband’s.

Her only protection was her dower rights, that is, the rights to one third the income of her deceased husband’s estates, which could be a lot or very little, depending. Most aristocratic wives had marriage settlements negotiated by their fathers or guardians before marriage which would stipulate how much she would get if her husband died. This settlement would include the dowry she brought into the marriage. Her husband’s will could also bequeath her money and property. In Sense and Sensibility, Mr. Dashwood did not provide a will to protect his wife and daughters. Thus the income Mrs. Dashwood had to live of was the income from her dowry.

A widow could also inherit her personal belongings-her clothing, jewelry, personal furniture, and other personal adornments. So it benefited a wife to encourage her husband to buy her jewels. She even retained her husband’s status, keeping her title, albeit with Dowager placed before it.

So an aristocratic widow who had a generous marriage settlement, a large dowry, and lots of expensive personal belongings could live a very comfortable life.

Even more, though, she could live a comfortable life of vastly increased independence. She could spend her money as she chose. She could pursue whatever interested her. She could run a business, if she liked. And, unlike the unmarried, closely chaperoned ingenue she once was, she could love whomever she liked. Regency widows were permitted their love affairs without scandal as long as they were discreet.

If the widow remarried, she’d lose all those advantages.

But in our books, we want our widow heroines to remarry, don’t we? We want them to find true love and a happily ever after.

Do you like widow heroines in your Regencies? What are the advantages to the author in using them?

I have a new book out!

Lord Grantwell’s Christmas Wish is available at online bookstores now!

I had a lot of fun writing this one, especially in adding Yorkshire Christmas traditions and researching toys of the time period.

See my Pinterest Board for some of what I came up with.

Here’s the back cover blurb:

He wished to never see her again

Now he wishes she’ll stay…

Lord Grantwell hasn’t seen Lillian Pearson since she betrayed him years ago. So when she arrives on his doorstep looking for sanctuary, he’s not inclined to offer it! But when the two orphaned children in his care ask if she can stay for Christmas, how can he refuse? Grant and Lillian discover an intense attraction still simmers between them, and Grant starts to wonder if he has done her a grave injustice…

Here’s what the reviewers had to say:

Gaston fills the second sterling addition to her Captains of Waterloo series with holiday warmth and cheer before wrapping it up with her usual insightful characterization, empathetic storytelling, and perfect period details. John Charles, Booklist

Five Stars! Diane Gaston has creatively intertwined this time in history with joyful holiday festivities, and the resulting storyline is constantly filled with anticipation for one event while being guarded because of uncertainty about other circumstances….A number of enchantingly delightful Christmas traditions of the Regency era are scattered throughout the story….This couple come across as very believable, as reactions are sincere while their inner feelings are so heartfelt, thus causing me to truly like them and hope they would finally have a sense of belonging. The second book in the Captains of Waterloo series is engaging at all times. Amelia, Alwaysreviewing.com

In her Regency romance featuring two estranged lovers, Gaston adds a dash of Christmas spice to a heartwarming story about the meaning of home and family…. Readers get to experience the joy of Regency-era Christmas traditions and children’s pastimes as Lillian and Grant try to give William and Anna a happy holiday, falling in love in the process. Sarah Johnson, Historical Novel Society

You can order Lord Grantwell’s Christmas Wish from Amazon or your favorite online bookstore.

In researching Lord Grantwell’s Christmas Wish I came across some new-to-me Regency Christmas traditions. I’ve blogged about Regency Christmases before, like here at Risky Regencies in 2016, when Bound By a Scandalous Secret was a December release.

I mentioned things like Regency households did not have Christmas trees or send Christmas cards. Santa Claus came later, as did singing Silent Night. They did exchange gifts, decorate with winter greenery, and have special Christmas food. You can read the whole blog here.

Lord Grantwell’s Christmas Wish was set in Yorkshire, so a couple of new traditions popped up in my research.

The first was a tradition involving the lighting of the yule log. To bring good luck, a large log was brought in on Christmas eve to burn constantly in the hearth until it has completely burned itself out. Before supper, when the yule log is burning, all other lights are extinguished, everyone is silent, and the youngest one present must light two special candles from the yule log while everyone makes a wish. The wish must be kept secret or it will not come true. In my book it is Anna, the youngest of Lord Grantwell’s wards who lights the candles. And, of course, along with everyone else, Lord Grantwell makes his wish.

Another Yorkshire tradition I discovered took place on Christmas morning. For more good luck, on Christmas morning, before anything was taken out of the house, something green must be brought in, usually a leaf from an evergreen. Grant charges Anna and her brother William with this task.

Did you know there were different versions of The Wassail Song? Even though I was not absolutely sure the Wassail Song was sung in the Regency, I played upon the differences.

Here’s an excerpt from the book:

“You are forgetting something, m’lord,” Thompson said. 

“Forgetting something?” He was puzzled. “What?” 

“The wassailing song,” Thompson said.

Anna’s face fell. “I do not know the wassailing song.” 

“No?” Grant touched her cheek. “We will sing it for you.” He began and the servants joined in:

We’ve been a-while a-wandering,

Amongst the leaves so green.

But now we come a wassailing,

So plainly to be seen. 

For it’s Christmas time, when we travel far and near,

May God bless you and send you a happy New Year….

He paused. “Miss Pearson, why are you not singing?” 

She shook her head. “That is not the song I know.”

“That is the wassail song,” he insisted. 

“No,” she countered with a smile. This is the wassailing song.

 She sang: 

Here we come a-wassailing

Among the leaves so green;

Here we come a-wand’ring

So fair to be seen.

Love and joy come to you,

And to you your wassail too;

And God bless you and send you a Happy New Year

And God send you a Happy New Year…

“No. No. No,” he protested. The words were slightly different. The tunes were slightly different. He led the servants in the second verse:

We are not daily beggars,

That beg from door to door,

But we are neighbors children,

Whom you have seen before…

Lillian stopped them. “That is the third verse,” she said. “Here is the second.” 

Our wassail cup is made

Of the rosemary tree,

And so is your beer

Of the best barley.

He joined her in singing the refrain—his refrain along with hers, and they all continued singing verses with identical lyrics, Lillian’s differing version making a sort of harmony while the refrains sung together became a jumble. 

He and the others ended the song, but she kept singing. One last verse.

Her singing slowed and she held her gaze on his:

God bless the master of this house

Likewise the mistress too,

And all the little children

That round the table go.

When she mentioned children she walked over to William and Anna and put her arms around them. Grant joined them as they sang the refrains one last time with the children trying to join in. 

And God send you a Happy New Year…

Here’s the Yorkshire version:

Here’s Lillian’s more familiar version:

Love and Joy come to all of you from the Riskies….and to you your wassail, too!

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