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Category: Risky Book Talk

Posts in which we talk about our own books

Over the years, I’ve been asked frequently if my books were available in audio, and to date I’ve always had to apologize and say no. Neither of my previous publishers ever issued my books in audio, even though they held the rights to do so.

Well, that changes today! After getting the rights back to my first books, I reissued them with fantastic new covers, and then I sold the audio rights to Scribd. Today the first one came out! It’s narrated by Dan Calley (who I think has an absolutely lovely voice), and I’m dying to know what readers think!!!

You can find Sin Incarnate here. And they offer a 30 day free trial for those who want to check out everything that’s available. And yes, Scandal Incarnate and Temptation Incarnate are both on their way.

beauty&beast-vintageCan we talk about #tropes? Romance fiction is full of them, and some are specific to Regency romance. Do you have favorite tropes that always draw you to a story? Or some that guarantee you won’t pick up a book? I got a poor Amazon review for my book An Unlikely Hero mostly because it was a “house party” story and the reader was sick of those. I do wonder why she bought it!

Elena talked about a few she dislikes back in January here when she was judging Rita books –and oh, boy, that task is coming up again all too soon! But the reason tropes are on my mind today is because in my “other” little Regency author group, the Bluestocking League, we are working on a website where we intend to include what may amount to a small encyclopedia of Regency romance tropes –a list, with descriptions of each and perhaps a few words about their appeal– and we have been compiling the list to start with. Not as easy as you might think, despite the existing lists already out there!

Want a peek at our list-in-progress? Have any you think we should add? Here it is in no particular order:

Loveable Rogue/Rogues in love

Agents of the Crown secret-agent-man

Childhood Friend Romance

Protectors

Dukes

Scandal

Beauty & the Beast

Ugly Duckling/Makeoveri_love_being_estranged_mug-re330ccf88ac348ad8b2b7575bfeb37a8_x7jsm_8byvr_324

Estranged Lovers reunited

Friends to Lovers

Marriage of Convenience

Compromised

Governesses Governess

(other) Boss/Employee

Rakes

Mistaken Identity

(kidnapping) –almost always mistaken identity?

Rags to Riches

Wounded Hero/Caretaker Heroine

House Party Chatsworth-House

Masquerades (including Secret/Hidden Identity)

Road Trip/Runaways

Amnesia

Wagers/bets

my-guardian-angel-85701 Ghosts/guardian angels/magic locket–i.e. Something paranormal outside of self influencing the romance.

Soldier

Thief/highwayman/con artist  (are there any gypsy Regencies–and if so, would they fit here or as own trope?)

Hidden treasure

Murder(s)

Spies (not just Agents of the Crown–could be a soldier, a French spy, etc.)

Wills (tricky provisions and/or inheritances that play a major role in the plot)

Marrying out of one’s class (not sure how to say that more simply)

Demi-monde/light skirts

Spinsters

Widows/Widowers

InventorsMusicians 1817

Artists/Musicians/Writers

Heroes who have a profession

Naval/Sea faring

Smuggling

Politics/Parliament

Handicapped (could be hero or heroine or secondary character whose handicap is an issue)

Social Issues (including slavery, abuse of children, etc.)

Farming/Raising Horses/Animals?

Waterloo (since this seems of particular interest to some readers)

Christmas (and perhaps other  holidays)

India/Other foreign travel?

Children (stories where a child or children play a significant role in bringing the hero and heroine together)

Lots of books include more than one, and some overlap. Which books that you’ve read (or written), leap to mind when you look at these tropes?

We could talk about which favorite tropes appear in which favorite authors’ books. Or we could get into a discussion about where some of these tropes originated (besides the history of the period itself) –Austen? Heyer? Some of the early Regency writers like Cartland?

Sadly, I’ll have to leave that to you in the comments –I am really short on time this week! But I would love to hear what you all have to say about some of these tropes, or even about the list itself!

indexRevisiting an old story intent on revising it can be a scary journey full of rocks and potholes. I’m deep in the throes of revising my old Signet Regency, The Magnificent Marquess, and I have to tell you, the process isn’t pretty! It’s not just the mess of annotated pages scattered over my dining room table and all the handwritten notes that are keyed to them, but also my precarious state of mind.

What do you think about “new and improved” versions of older books? Have you ever picked up a new version of an old favorite and read it to see if you liked it better? And did you? If you write, have you gone back to previously published work and significantly changed it? I’m not talking about just a minor tweak or correction here or there. Were you pleased with the result? Please let me know in the comments!writers-block21

While I am firmly convinced this original book can be greatly improved, I am also terrified I may make it worse rather than better.

There seem to be two schools of thought about reissuing backlist books. One is that old books are like old friends and should just be sent back out again in the same lovable form they originally presented to the world. The other is that reissuing them offers an opportunity to improve them –to fix mistakes, enliven the writing, or even indulge in the deeper surgeries (or expansions) required to improve plot, character, or motivations. What’s your experience with this, as a reader, or a writer, or both?

writing_as_professionalMost of my old Signets packed a lot of plot into a relatively short book format –the length was a requirement of the publisher’s line. I believe that by expanding The Magnificent Marquess, I can tell the story more effectively. Too much had to be left out of the original version. But one of many dangers then becomes losing the pacing, not to mention the challenge of keeping the writing tight. All the same problems of writing any original version!

I just keep reminding myself that even though these characters and their story are old friends of mine, for readers who never read the first version, this revised one will be brand new. I’ll let you know when it’s ready!! happy reading 2 peeps

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ge-tmm-banner-750x1125 Happy 2017! I had hoped to give you a date for the re-release of The Magnificent Marquess, but I am finishing up my revisions and still aiming for the end of this month or early February. I just can’t sit on my new cover any longer –take a look!! (click on images to see them bigger)

The hero in this book has lived in India for most of his life, and besides some loyal Indian servants who chose to come with him to London, he also has brought his pet cheetah, Ranee. She is the cause of some trouble right at the beginning of the story. And while you might not think the topic of cheetahs is very connected to the Regency, let me show you how it is!

When this story was first published by Signet back in 1998, some readers didn’t realize that in the early 19th century there were still (or ever had been) Asian cheetahs in India. They are gone from India (the cheetahs, not the readers) and are very nearly extinct now even in the Middle East, where they used to roam freely. I was very distressed recently to read that cheetahs of every kind are now considered endangered. But in 1816, that was not the case.

In India, cheetahs were often trained for hunting. They are, after all, the fastest animal on the planet. It almost seems like cheating!! cheetahs-2Just because the British were in India where the climate was quite unlike that at home doesn’t mean they were about to give up their treasured leisure pursuits. But not all cheetahs were suited to it, and that is the case with Ranee, who is much happier as a pampered companion.

Of course, Ranee is fictional, and I went with my belief in “what could have been” when I wrote this story. Have you ever read or written something in a story that seems reasonable based on research, even though you couldn’t document that anyone ever did it? Isn’t it exciting when later you stumble across information that supports it? It’s so much easier to do research now!

The Internet was just blossoming back when I wrote the original version of this book. At that time I did not find any actual cases of cheetahs being brought to London. But do you know who had one? George III! And the artist George Stubbs took time off from painting horses long enough to paint a picture of it. Here it is:

stubbs-painting-of-george-iiis-cheetahIt breaks my heart that the king’s cheetah eventually ended up in the zoo at the Tower of London, such a sad fate for a magnificent animal born to run. How long it survived there I have not been able to find out. Even though this happened some 60 years before my story takes place, pre-Regency, the king and many other people from that time were still alive during the Regency and might have remembered poor Sultan, or at least saw Stubbs’s painting exhibited at the Royal Academy.

I still haven’t been able to access much information about Sultan or even the later history of the Stubbs painting, and now I would love to know more. If you’ve ever run across this or know of an accessible source, please share!

In the meantime, please let me know in the comments what you think of my new cover? I always wished Signet had included Ranee in the original one. I hope by next month I’ll be letting you know the new version of the book, revised and expanded, is out and available!! Happy New Year, everyone!    cheetah_trainer-croppedP.S. If you are interested in learning more about cheetahs, there’s a fascinating blog that follows the story of one rescued cheetah from cub-dom to adulthood (click on any of the cheetah pix on the site’s homepage, or go here for a single post:  http://sirikoi.blogspot.com/2013/09/sheba.html   or here for a nice narrative version of Sheba’s story: http://www.care2.com/causes/cheetah-raised-by-humans-who-loved-her-enough-to-set-her-free.html  Also here’s a link to the recent information about how endangered these beautiful cats have become today (with some more lovely photos): http://www.care2.com/causes/worlds-fastest-land-animal-is-now-racing-extinction.html

 

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As I pondered a topic for this month, a friend suggested “spring fashions” and here’s what happened: 1) I decided fellow Risky Isobel’s expertise on Regency fashions so far exceeds my own, I should leave that topic to her, and 2) I started to suffer an almost rabid craving for spring in England. Is anyone else feeling it?

Spring comes earlier to England, at least to much of it, than it does to my own location in New England, in the U.S. I recall vividly my surprise to discover snowdrops blooming in London in January the first time I ever crossed the pond. This month, March, is when I usually begin to look for them here, and not this early in March, either, despite the very mild weather we’ve recently had here.

But, oh, in England! March is a month for daffodils and other spring flowers we are only still wishing for where I live. Here the green tips are only just beginning to show in the gardens. I found some potted primroses in my local market and had to buy them, even though they are already fading. This tiny watercolor by E. Daniels (it’s only 2 inches by 2 ¼ inches) graces a shelf in my office, a beloved souvenir from a past trip to England that gives me primroses year-round.

In The Winter’s Tale, Shakespeare wrote: “Daffodils/That come before the swallow dares, and take/ The winds of March with beauty”. This image has lasted through the centuries. The seasons and nature offer a wonderful bridge between us and the past. The same kind of March winds that Shakespeare mentioned are roaring outside my windows today as I write this, even if I haven’t yet any nodding daffodils. These kinds of seasonal details help us as storytellers trying to make our historical fiction feel real. We need those threads of common experience that transcend the centuries to help anchor our characters and plots!

Several of my books are set in late spring, or at least begin then. In my first one, A Perilous Journey, I took a little liberty to have my characters find late-blooming daffodils even though it was May, but at least they were in the north on their way to Scotland…. I’ve always loved the playful cover created by artist Alan Kass for the original (OP) Signet edition of that book.  (It is only available now from Penguin Intermix as an ebook.)

The arrival of spring, when it finally does come here, probably won’t cure my craving for England (I am sooooo overdue for a visit!). However, it will help. In the meantime, I’ll go out and check the forsythia to see if it has started to bud. I’ll bring some branches inside to “force” into bloom and tide me over while I wait! I’m certain that’s something a Regency heroine might do, if I ever start a story in March. But not with forsythia, and not because it would already be blooming. It wasn’t introduced in England until after the Regency. A Regency heroine would have to use flowering quince, or pear, apple, or cherry branches from the orchard, or lilacs, or mock orange or….hmm, more research required. Perhaps she’ll just pick some daffodils!!

Where do you like to ferret out what would be blooming when in your stories? Or, what sources do you love to go back to for inspiration, not necessarily information? My favorites for inspiration include both the Country Diary and the Nature Notes of an Edwardian Lady (Edith Holden), even though these are not from our period. For sheer visual inspiration, I’m currently enjoying a lovely book called The Writer’s Garden: How Gardens Inspired Our Best-Loved Authors, by Jackie Bennett with photography by Richard Hanson. A picture book that visits the homes and gardens of 19 authors, starting with Jane Austen at Godmersham and Chawton, it is a visual treat and a delightful way to travel by armchair! I highly recommend it, especially if you’re craving spring and it hasn’t come yet where you are!!

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