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No release date yet for The Magnificent Marquess! Possibly end of this month? Or early May? In the meantime, I’d like to share a recent, new-to-me discovery.

Do you listen to the radio all day or play music on your computer while you work? In the Regency, was there any way to listen to music that wasn’t being performed on live instruments? Actually, there was. You might have received the gift of a music box from your forever-love, or at least have been wealthy enough to own one. Or your parents’ parlour might sport an automaton of singing birds!

I was inspired to explore this topic by my recent visit to Phoenix, Arizona, where we visited the very impressive Musical Instrument Museum (affectionately known as “the MIM”). The international collection there ranges from some very early and exotic instruments to items as recent as the broken guitar Adam Levine threw into the air during a Maroon Five concert. Many of the instruments are gorgeously decorated works of art beyond their artistic function. But I digress.

When I’m in museums I admit I tend to focus on anything that is from our period (obsessed much?). At the MIM I thoroughly enjoyed seeing guitars and pianofortes that were played by upper class women and made during the Regency. I was delighted to discover a video clip from Pride & Prejudice used to illustrate the significant social role of such musical performance.   But I already knew about those things. My favorite discovery was some early music boxes in the “mechanical music” room. I had never thought about when those first became available. Did you know that musical snuff boxes were the forerunners of the modern music box?

As with most inventions, earlier developments led to a needed breakthrough in technology. For music boxes, those steps included the 14th or 15th century creation of mechanisms for playing carillons in bell towers,  and the realization by German clockmakers that small bells and the rotating cylinder could be combined with clockworks to produce chiming or musical clocks. In the17th century the first fully automated musical clock was created in Germany, and the first “repeater” pocket watch was created in England.

Chiming English mantel clock

I’m not going to give the whole history with dates and names in this blogpost (especially since sources don’t all agree), but in the 18th century watches and snuffboxes were being made that played tunes using a tiny pinned cylinder or disc and bells.

The generally accepted big change happened in 1796 when Swiss watchmaker Antoine Favre-Salomon (1734–1820) — some sources name him as Louis Favre –replaced the tiny bells with a small, resonating steel “comb” tuned by varying the lengths of the “teeth”.  This snuff-box music box showing the working cylinder and comb is in the MIM in Phoenix.

Favre’s invention not only saved space but also allowed more complex sounds. In 1800 another Swiss watchmaker, Isaac Daniel Piguet, used a pinned disc with radially arranged steel teeth. Watchmakers were the first to produce music boxes. But by 1811 the first specialized factory for making music boxes was established in Saint-Croix, Switzerland, and by 1815, 10% of Swiss exports were music boxes. A new fad for the wealthy was born!

There’s a story that Beethoven was so charmed by a music box that he composed a piece especially for the music box maker.  Improvements soon included adding more teeth to the comb, methods to shift the cylinder or disc position to play more than one tune, and experimenting with different types of wood to improve music box resonance. Here is a picture from the MIM of a piano-shaped music box c. 1835 that was also a lady’s sewing box.   Music boxes became more and more elaborate over the course of the 19th century, and also less costly. The music box industry in Europe and America eventually employed more than 100,000 people. The invention of the player piano and then the phonograph put most of the makers out of business by the early 20th century.

Let me not forget the singing birds! Those have a long history, too, but the first mechanical birds that “sang” are generally credited to the Jaquet-Droz brothers, clock and automaton makers from La Chaux-de-Fonds, in 1780. The same sort of mechanism as music boxes provided their sounds. Singing bird automatons were a fad for the parents or grandparents of our Regency characters, so there is no reason why a set might not still be lurking in a parlour, or parked in the attics of the family home. Automatons could be the topic of another entire post, a separate fascinating rabbit hole!

Do you love music boxes? Do you own any, or did you as a child? Did you know they first gained popularity during the Regency? I didn’t, but many thanks to the MIM in Phoenix for pointing me to that discovery!

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How much do you know about LGBT history during the Regency period? Today we offer you a guest post by writer Graham Stokes (who happens to be Risky Gail Eastwood’s son).

 As most of you probably know, June is LGBT Pride Month. The month is generally filled with gregarious celebrations commemorating the Stonewall Riots which occurred on June 28, 1969 and launched the modern LGBT rights movement as it is known today. But the history of the LGBT community goes back much farther than that. Here’s a glimpse of it specifically during the Regency period.

To start, let’s talk terms. Of the words that make up the acronym LGBT, only the word “lesbian” was used in the Regency with the same meaning as it has today. Even though we’ve used “queer” in our post title, it actually just meant weird or deviant back then, without any specifically sexual connotation. Homosexuals were known as “mollies”. Some sources say this was an evolution of 18th century slang when a “Molly” meant an effeminate man.

In the British Empire, not only was homosexual behavior between men still illegal in the Regency era, it still carried the possibility of a death sentence. Homosexual and transgender people were forced into hiding. Taverns, coffee houses, and other businesses that could provide cover for them were called “molly houses”.

Molly houses were primarily establishments where men could meet other men –or male prostitutes, a practice that was increasingly common by the Regency period –for sexual encounters. However, these houses were also the hub of what little community there was for LGBT people.  Cross-dressing was commonplace inside molly houses. Some outdoor locations, such as public toilets and certain public parks and thoroughfares, became known as “molly markets” but served much the same purpose as molly houses.

For convenience (of the authorities), pillories were often built near these places, because of how frequently offenders were placed in them. Ironically, this meant that pillories often became an identifier of a place where a molly market might be, rather than a deterrent from seeking one.

Early in 1810, James Cook and someone named Yardley (full name unknown) opened a molly house on Vere Street called the White Swan. Both men would later claim they had wives and kids, were completely straight, and were only operating the molly house for the money. On July 8, less than six months after the White Swan opened, Bow Street Runners raided the place.

This Vere Street coterie, as it was called, was reported in every newspaper. Twenty-seven men were arrested, though only eight were prosecuted and convicted for the crime of buggery. Six of them, convicted only of “attempted sodomy” (a subset of the umbrella term “buggery”), were pilloried in the Haymarket on September 27. A large and unruly crowd came out to watch the punishment and hurl things –reportedly including dead cats –at the “mollies”. The city was forced to deploy 200 armed constables to prevent anything worse from happening.

The following spring, on March 7, 1811, 46-year old John Hepburn and 16-year old drummer boy Thomas White –both convicted of engaging in the actual act of sodomy –were hung despite neither of them being present at the White Swan at the actual time of the raid. The lawyer Robert Holloway would write a book about the incident, published in 1813, entitled The Phoenix of Sodom.

This would not be the end of the scandal stirred up by the Vere Street coterie. The Weekly Dispatch reported that the Reverend John Church had been performing false marriages between the male clients of the White Swan. The rumors are, at this point, unprovable but the modern LGBT community of the UK claims John Church performed the first same-sex marriages in England. For his part, Reverend Church denied the accusations, claiming they had been started by his rivals in the clergy. He took legal action against the Weekly Dispatch to ensure such stories were not reported again.

However, in 1816, Church became involved in another scandal when he was arrested on charges and this time convicted of attempted sodomy. The trial took more than a year. Upon the news of the verdict, a large crowd burned an effigy of him at his church, the Obelisk Tabernacle. Rev. Church was sentenced to two years in prison. He resumed his career as a minister after his release, and was not involved in any more scandals afterwards.

The validity of the accusations against Church is certainly questionable, as false accusations of sodomy were not unheard of. In his memoirs, radical speaker Henry Hunt recalled the supporters of his opponents frequently heckling him with remarks that suggested he was engaging in buggery. In 1811, the Lord Bishop of Clogher, Percy Jocelyn, was accused of “committing unnatural acts with another man” by a man named James Byrne. The Bishop took legal action against the accusations that he stated were false.

Given a lack of evidence to support the accusations, and considering the Bishop’s membership in the Society for the Suppression of Vice –an organization responsible for many raids on molly houses –the court sentenced Byrne to three floggings and two years in prison. Byrne nearly died from the first two floggings, so he recanted his accusation and the third flogging was canceled.

 Byrne’s accusations, however, had not been forgotten by 1822, when Bishop Percy Jocelyn was caught in the act of buggering a soldier named John Moverly. The ensuing scandal, taking into account the bishop’s hypocrisy and high social standing, was so vicious that the moral superiority of every clergyman in England was called into question. The scandal reverberated throughout society. Lord Castlereagh’s suicide less than a month afterwards is said now to have been because he was being blackmailed for “preferring men.” As for the Bishop, he was fortunate to have the means to escape from England to France. 

 

France had decriminalized sodomy in 1791, and when Napoleon created a new penal code in 1810 he carried over the entire lack of laws banning sodomy. As a result, Paris became something of a “hot spot” for homosexual and transgender individuals. No laws existed to protect them, and the behavior was certainly not accepted, but Bishop Percy Jocelyn was still able to take up residence in Paris under his own name and was welcomed into French society. Indeed, the entire French Empire was something of a different, freer experience for homosexual people than it was anywhere else in the world.

Details about life as a homosexual woman during this time period are scarce. Romantic relationships between women were — and often still are — misconstrued as passionate friendships. In cases where such friendships were discovered to have a sexual nature to them, legal action was typically not pursued against the offenders. Even if it was, the laws were much more lenient in regards to lesbian behavior. Of course, women were much less able to secure any sort of financial stability for themselves without a husband, so most lesbians chose to marry and carry out their affairs in the most secretive of ways. Only a handful (that we know of) were able to get by without a husband.

 The Ladies of Llangollen were two such women — Eleanor Butler and Sarah Ponsonby, who had a romantic relationship for over 50 years. Defying their families, the two established an estate in Wales, called Plas Newydd, rather than enter into marriages with men they did not love. Though they incurred significant debt in order to have a staff, they survived on the generosity of friends until a fascinated Queen Charlotte convinced King George III to grant them a pension.

Plas Newydd became something of a haven for writers during the Regency era, especially since the couple living there could afford to keep it. Another, even more notable, lesbian of the time was Anne Lister, who was a guest at Plas Newydd on occasion and who kept an explicit diary (in code). She had secured a position amongst the landed gentry, having inherited a good amount of wealth and a manor in Yorkshire called Shibden Hall. Because of her position, she was able to survive securely without ever marrying a man.

Ann Lister (c) Calderdale Metropolitan Borough Council; Supplied by The Public Catalogue Foundation

 

Details on transgender individuals are even harder to find. This isn’t just because being transgender was such an unexplored concept at the time, but because there was a lot of cross-dressing that went on for other reasons even though it was highly illegal. There were frequently men who dressed in women’s clothing at molly houses, and these likely were male-to-female transgender folks. Beyond those, however, there were practical reasons. Were women living as men transgender, or simply trying to escape restrictive gender roles? It’s hardly a secret by now that some women entered military service pretending to be men. In 1812, two men dressed as women calling themselves “General Ludd’s wives” led an attack on a factory owner’s home — but this was most likely to obscure their identities rather than because they actually identified as women.

GAIL says: Thank you, Graham!! Fascinating info. We have come a long way from the days of the Regency, at least in some parts of the world, in how we see and treat our LGBT society members. Still a long way to go!

Blog readers, have you read any Regencies with LGBT characters? What do you think about including such historically accurate elements of the time period in stories about romance?

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I know you understand the issues –I think all of us here tend to be research geeks. Sometimes it’s hard to pull ourselves away from the endless journey of searching out more information, more fascinating details –just a little more time, or just one more day…. Not everyone gets it. Back in the days before the Internet (I know, I’m old) I was so lost in the pages of the London Times from 1813, peering at the screen of one of those God-awful microfiche scanning machines in a library basement, I forgot one child’s orthodontist appointment, a whole afternoon, plus dinner, and oh boy, the looks I got when I finally went home!!!

The Internet has been both a blessing and a curse. So much is now available at our fingertips, but there are so many more rabbit holes to fall down!! Those were less likely to occur in the pre-Internet days. When I could only get information I needed for The Captain’s Dilemma (orig pub date 1995) by traveling to England and visiting special libraries (both military and civilian), you can bet I stayed on point for pretty much every minute I was over there! No rabbit holes. But the time thing, well, that was still an issue. Traveling alone was a blessing so there were no dinner appointments to make or other people’s schedules to accommodate. I guess there’s never enough time, no matter which way we research!

But now if we’re lost in the wonderful feast of Internet information, we may not even notice we’re down a rabbit hole until we’re pretty far down, LOL!  Does anyone else think the ease of Internet surfing has made research even more addictive?

Not to mention things like Pinterest!! How many of you have Pinterest boards set up for details of clothing, heroes, heroines, ideas for cover art, period room décor, views that inspire you –do I need to list more? Totally addictive. Every time Pinterest sends me an email with “suggestions” for my boards, I try to delete it, I really do. And sometimes succeed. But sometimes I just-can’t-stop-myself! My finger hovers, then clicks the fatal button and there goes a precious half-hour or more. But sometimes I find really helpful pictures that somehow escaped previous discovery.

For The Magnificent Marquess, I set up a board on Pinterest to collect pictures of East Indian artifacts that Lord Milbourne might have in his London townhouse after living in India. So many beautiful things!! They inspired me but I had to be careful not to put them all into the story!! (It’s called East Indian design, under Gail Eastwood-Stokes.) Here’s the link if you want to explore: https://www.pinterest.com/eastwoodstokes/east-indian-designs/ (Be warned, there’s 226 pictures!)

However, I’ve discovered readers can be interested in these things too. Am I the last one to figure this out? I just did a tea party with Cerise DeLand and Susana Ellis where I posted this silver tea pot  very similar to one my marquess uses in the story. I was astonished by all the love!! But then, I loved it, so why wouldn’t others?

On Facebook I’ve posted this picture of some gorgeous Indian teacups that were too beautiful not to use in the book. Just for fun, here’s the excerpt from fairly early in The Magnificent Marquess where both these cups and the silver teapot similar to the one above make their appearance.

The hero is serving tea to the heroine (I can’t explain why without giving spoilers):  “I must compliment you on your fetching ensemble,” Lord Milbourne said, picking up the silver teapot and pouring tea into one china cup. Was he fighting a smile? She could not quite tell. “It is so fitting to the occasion, for one thing. If I had a wife, I would make certain to take down the name of your modiste.”
Now he was openly roasting her! Apparently she was not already miserable enough. He added milk and sugar to her cup without asking, and held it out to her. She moved to the tea table and took the cup from him in suffering silence. She took a biscuit, although she was not certain she would be able to swallow anything solid, with her heart in her throat. He poured a glass of brandy for himself.
“Ah-h. One of the smaller but no less happy benefits of the war being over,” he said, holding the glass up and taking a deep, appreciative sniff. “Please, do sit. Otherwise I shall feel obliged to remain standing. In the company of a lady, and all.”
She dropped into the nearest chair, biting her lip. What he must think of her now! His tone said it all. How silly of her mother to have feared that she would ruin her sister’s chances with her blue-stocking ways! She had done a far more thorough job of it now, in a way her mother could never, ever, have imagined.
She sipped the tea, just now noting how exquisite the cup was. A little taller than usual, it was made of thin white porcelain and decorated so thickly with gold leaves, flowers, and vines that at first glance it appeared to be made of gleaming solid gold. The tea set on the table, too, at first appeared to be beautifully made but conventional in shape and design. It was only when she looked closer that she realized the silver pieces were covered with the same sorts of natural motifs she had seen on the walls and carved screens. The knobs and spout supports were flowers. Had every single thing in the house been brought with him from India?

I was tempted to make this post chock full of pictures from my East Indian Pinterest board –be glad I spared you (even though most of them are stunning!!). If you look there, just know you have to scroll down past all the weapons (Lord Milbourne has a collection of those on his library wall). Even some of those are pretty amazingly beautiful!

What are your research time and rabbit hole challenges? I refuse to call them weaknesses!! J It all goes to enrich our stories and reading pleasures, right?

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The English count the 12 days of Christmas as starting on Christmas Day itself, so Christmastide, or the Twelve Days of Christmas culminate tonight with Twelfth Night, ushering in the Christian season of Epiphany. Which customs did people follow to celebrate this during the Regency?

The more research you do to answer this question, the less of an answer you will find, for sources contradict each other and assumptions are made where information is lacking. Twelfth Night itself is ages old, and in earlier times eclipsed Christmas as a major holiday. The rituals and customs associated with it, and with the twelve days, are myriad.

Did people exchange gifts? On Christmas? On Twelfth Night? All through the Twelve Days? Evidence (newspaper ads for instance, and lists of gifts received kept by individuals) would suggest “all of the above”, despite some accounts that say the practice had faded out by late in the Regency. Did they still dress up as “12th Night characters” to entertain each other at parties? Jane Austen mentions this. Still celebrate with 12th Night cake, or choose a King and Queen of the Bean? Perhaps at least in the early Regency, and of course it depends on class, location, and other variables.

“…these venerable customs are becoming every year less common : the sending of presents also, from friends in the country to friends in the town at this once cheerful season, is, in a great measure obsolete: ” nothing is to be had for nothing” now ; and without the customary bribe of a barrel of oysters, or a fish, we may look in vain for arrivals by the York Fly, or the Norwich Expedition….” –Kaleidescope of January 1822.

Elsewhere in his article the writer says: “During the period which elapsed, between 1775 and the close of the 18th century, the periodical observance of old customs, festivals, and holydays, was much more attended to than at present. The recurrence of the time  hououred festival of Christmas, was commemorated in Liverpool, to an extent much beyond what is now the usage, though in a degree inferior to the manner in which it was observed in the age which was gone by.”

Were the old customs celebrated in Washington Irving’s fictionalized account of an English Christmas in “Old Christmas” from his larger work, The Sketch Book of Geoffrey Crayon, Gent.(published serially 1819-20) truly inaccurate, as claimed by the same writer?? His complaint about Irving’s work: “It is true that the Sketch Book is merely a work of imagination and not of history, and that it describes Mr. Bracebridge as an eccentric elderly gentleman, who was fond of keeping up or reviving ancient customs and old pastimes, but it is so expressed that a stranger to English habits, on reading it, can scarcely avoid falling into the error of imagining that such a mode of celebration, was observed at Christmas, in some parts of England, at the time when that book was written, or at least, in very modern times. Even if all the ceremonies, sports and observances which are there described, ever were commonly practised at Christmas, in English families, it was in an age long since past, and there is no reason to believe that the mode of observing or celebrating Christmas, described in the Sketch Book, ever occurred in England, within the last hundred years.”

The writer seems to ignore Irving’s own words in the piece itself: “I felt an interest in the scene, also, from the consideration that these fleeting customs were posting fast into oblivion; and that this was, perhaps, the only family in England in which the whole of them were still punctiliously observed.”

My belief, as always, is that –humans being humans– not everyone did the same thing, so what may be true for one area of England, or even one village, or one family, might not be true for another. We also know that, especially in the countryside, memories in England were very long and tradition revered.

This is good news for us as fiction writers. We try to recreate an accurate sense of the time period we set our stories in –otherwise, why choose that period? But at the same time, we have a story to tell. Do we have leeway to bend the facts to serve our story?

I would say no, when the facts are definitely known and established. To me, that just undermines the believability the story needs to create. I’m a firm believer in the importance of research! But when the facts are not so definite, when sources disagree or are vague? When the variable eccentricities of human nature come into play? Then I say, bring it on!

I admit to creating a setting –a backwater village that clings to old traditions –in my yet-unfinished 12 days tale, The Lord of Misrule. Even the predicament of my hero, who is stranded in said village and quite accidentally (perhaps) selected to be the Lord of Misrule, is an anachronism, since for the most part as far as we know that custom of having a Lord of Misrule was abolished in the 17th century (and even that is subject to all sorts of variations, from ruling for 3 months, October-December, to the 12 days of Christmastide, to only ruling on the also abolished Feast of Fools, or only on Twelfth Night itself).

What do you think? Does a lack of solid information give us license to do what we please for the sake of a story? Whatever your opinion on this, I wish you a Happy New Year “and many of them” as one 1805 newspaper encouraged people to say. Happy Twelfth Night, too!

STC26400 Village choir (see also 12274) by Webster, Thomas (1800-86); Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

One of my weekly joys is singing with my church choir. Our church is small, and so is our choir, often only six or eight people, just as I imagine a small rural parish church choir in Regency times might have been. But did you know that music in the country parish churches of Regency England was very different from what you find in churches today? I fell down this fascinating rabbit hole while doing research for my not-going–to-be finished-for-Christmas-after-all holiday story, The Lord of Misrule.

Since the heroine of LOM is a vicar’s daughter, I’ve done a lot of church-related research for that story, and am now familiar with the reforms that came with the Victorian era and the Oxford Movement in the Anglican Church. Many of those Victorian era changes have lasted into our times, and they can be a roadblock when one tries to recreate an earlier time. In a country parish church of the Regency era, it would  be rare or unlikely for you to find an organ, or hymnals, or even a choir in exactly the same sense we hear today.

“West Gallery Music” evolved in response to the need for guided singing in local church services, where there were few organs, and no trained musicians or choirs to lead the music. During the Reformation of the 16th century, organs in churches were destroyed as part of the rejection of Catholicism. Under Cromwell, English churches continued to suffer abuse, and organs were not replaced. Organs did not become popular in churches again until the middle of the 19th century!

In country Anglican churches 1700-1850, and in non-conformist churches even later, to 1860, the joyful and vibrant traditions of the West Gallery music reigned. A relatively modern term, the name comes from the galleries where the choirs sat. During the Georgian era, population was expanding and in the villages, church attendance was a major part of life. Galleries were added to the interiors of the small churches to provide additional seating, or at least open seating not owned privately, as most pews were. These were sometimes built along the sides, but the west end was usually the province of the choir.

Essentially, these untrained choirs consisted of a band with instruments and singers, and while their music could sometimes feature complex harmonies, most of the time the pieces (psalms most commonly, but also anthems and even Christmas carols), were simple, for many in the choir could not read music –even if they could read words. Instruments included whatever strings, woodwinds, or brasses might be available among the village folks or that the church was able and willing to purchase. Each instrument might anchor a section of voices, the treble parts and bass parts, for instance. The bands that played Sunday mornings also were called into service for village festivals and assemblies or any other special occasions.

Women were not allowed to sing in standard Anglican church choirs. The practice of fulfilling the high range voices with boys and young men led to the formation of many “boy choirs” who sang in the cathedrals and large city churches. However, the painting of “A Village Choir” by Thomas Webster (shown at the top) dates from 1840 and definitely shows women participating. Is it because the choir depicted sings in a non-conformist (non-Anglican) church? Or because it is from a later date? (maybe both?) I have not been able to confirm if women would have been singing in a Regency choir, at least on a regular basis. One argument made against it was simply that it would be improper for young women to be isolated away from the rest of the congregation with all the choir men up in the gallery!! By the 1850’s the West Gallery music was starting to decline, falling into disfavor because it was not considered “solemn” enough, and the trend to restore churches back to their “original” state was beginning to gain traction. Galleries were torn down and removed. Much of the music was lost or destroyed. However, in the 1980’s, a revival of this musical form started in Britain, and has spread into the U.S. and Australia. Local “quires” have sprung up, devoted to performing this unique music. Britain’s West Gallery Association provides a sort of loose central organization and resources. If you’d like to learn more about these groups, and/or the music and history, here are some good website and article links:

http://www.wgma.org.uk/Articles/intro.htm   (West Gallery Association site with a good overview)

http://www.rodingmusic.co.uk/info/wginfo.htm

http://www.immanuelsground.com/wgmusic.htm

https://en.wikipedia.org/wiki/West_gallery_music

I am disappointed and also offer apologies that I won’t be able to offer The Lord of Misrule to my readers for Christmas!! It was rolling along quite well, but a double whammy of health issues for myself and for my husband has slowed me down too much to make it feasible. I will keep folks posted about when it will actually be finished and available!

In the meantime, had you run across the West Gallery music tradition? My heroine in LOM (along with her married friend) actually gets drafted to sing in the choir to substitute for a missing choir member, but normally women would not be allowed, in that village and that church. I always say that research is imperfect at best, and a writer can make anything happen as long as it seems logical and believable.

Best wishes to everyone for the holidays, and Happy New Year! (Sending these now since I won’t be blogging again until January –and we are anticipating making some changes here at Risky Regencies, so who knows?? Thank you for visiting us here and for reading.

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